Sunday, April 15, 2007

Investor's Business Daily: Wolfowitz Must Go

(ht worldbankpresident.org)
Wolfowitz was a visible symbol of U.S. control of the World Bank with this finger-pointing. Corrupt states have often reacted with routine anti-Americanism. Now with clear ethics violations at the top, they have a new excuse for their resentment — and their corruption.

As countries like Tajikistan, Iraq and Haiti see this spectacle unfold, they'll have new reasons to resist outside efforts to clean up.

Then there's those who fund the World Bank — mainly U.S. taxpayers who provide cash and billions in loan guarantees to fund the Bank's $23 billion annual lending.

They come from a world where bank officers, business executives, stock traders and even journalists must carefully follow complex ethics rules or be paraded off before TV cameras in handcuffs as criminals. They aren't fooled by claims of ignorance.
While the White House says it still has full confidence in Wolfowitz, staying on is unlikely to encourage taxpayers of dozens of countries to provide more capital for its $23 billion in annual lending.

Did Wolfowitz Deal Corrupt US State Department?

Soren Ambrose notes the strange arrangement whereby the US State Department agreed to hire a British subject paid by the World Bank to improve the US image in the Muslim world. He doesn't think it appears kosher for Shaha Riza to be paid by the World Bank to promote US political goals:
An Overlooked Angle in Wolfowitz Scandal?
Isn't it odd that there are no questions being asked about a "secondment" arrangement in which international public funds are used to pay the exorbitant salary of a U.S. State Department staffer (and most recently director of a U.S. State Dept. front group) whose mission is to improve the U.S.'s image in the Muslim world?

I've seen nothing about a balancing of the secondment -- e.g., the State Dept. sends four of its staff to the Bank to balance out Shaha Riza's salary. And a five-year secondment must be rather unusually long.

But the key issue should be: why should international taxpayers be supporting efforts to popularize U.S. policy in the Middle East? Are we all really so cynical about the Bank's supposed status as a U.S. puppet that we don't even blink at such an arrangement?

The idea of a "non-political" World Bank was always a fantasy, but this seems to be pushing it a bit far.
He has a running account of Wolfowitz's problems here.

Paul Wolfowitz's Statement to World Bank Annual Meeting

From the World Bank Website:
... Let me also ask for some understanding. Not only was this a painful personal dilemma, but I also had to deal with it when I was new to this institution and I was trying to navigate in uncharted waters. The situation was unprecedented and exceptional. This was an involuntary reassignment and I believed there was a legal risk if this was not resolved by mutual agreement. I take full responsibility for the details. I did not attempt to hide my actions nor make anyone else responsible.

I proposed to the Board that they establish some mechanism to judge whether the agreement reached was a reasonable outcome. I will accept any remedies they propose.

In the larger scheme of things, we have much more important work to focus on. For those people who disagree with the things that they associate me with in my previous job, I’m not in my previous job. I’m not working for the U.S. government, I’m working for this institution and its 185 shareholders. I believe deeply in the mission of the institution and have a passion for it. I think the challenge of reducing poverty is of enormous importance. I think the opportunities in Africa are potentially historic. We have really been able to call attention to the progress that’s possible in Africa, and not just the despair and misery in the poorest countries. I think together we’ve made some progress in enabling this institution to respond more effectively and rapidly both in poor countries and in middle income countries to carry on the fight against poverty. I also believe—even more strongly now than when I came to this job—that the world needs an effective multilateral institution like this one that can responsibly and credibly manage common funds for common purposes, whether it is fighting poverty or dealing with climate change or responding to avian flu. I ask that I be judged for what I’m doing now and what we can do together moving forward.

Saturday, April 14, 2007

Britain Says Wolfowitz Has Damaged World Bank

According to Reuters, the Wolfowitz scandal has embarrassed the UK:
Britain said on Saturday the scandal over World Bank President Paul Wolfowitz's promotion of his girlfriend has damaged his institution and the decision over his fate should now lie with its board.

"While this whole business has damaged the Bank and should not have happened, we should respect the board's process," British development minister Hilary Benn said in a statement released as he arrived in Washington for the World Bank/International Monetary Fund meetings.

"I am sure these views will be shared by other governors who will also be considering their responses."

Wolfowitz has been under growing pressure to resign after it became known that he approved a big pay rise and new job for his girlfriend -- a World Bank staffer.

The White House has offered its full backing for the former Bush administration stalwart but many other countries have so far remained cautious about prejudging any decision by the World Bank's board.
Here's a typical headline from Australia's Sydney Morning Herald: The banker, his lover and her pay rise of $80,000.

That Wolfowitz appears to be blind to the damage the World Bank scandal is doing to him and the institution he heads is another argument for his swift departure...

NGOs: A ‘New Class’ in International Relations

I've just learned that my latest Orbis article, NGOs: A ‘New Class’ in International Relations, is available online from Science Direct. Unfortunately, Science Direct charges for the full text download unless your library has a subscription. However, the abstract, at least, is available for free:
Nongovernmental organizations have attempted to take control of civil society, displacing traditional governing institutions. This serves the interests of the terrorists, warlords, and mafia dons, who benefit from weak central government, and hinders the West's ability to mobilize allies to participate in the war on terror. NGO leaders who are hostile to the nation-state itself seek to transform a voluntary system of participation in international organizations by sovereign member-states via a “power shift” to an unholy alliance of multinational corporations and NGOs. Since they do not possess the traditional sources of legitimacy enjoyed by nation-states, they seek to impose their will by financial or forceful means—for example, “sanctions” or “humanitarian intervention.” A new class of NGOs has thus emerged that is essentially opposed to the diplomatic, legal, and military measures required for dealing with civilizational conflict.

Banned Filmmaker Blasts PBS Islam Series Censors

In a Washington Times op-ed, producer Frank Gaffney accuses Robin MacNeil of collaboration with PBS censors:
As it happens, I was involved in making a film for the "America at a Crossroads" series that also focused on, among others, several American Muslims. Unlike Mr. MacNeil's, however, this 52-minute documentary titled "Islam vs. Islamists: Voices from the Muslim Center," was selected through the competitive process and was originally designated by CPB to be aired in the first Crossroads increment.

Also unlike Mr. MacNeil's film, "Islam vs. Islamists" focuses on the courageous Muslims in the United States, Canada and Western Europe who are challenging the power structure established in virtually every democracy largely with Saudi money to advance worldwide the insidious ideology known as Islamofascism. In fact, thanks to the MacNeil-Lehrer film, the PBS audience soon will be treated to an apparently fawning portrait of one of the most worrisome manifestations of that Saudi-backed organizational infrastructure in America: the Muslim Student Association (MSA). The MSA's efforts to recruit and radicalize students and suppress dissenting views on American campuses is a matter of record and extremely alarming.

In an exchange with me aired on National Public Radio last week, however, Robert MacNeil explained why he and his team had refused to air "Islam vs. Islamists," describing it as "alarmist" and "extremely one-sided." In other words, a documentary that compellingly portrays what happens to moderate Muslims when they dare to speak up for and participate in democracy, thus defying the Islamists and their champions, is not fit for public airwaves -- even in a series specifically created to bring alternative perspectives to their audience.

The MacNeil criticism was merely the latest of myriad efforts over the last year made by WETA and PBS to suppress the message of "Islam vs. Islamists." These included: insisting yours truly be removed as one of the film's executive producers; allowing a series producer with family ties to a British Islamist to insist on sweeping changes to its "structure and context" that would have assured more favorable treatment of those portrayed vilifying and, in some cases, threatening our anti-Islamist protagonists; and hiring as an adviser to help select the final films an avowed admirer of the Nation of Islam -- an organization whose receipt of a million dollars from the Saudis to open black Wahhabi mosques is a feature of our documentary. The gravity of this conflict of interest was underscored when the latter showed an early version of our film to Nation of Islam representatives, an action that seemed scarcely to trouble those responsible for the "Crossroads" series at WETA and PBS.

At this writing, it remains an open question whether PBS will get away with suppressing this film. The decision rests with the CPB, whose vision and support for "Islam vs. Islamists" in the face of sustained hostility for it exhibited by PBS and its friends has made this documentary possible.

Unless and until a way is found to translate into widespread distribution CPB's stated assessment that ours is a powerful and important film, though, the intention of the "Crossroads" series to diminish, if not end, the tyranny of the public airwaves by the left, will be substantially unfulfilled. And "Islam vs. Islamists" will remain the film PBS does not want you to see -- and can keep you from doing so.

Read This Book Online For Free

UC Press has a new digital publishing feature that has a posted an online edition of BEFORE THE NICKELODEON by Charles Musser, a classic film studies text about Thomas Edison's motion-picture business.

NEH Statement on Ken Burns Scandal

Found this statement from Noel Milan of the National Endowment for the Humanities in my email--his response to an earlier post: Unanswered Questions About NEH Role in Ken Burns Scandal:
Dear Dr. Jarvik:

Thanks for your query.

The National Endowment for the Humanities continuously strives through
its rigorous peer review process to fund excellence in significant
products. As a custodian of taxpayer dollars, we make every effort to
ensure a broad range of views are represented in projects we support,
however we cannot censor or manipulate content. The ultimate
responsibility for any project is that of the creator or author.

Sincerely,

Noel Milan
Although Ken Burns has surrendered to Hispanic veterans, I think questions about NEH responsibility--and the precise nature of Ken Burns' relationship with NEH--remain unanswered.

Friday, April 13, 2007

UK Foreign Office Condemns Berezovsky Declaration

According to RIAN Novosti, the British government is distancing itself from Berezovky's call for Putin's ouster--but if actions speak louder than words, the question remains: Will the British continue to give Beresovsky a safe haven?
LONDON, April 13 (RIA Novosti) - Britain's Foreign Office Friday condemned Boris Berezovsky's remarks urging a coup against the Russian president and said it will closely look into this and other statements by the exiled tycoon.

The Foreign Office said it deplores anyone who uses their residence in the U.K. as a

platform to call for the violent overthrow of a sovereign government, but stopped short of promising to extradite the fugitive oligarch - something Moscow has been pushing for ever since the billionaire was granted political asylum in 2003.

On Friday, Moscow renewed its calls for Berezovsky's extradition after he said in an interview with the British newspaper The Guardian that he has bankrolled Kremlin insiders conspiring to topple Vladimir Putin.

Berezovsky Calls for Violent Overthrow of Russian Government

In Kommersant, exiled oligarch Boris Berezovsky is quoted as calling for "regime change" in Russia:
The Guardian of Britain released an interview of Russia’s exile tycoon Boris Berezovsky Friday. “We need to use force to change this regime,” The Guardian quoted shadowy billionaire as saying.
”There is no chance of regime change through democratic elections,” Berezovsky announced via The Guardian. “We need to use force to change this regime.” When asked whether he was plotting a new revolution, the fugitive oligarch didn’t hesitate to answer. “You are absolutely correct,” he said.

President Putin is damaging Russia by rolling back democratic reforms, pressurizing the opposition, centralizing power and violating the constitution, Berezovsky made clear, emphasizing that he is funding his supporters in Russia, who are staging a coup. “There are also practical steps which I am doing now, and mostly it is financial.”

The oligarch said he didn’t fear to loose his refugee status, reasoning that the situation had recently changed for the better because of the polonium murder of Alexander Litvinenko.

Berezovsky could be again questioned by investigators of Russia’s Prosecutor General Office, this time because of his interview to The Guardian, said Dmitry Peskov, the briefer of Putin’s administration. “His words are very interesting. This is a very sensitive issue,” Peskov said as quoted by The Guardian.

Why Wolfowitz Is Finished At World Bank

This statement by Paul Wolfowitz, published in today's New York Times, means his departure from the World Bank is only matter of when, not if:
“In hindsight, I wish I had trusted my original instincts and kept myself out of the negotiations,” Mr. Wolfowitz said.

Wild Diner Films Blog

Turnabout is fair play. There's a mention of my film's DVD release here, so thought readers interested in DC's independent film scene might find Wild Diner Films Blog worth a look:
The WILD DINER FILMS Blog (ex-DIY Filmmaker Sujewa)
This is the blog of DIY (do-it-yourself, real indie/ultra-low budget & self-distributed) DC based filmmaker Sujewa Ekanayake. Current projects: DATE NUMBER ONE (2006) distribution, getting ready to shoot my '07 film FILMMAKING FOR THE POOR. For more information on Date Number One & other projects please visit: http://www.wilddiner.com/. Thanks!

Thursday, April 12, 2007

Weinraub's "Accomplices" Explains "Israel Lobby"

According to Jonathan S. Tobin, of The Jewish Exponent, one theme of Bernard Weinraub's play set during World War II is a dispute over American Jewry's appropriate role in US politics (another version published in The Jerusalem Post):
According to a growing number of academics and political extremists, the Jews have too much power in America.

This backlash against the so-called "Israel Lobby" has predictably caused many to wonder whether the assertive voice of contemporary Jewish political activism is too loud, too brash and, most of all, too pushy in making its case.

Those who wonder what the world would be like if only those pushy Jews listened to their critics need not engage in science fiction. All you need is a history lesson about how American Jewish organizations and leaders -- the predecessors of the ones that are today considered the take-no-prisoners cornerstone of "the lobby" -- acted during the Holocaust. And to do that, a visit to an off-Broadway theater this month will do nicely.
More here, in the Downtown Express review by Jerry Tallmer.

Anniversary of Yuri Gagarin's First Spaceflight

As Google reminded one on its homepage, today is the anniversary of Yuri Gagarin's launch into space. Wikipedia entry here.

Wednesday, April 11, 2007

Ken Burns & PBS Surrender

Just received this email:
Dear Defenders of the Honor,
Great news today: PBS President and CEO Paula Kerger this afternoon sent the Defend the Honor  organizers a 3-page letter, announcing that Ken Burns and co-director/producer Lynn Novick "have decided to create additional content that focuses on stories of Latino and Native American veterans of the Second World War. The new narrative will be included in the broadcast of the series, as well as in THE WAR's DVD, Web site and educational outreach materials."

You may read Kerger's entire letter, the Defend the Honor response, and the Defend the Honor press release, at our website, www.defendthehonor.org, under NEWS/PRESS RELEASES   
(We are unable to attach those PDF documents because many of you are receiving this via listservs which will not accept attachments.)

In a letter to Kerger, our Defend the Honor core group noted that this development represents a historic moment.: "We are gratified that PBS has taken our concerns seriously and has made the decision to include, in a substantive manner, the Latino, as well as Native American experiences in The War." 

In a news release from the Defend the Honor core group, Angelo Falcon, of the National Institute for Hispanic Politics, noted: "This result was made possible by the unusually strong collaboration between the many Latino organizations and leaders that came forward to let PBS know that our community must be respected."

The core group will be meeting sometime in the near future with Paula Kerger to nail down details of exactly how the Latino and Native American experiences will be incorporated. We want to make sure that our celebration isn't unfounded.

The Defend the Honor core group looks forward to collaborating closely with the other organizations, including the  Congressional Hispanic Caucus, the National Council of La Raza, the American GI Forum, the National Hispanic Media Coalition, the National Hispanic Media Council, individual members of Congress and of both the California and the Texas state legislatures who have also led the charge.

Thank you to the thousands of individuals who have voiced their concerns and propelled this movement forward. There will be other developments in the coming weeks and we will keep you apprised. But just for today, on behalf of Gus Chavez, Angelo Falcon, and Marta Garcia, I hope you will savor the sweet taste of success.
                 
Maggie

Ken Burns & PBS Blind to Hispanic Community

Writes Janet Murguia in the Kansas City Star:
I have admired much of Ken Burns’ work, but the exclusion of Latinos from the World War II series appears to be part of a pattern. That his series on jazz failed to include even a passing reference to Latino artists seemed questionable at best. But his virtual exclusion of Latinos from his series on baseball, a game where Hispanics historically have made enormous contributions and dominate today, was completely inexplicable.

It seems obvious that, notwithstanding his creative genius, Mr. Burns has a serious blind spot when it comes to our community.

The lack of action by PBS also follows an unfortunate, longstanding pattern. Any objective review of current PBS programming would demonstrate that the number of Hispanic-focused stories is inadequate.

In this sense, the record of Mr. Burns and PBS is no different than that of much of the mainstream media. But Ken Burns is not just another filmmaker, and PBS is not just another network. PBS is funded in part with public dollars and, more important, holds a public trust. The extraordinary relationship between Mr. Burns and PBS has made him the chief television chronicler of our nation’s history. Yet neither PBS nor Mr. Burns have addressed the Latino community’s concerns is any meaningful way.

Producer Charges PBS Censored Documentary on Islamist Extremism

Martyn Burke's charges against PBS are reported in the Arizona Republic (ht LGF):
The producer of a tax-financed documentary on Islamic extremism claims his film has been dropped for political reasons from a television series that airs next week on more than 300 PBS stations nationwide.

Key portions of the documentary focus on Dr. M. Zuhdi Jasser of Phoenix and his American Islamic Forum for Democracy, a non-profit organization of Muslim Americans who advocate patriotism, constitutional democracy and a separation of church and state.

Martyn Burke says that the Public Broadcasting Service and project managers at station WETA in Washington, D.C., excluded his documentary, Islam vs. Islamists, from the series America at a Crossroads after he refused to fire two co-producers affiliated with a conservative think tank.

"I was ordered to fire my two partners (who brought me into this project) on political grounds," Burke said in a complaint letter to PBS and the Corporation for Public Broadcasting, which supplied funds for the films.

Burke wrote that his documentary depicts the plight of moderate Muslims who are silenced by Islamic extremists, adding, "Now it appears to be PBS and CPB who are silencing them."

A Jan. 30 news release by the corporation listed Islam vs. Islamists as one of eight films to be presented in the opening series.
More about this at Current.org.

Who Shall Live and Who Shall Die? on DVD at Potomac Video


John, the very kind manager of Potomac Video here in NW DC, has put up the 1982 one-sheet poster that last hung in front of New York City's Carnegie Hall Cinema, when my film premiered theatrically. He told me that he already rented the film to a customer, who told him that he liked it...so I'm glad it is finally on DVD (their VHS copy hadn't been rented since 2001). Here's a link to Potomac Video's website:

Tuesday, April 10, 2007

David Finkle on Bernard Weinraub's "The Accomplices"

In his review today, David Ng of the New York Times criticized Bernard Weinraub's "The Accomplices" saying, "Scenes unfold at such an uninflected pace that you’d think you were watching C-Span." Yet, to a Washingtonian like me, that sounded like a compliment. So, I looked around the Web, and found critic David Finkle's positive review on TheatreMania:
As Bernard Weinraub's heavy-tonnage docudrama The Accomplices unfolds, the effect is like that of an entire population -- you among them -- feeling a slow, steadily mounting burn. While the sensation is uncomfortable enough to have you shifting in your seat, it is absolutely necessary.
I'm going up later this month to see for myself...

UPDATE: Nikki Finke's DeadlineHollywoodDaily.com story here.

Monday, April 09, 2007

Charles in Space...

To read Charles Simonyi's blog about his space tourist trip to the International Space Station, click here:
Dr. Charles Simonyi and the crew of Expedition 15 have completed a successful launch into orbit from the Baikonur Cosmodrome in Kazakhstan at 17:31 GMT April 7. The Soyuz TMA-10 spacecraft lifted off the launch pad bound for the International Space Station (ISS). The capsule will orbit the Earth for two days until its rendezvous with the space station at 19:15 GMT April 9.

Sunday, April 08, 2007

Kathleen Parker: After Iran Hostage Photo-Op, Take Women Off Combat Duty

Kathleen Parker says one lesson of Britain's Iran hostage crisis is that young mothers of small children ought not be sent to war, in The Washington Post (of all places):
It is not fashionable these days to suggest that women don't belong in or near combat -- or that children need their mothers. Yes, they need their fathers, too, but children in their tender years are dependent on their mothers in unique ways.

There's not enough space here to go into all the ways that this is true, but children (and good parents) know the difference even if some adults are too dim, brainwashed or ideologically driven to see what's obvious.

Why the West has seen it necessary to diminish motherhood so that women can pretend to be men remains a mystery to sane adults. It should be unnecessary to say that the military is not a proper vehicle for social experimentation but is a machine dedicated to fighting and, if necessary, killing.

Women may be able to push buttons as well as men can, but the door-to-door combat in Fallujah proved the irrelevance of that argument. Meanwhile, no one can look at photos of the 15 British marines and sailors and argue convincingly that the British navy is stronger for the presence of Acting Leading Seaman Faye Turney -- no matter how lovely and brave she may be.

Saturday, April 07, 2007

Happy Easter!

This year Orthodox and Western Easter fall on the same Sunday, in a rare coincidence. Wikipedia entry here:
Easter, the Sunday of the Resurrection, Pascha, or Resurrection Day, is the most important religious feast of the Christian liturgical year, observed at some point between late March and late April each year (early April to early May in Eastern Christianity). It celebrates the resurrection of Jesus, which his followers believe occurred on the third day after his death by crucifixion some time in the period AD 27 to 33 (see Good Friday).

Easter also refers to the season of the church year, previously called Eastertide, lasting for fifty days, from Easter Sunday through Pentecost; and, in the Roman Catholic Church, to the eight-day feast beginning on Easter Day called the Octave of Easter.

Friday, April 06, 2007

Douglas Feith's Powerpoint Slides Assessing the Relationship Between Iraq & Al Qaida

Thanks to Senator Levin making the Office of Special Plans briefing public (with some item blacked out, which makes the presentation more credible, rather than less), we can now see what all the fuss is about.You can download the complete briefing as a PDF file here.
Findings:

*More than a decade of numerous contacts

*Multiple areas of cooperation

*Shared anti-US goals and common bellicose rhetoric
- Unique in calling for killing of Americans and praising 9/11

*Shared interest and pursuit of WMD

*Some indications of possible Iraqi coordination with al Qaida specifically related to 9/11

*Relationship would be compartmented by both sides; closely guarded secret; indications of excellent operational security by both parties.

Good Friday

Wikipedia entry here:
Good Friday is the Friday before Easter or Pascha. It commemorates the crucifixion and death of Jesus at Calvary. This year, it is on April 6, 2007.
Good Friday is a holy day observed by most Christian religions. Special prayer services are often held on this day with readings from the Gospel giving accounts of the events leading up to the crucifixion. Mainstream Christian churches view Christ's crucifixion as a voluntary and vicarious act, and one by which, along with resurrection on the third day, death itself was conquered.

Thursday, April 05, 2007

The Concert Podcast

Someone I know recently subscribed to The Concert Podcast from the Isabella Stewart Gardner Museum. It's terrific. We just listened to:
The Concert No.19
Contrasting Beethoven and Mozart (37.8MB)
Works for piano trio and string quintet played by the Claremont Trio and the Orion String Quartet, with violist Ida Kavafian

•Beethoven: Allegretto in B-flat Major, WoO. 39
•Mozart: String Quintet No. 4 in G minor, K. 516
You can subscribe using iTunes, or by downloading podcasts from their website.

Albuquerque Journal: Ken Burns Shows "Patterned Disrespect" for Hispanic-Americans

From Hispanic Vets Lose the Battle With 'The War' by John M. García and Eduardo Díaz:
More than 40 interviews and 14 hours of programming, and no Latinos? How do you explain this "brown out" of a publicly financed and supported project?
Producer and director Ken Burns states, "We are dismayed and saddened by any assumption that we intentionally excluded anyone from our series." The producers assert that the series is about individuals and the "universal human experience," however, it highlights discrimination against Japanese-Americans and African-Americans. We applaud this effort, but ignoring the Latino experience is inexplicable.
Sacramento is one of the cities where the producers conducted interviews. Sacramento is over 25 percent Latino; they couldn't find one of our World War II vets? But, really what can you expect from a producer whose series on jazz excluded the likes of Machito, Tito Puente and Eddie Palmieri, or whose series on baseball included a scant six minutes on Roberto Clemente only?
Burns has shown a patterned disrespect for our community's contributions in building America and shaping our popular culture.

American GI Forum Resolution Condemns PBS & Ken Burns

From the American GI Forum Website:
AMERICAN GI FORUM OF THE UNITED STATES

RESOLUTION- PBS/Ken Burns Documentary, THE WAR


WHEREAS, The American GI Forum of the United States, is the only Congressionally Chartered Hispanic/Latino Veterans Organization in the United States whose primary purpose is to serve Hispanic/Latino Veterans and their families;

WHEREAS, The American GI Forum was founded by Dr. Hector P. Garcia in 1948 because of the inequities and discrimination inflicted upon returning Mexican-American Veterans after their distinguished service in World War II;

WHEREAS, Hispanic/Latino individuals, as members of the Armed Forces of the United States, served with valor and distinction during World War II;

WHEREAS, In World War II, Hispanic/Latino individuals fought and died for the principles of equality, justice and freedom for all.

WHEREAS, Hispanic/Latino individuals during World War II were the most decorated minority group to receive this Country's highest award, "The Congressional Medal of Honor";

WHEREAS, Hispanic/Latino Americans, as an ethnic group, made tremendous and significant contributions during World War II, for example:

. . . In 1940, while America was still at peace, two National Guard units from New Mexico, the 200th and 515th Coast Artillery (Anti-aircraft) battalions were activated and dispatched to the Philippine Islands. Largely made up of [Mexican Americans]-- both officers and enlisted men from New Mexico, Arizona, and Texas -- the two units were stationed at Clark Field, 65 miles from Manila.

On December 7, 1941, the Japanese Imperial Navy launched a surprise attack on the American naval fleet at Pearl Harbor, forcing America into war. Within days, Japanese forces attacked the American positions in the Philippines. Outnumbered and desperate, General Douglas MacArthur moved his forces, including the 200th and 515th, to the Bataan Peninsula west of Manila. Here, fighting alongside their Filipino comrades, they made a heroic three-month stand against the large, well-equipped invading forces. As the weeks passed, rations, medical supplies, and ammunition diminished and became scarce. On April 9, 1942, starving and greatly outnumbered, most of the surviving troops were ordered to surrender. After their capture, the American and Filipino soldiers had to endure the 12-day, 85-mile "Death March" from Bataan to the prison camps, followed by 34 months of captivity. Three years later, General Jonathan Wainwright praised the men of the 200th and 515th units, saying that "they were the first to fire and the last to lay down their arms and only reluctantly doing so after being given a direct order."

In the Pacific theater, the 158th Regimental Combat Team, known as the Bushmasters, an Arizona National Guard unit comprised of many Hispanic soldiers, saw heavy combat. They earned the respect of General MacArthur who referred to them as "the greatest fighting combat team ever deployed for battle." Company E of the 141st Regiment of the 36th Texas Infantry Division was made up entirely of [Hispanic] Americans, the majority of them from Texas. After 361 days of combat in Italy and France, the 141st Infantry Regiment sustained 1,126 killed, 5,000 wounded, and over 500 missing in action. In recognition of their extended service and valor, the members of the 141st garnered 31 Distinguished Service Crosses, 12 Legion of Merits, 492 Silver Stars, 11 Soldier's Medals, 1,685 Bronze Stars, as well as numerous commendations and decorations. In all, twelve Hispanic soldiers received the Medal of Honor for their services during World War II.

From 1940 to 1946, more than 65,000 Puerto Ricans served in the American military, most of them going overseas. The 295th and 296th Infantry Regiments of the Puerto Rican National Guard participated in the Pacific theater, while other Puerto Rican soldiers served in Europe.

(Excerpts from: Houston Institute for Culture, The Hispanic Experience, Hispanics in Military Service, Hispanic Contributions to America's Defense, by John Schmal. - Originally published by the Puerto Rico Herald, November 11, 1999.);

WHEREAS, The PBS (Public Broadcasting Service) has announced it is airing in September, 2007, the new Ken Burns documentary series, THE WAR. This seven-part, 14 hour, documentary series, is directed and produced by Ken Burns and Lynn Novick. It explores the history and horror of World War II from an American perspective. It follows the fortunes of so-called ordinary men and women who get caught up in the greatest cataclysm in human history;

WHEREAS, This documentary exposes the racism of World War II directed at African-American and Japanese-Americans, however, it fails to outline the same as it affected Hispanic/Latino Americans;

WHEREAS, This documentary purports to honor the heroism of all Americans, when in fact, it glaringly fails to honor those heroic Hispanic Americans who have earned such an honor;

WHEREAS, Whether intentionally or inadvertently, the contributions of Hispanic/Latinos in World War II were omitted;

WHEREAS, This oversight appears to have violated PBS's own policy on "Diversity" i.e.,

. . . Content diversity furthers the goals of a democratic society by enhancing public access to the full range of ideas, information, subject matter, and perspectives required to make informed judgments about the issues of our time. It also furthers public television's special mandate to serve many different and discrete audiences. The goal of diversity also requires continuing efforts to assure that PBS content fully reflects the pluralism of our society, including, for example, appropriate representation of women and minorities. . . .

NOW THEREFORE, BE IT RESOLVED,

1. That the American GI Forum of the United States condemns this documentary as not presenting the contributions of Hispanic Americans during World War II and until such time as Hispanics are fairly and adequately represented, demands that it not be aired,

2. That the American GI Forum of the United States requests that the Public Broadcast System forthwith correct this omission.

3. That failure to correct this omission will result in the institution of a nationwide boycott of PBS and its affiliates. Further, we would lead an effort requesting that all public and private funding be curtailed.

For it was Abraham Lincoln who said, "History is not history unless it's true."

Adopted on the 13th day of March, 2007
By the American GI Forum of the United States
National Board of Directors Meeting in Las Vegas, NV
ANTONIO GIL MORALES,
National Commander & Board Chairman
How come I haven't seen this controversy discussed on the Jim Lehrer Newshour, BTW?

Unanswered Questions about NEH Role in Ken Burns Scandal

I sent the following email to the National Endowment for the Humanities about that organization's responsibility for the Ken Burns documentary that has caused such great offense to Hispanic-American veterans of World War II. So far, no answers. I'll let readers know what Dr. Bruce Cole's organization has to say in this regard, as soon as I get a reply...The following email was sent to NEH Public Affairs on March 31, 2007:
Dear NEH Public Affairs,

I have been reading about the controversy over Ken Burns' new documentary about World War II with interest, and would appreciate information on the NEH role, which presumably should safeguard historical accuracy against a filmmaker's "artistic license" in portraying historical events. I assume that is the purpose of academic review and the peer panel process.

Therefore, for publication on my blog, I would appreciate written answers to the following questions:

How much has NEH paid for this documentary? What were the conditions of the grant relating to historical accuracy and comprehensiveness?

Who are the historical advisors for this project?

Who reviewed the grant application for NEH--peer panelist names as well as staff names?

Who signed the final approval for this project?

Did anyone notice the absence of Latino veterans in the documentary prior to the current controversy--as part of the NEH peer review process?

I look forward to hearing from you in this regard.

Yours sincerely,
Laurence Jarvik
Laurence A. Jarvik, Ph.D.
http://laurencejarvikonline.blogspot.com
UPDATE: I have received an email from info@neh.gov calling the attention of "Noel" to this request. I assume that is Noel Milan, director of communications for NEH. So, I'll post NEH's answers to the above questions --once the NEH sends them to me...

Fred Thompson on Ayaan Hirsi Ali

The possible Presidential candidate, actor, and former senator had his say in National Review:
Ayaan Hirsi Ali can’t leave her Washington D.C. home without guards.

Born a Muslim in the African nation of Somalia, she was treated as property. Hirsi Ali, though, escaped a marriage, arranged by her father, to a cousin in Canada she’d never met.

Granted exile in the Netherlands, Hirsi Ali rose like cream and was elected to the Dutch parliament. She also wrote a script based on her experience volunteering in battered women’s shelters. There, she learned that her fellow Somali immigrants were maintaining the feudal ways she thought she had left behind.

Filmmaker Theo Van Gogh, the great-grand-nephew of the famous painter, made her movie — but paid for it with his life. His Islamist murderer used a dagger to pin a note, promising Hirsi Ali’s death, to the director’s chest. Unsafe, and unwelcome to many, Hirsi Ali came to America last year and was able to live pretty much like a normal person.

But her new autobiography, Infidel, is out now and the usual suspects are furious that she would argue for the liberation of Muslim women. Due to serious and credible threats, she is once again surrounded by guards.

There were many Germans and other Europeans who came to America and warned of the Nazi threat in the 1930s, including writers and filmmakers. Can you imagine that any of them would have ever needed bodyguards?

Hirsi Ali does — right here in America. Yet too many people still don’t understand what our country is up against. They might if they read her book.
Thompson recorded a radio spot with the same message available as an mp3 download here

Gerald Steinberg: Close Down EU-Funded NGOs in Israel

From The Jerusalem Post:
Furthermore, the scale of European government funding for Israeli and Palestinian political organizations that claim to promote human rights, peace and democracy is huge, and largely hidden. The massive Euro-bureaucracy has created a complex network of funding agencies for "civil society" in the region, and no central index or reporting system exists.

Until last year, the EU office in Tel Aviv violated its own principles of transparency and kept the list of Israeli NGO beneficiaries secret, ostensibly due to threats of violence. NGO Monitor's investigations led to a change in this instance, but funding for Palestinian NGOs is still largely covert.

THE CHANGE in Israeli government policy and a willingness to confront such anti-democratic manipulation, particularly by European governments (including non-EU countries such as Norway and Switzerland), marks an important step. Going beyond the terse statement, the Israeli representatives should bring a detailed file on the funding provided for politicized NGOs to every meeting between heads of state, foreign ministers and government officials.

If Europe expects to play a more important role in regional security and diplomacy, it cannot also continue to provide funding designed to undermine the Israeli government's positions, both internally and in the international arena.

In Europe, the amorphous entities known as "civil society organizations" and NGOs also need close scrutiny. These bodies are unelected, and their officials are not accountable.

In democratic societies, government officials who provide funds to these entities generally use this as a means to promote their own interests and objectives, without checks and balances or transparency. In closed non-democratic societies, such as Syria, Egypt and the Palestinian Authority, foreign government assistance for NGOs that promote democracy, tolerance, and human rights may have a positive impact, but only if this support is carefully monitored to prevent abuse. Europe's failure to provide such monitoring exacerbates the damage.

Israel, as a vibrant democracy, does not need, and should not be the target of "civil society initiatives" engineered by foreign governments, whether well-meaning or hostile. From this perspective, the example of Bimkom, the security barrier, and the British Embassy is small but highly illustrative.

The time has come to end this misguided and patronizing policy.

Belinda Acosta: "Deplorable" Ken Burns No Da Vinci

In the Austin Chronicle, Belinda Acosta weighs in against Ken Burns and PBS:
Perhaps the most perplexing response to date comes from Lionel Sosa, a Latino member of the PBS board of directors.

"Asking Burns to change his documentary is like asking Leonardo da Vinci to add another apostle to The Last Supper because somebody was left out," Sosa said in a Laredo Morning Times article by Tricia Cortez published March 20. "This is artistic. This is a film. It's not journalism."

Apparently, Sosa needs a dictionary to look up the definition of "documentary."

By comparing Burns to da Vinci, Sosa inadvertently strikes the crux of the matter. Burns' work is branded as the definitive statement on a subject. This brand comes largely because of his affiliation with PBS, the mandate of which is to serve the American public but much more so because of PBS's reach beyond television (already pervasive) as an approved "text" for use in classrooms across the nation.

Being ignorant – willfully or otherwise – of the flesh-and-blood impact of Latinos in World War II, not to mention the role of World War II in defining U.S. Latino history, is, in a word, deplorable. I don't expect PBS to impose its will on a filmmaker's vision – but it is painfully disappointing to discover that PBS's vision is little more than a few "diversity" dishes served at a card table near the banquet table. No, if PBS is truly interested in expanding its base, it means more than making room at the table. It means allowing other cooks in the kitchen when the meal is being prepared.

Sosa makes another interesting statement in the aforementioned Laredo Morning Times article. Although "disappointed" by the omission of Latinos in The War, he says it's up to Latinos, not Burns, to tell their stories.

"We have the talent in terms of writers, producers, directors, and historians to tell the story," he said. "And we have the resources to raise the money to make the films."

In that case, why bother supporting PBS at all?

Antigua Beats USA in WTO Dispute

The WTO has spoken in favor of Antigua's offshore internet gambling business and against American prohibitions--because the US permits domestic gambling. Slashdot reports that if the US doesn't change its policy, them Antigua has the legal right to retaliate against American sanctions--and may do so by permitting bootleg MP3 download sites for media. The Caribbean once hosted rum smugglers and real pirates...will it now become a haven for music and video pirates? This post from TechDirt raises the question:
TechDirt writes "For some time we've been following the ongoing conflict between the US and the island nation of Antigua surrounding internet gambling. Even before the passage of the most recent anti-gambling law, Antigua had gone to the WTO to complain that the US government's actions against online gambling were de facto protectionist measures, and thus violated international trade law. The WTO ended up siding with Antigua, although, quite predictably, the US did nothing to resolve the issue -- in fact, things have only gotten worse. Now the WTO is speaking out again, slamming the US government for its failure to abide by the decision against it. Once again, it seems likely that the US will ignore the decision, although that would give Antigua the right to retaliate. One possibility that's been thrown out there is that Antigua may turn itself into a haven for free music and software and set up some site like allofmp3.com. Of course, the US put pressure on Russia to crack down on that site, as part of the country's admittance into the WTO, but since Antigua is already part of the organization, the US would have no such leverage. Now, the WTO has spoken out again."
For Antigua's view of the dispute, here's a link to the Antigua Online Gaming Association.

Wednesday, April 04, 2007

First Review of Bernard Weinraub's "The Accomplices"

It hasn't opened yet, but Cameron's Theatre Snobbery at its Finest has published an early--and favorable--review of Bernard Weinraub's new play about Ben Hecht, Peter Bergson and the struggle to save European Jewry during World War II:
I'm having a hard time thinking of one negative comment I can make about Bernard Weinraub's The Accomplices, currently at Theatre Row in a production by The New Group. It's not a great play, but I left feeling that I had seen one of the most interesting and fascinating political dramas in a long while. Weinraub, a journalist by profession who is making his theatrical debut, tells the story of a fringe group in the early 1940s who tried to shine a light on Hitler's regime at a time when the Roosevelt administration was turning a blind eye to it. The performances are universally excellent: Daniel Sauli plays the protagonist (the son of a Palestinian rabbi) perfectly, while Zoe Lister-Jones hits all the right notes as the woman who loves him, and who has spent much of her life running from her Jewish heritage. Veteran David Margulies is superb as the Rabbi Stephen Wise, who chooses to scorn the radical movement in favor of blind support for FDR, and Jon DeVries offers great comic relief (and social commentary) as both the President of the United States and one of the movement's famous supporters, playwright Ben Hecht. Sign yourself up for this exemplary history listen.

Ken Burns Scandal Hits Philadelphia

The Philadelphia Daily News asks: "Que Pasa PBS?":
USUALLY a Ken Burns television documentary is greeted with great anticipation.

But hype for "The War," Burns' seven-part documentary about World War II that's scheduled to air in September on PBS television stations, has been anything but good, considering the outrage it has triggered among Latino organizations.

Burns' documentary, which looks at the war from the perspective of four cities and towns, excludes the contributions made by America's Latinos who fought in World War II, they say. Estimates are that about 500,000 Latinos served in the war. And 12 were awarded Medals of Honor. With a population of 44 million, Latinos are America's largest minority group.

Janet Murgula, president of the National Council of La Raza, sent a letter to Paula Kerger, president of the Public Broadcasting Service. Kerger will soon rule on how PBS plans to handle the omission.

The brouhaha shows Latinos will not allow [themselves] to be marginalized. Even in Philadelphia.

Iran Frees British Hostages

Whew! Glad that's over...

Though I don't know if Iran backed down under international pressure, Britain blinked when she kow-towed to hostage-takers, or if the lesson is, as this BBC report concludes, quoting a relative of one of the hostages :
"Whoever has been in the right or wrong, the whole thing has been a political mess, so let's just get them home," said his uncle, Ray Cooper.

Tuesday, April 03, 2007

Speaking of World War II Documentaries...

My film, Who Shall Live and Who Shall Die?, is officially released on DVD today by Kino International, in a special 25th anniversary edition that includes a copy of Billy Wilder's historically-significant short film Death Mills as an "extra".

For some unknown reason, I haven't seen any mentions in the press, not even in Dave Kehr's usually excellent NY Times DVD column. Netflix hasn't stocked it yet, either. Don't know why...

So, please go to your local video store to find a copy to rent or buy (or request your public library to stock it). If you live in the Washington, DC metro area our local Potomac Video has four copies in stock--or you can order a copy from Amazon.com here:

Tawfik Hamid on Islamist Extremism

From OpinionJournal.com (ht JihadWatch):
Progressives need to realize that radical Islam is based on an antiliberal system. They need to awaken to the inhumane policies and practices of Islamists around the world. They need to realize that Islamism spells the death of liberal values. And they must not take for granted the respect for human rights and dignity that we experience in America, and indeed, the West, today.

Well-meaning interfaith dialogues with Muslims have largely been fruitless. Participants must demand--but so far haven't--that Muslim organizations and scholars specifically and unambiguously denounce violent Salafi components in their mosques and in the media. Muslims who do not vocally oppose brutal Shariah decrees should not be considered "moderates."

All of this makes the efforts of Muslim reformers more difficult. When Westerners make politically-correct excuses for Islamism, it actually endangers the lives of reformers and in many cases has the effect of suppressing their voices.

Tolerance does not mean toleration of atrocities under the umbrella of relativism. It is time for all of us in the free world to face the reality of Salafi Islam or the reality of radical Islam will continue to face us.

Russian Translation of Cultural Challenges to Democratization in Russia

Thanks to the work of Professor Tatiana Samsonova of Moscow State University, my Winter 2006 ORBIS article, Cultural Challenges to Democratization in Russia, is now available in Russian.

Click here to download the Russian version: КУЛЬТУРНЫЕ ВЫЗОВЫ ДЕМОКРАТИЗАЦИИ В РОССИИ--Лоренс Джарвик (MS Word).

Monday, April 02, 2007

Rory O'Connor to Ken Burns: "Re-edit your precious art..."

PBS documentary producer Rory O'Connor chides Ken Burns & PBS for disrespecting Latino WWII veterans, on AlterNet:
As a documentary filmmaker myself, I'm definitely in favor of respecting the work of producers. But isn't respect for the audience also important? In a 14-hour documentary, couldn't Burns have devoted a few minutes (at least!) to include the WWII experiences of America's Latinos? I certainly am not asking for the imposition of any kind of "political litmus tests" for documentaries -- but I am calling for Burns to listen to and show respect for valid complaints from the public broadcasting audience and, in this case, to reassess his startling and ahistorical omission.

But to date both Burns and his PBS supporters seem instead to be circling their wagons and taking a defensive posture, instead of reaching out and trying to rectify the situation. "People, when they see the film, they will see the universality," Burns claims. But Latinos won't see themselves -- and that's the crux of the problem.

To acknowledge the ground that the film does not cover, Burns will begin each episode of the documentary with a title card acknowledging its limited scope. He has also asked PBS and CPB to back the related project of local outreach and production. "The film is done yet there are all these opportunities to tell all these other stories," Burns said.

In other words -- leave it to others to clean up the mess I've made ...

Come on, Ken -- you're better than that! You have fourteen hours in well-promoted prime time, coupled with the most extensive outreach campaigns ever tied to a national broadcast, so why not give it up? Do the right thing! Listen to the voice of the people and then re-edit your precious art ...

So far, however, Burns demurs. "It's not just me that can tell all these stories," he maintains. "This is public broadcasting."

Precisely ...

Happy Passover!

Wikipedia entry here.

Dorothy Rabinowitz on AIPAC's Trial

From The Wall Street Journal:
In October 2005, with pro bono attorney Plato Cacheris at his side, Lawrence Franklin pleaded guilty--a decision he could not avoid making, given the indisputable proof of offense--to keeping classified documents at his home. His indictment charged much more--conspiring to communicate national defense information to persons not entitled to receive it, meetings with representatives of foreign nation A (Israel), and Messrs. Rosen and Weissman, cited as furtherance of a conspiracy. The former desk officer for Iran stood charged with conspiracy to "advance his own personal foreign policy agenda" and influence people in government. One Washington insider, hearing this, tartly noted that if all government officials who leaked material to effect policy changes were charged and convicted, the prisons would soon be packed.

The guilty plea brought a sentence of 12 years, seven months--not a light one. Mr. Franklin's hope for reducing it hinges on the cooperation he gives government prosecutors in the trial of the lobbyists. The role assigned him has from the beginning been noteworthy--a reversal of norms. Government officials don't normally get to take part in stings of ordinary citizens. But Mr. Franklin, an official with top security clearance, sworn to protect classified information, is the one asked to wear a wire to amass evidence against the two men with whom he has allegedly conspired. It usually goes the other way around. There is a reason that the government official caught taking a bribe is the object of the law's pursuit, rather than the citizen who has tried to pay him off--and why it is the citizen, crooked as he may be, who wears the wire and gets the possibility of a deal. That reason, of course, is the higher standard expected of those sworn to uphold their offices. If nothing else, the role assigned Mr. Franklin testifies to the government's singular focus on nailing the AIPAC lobbyists.

Even so it remains to be seen what help Mr. Franklin will give the prosecutors at the forthcoming trial of Messrs. Rosenvand Mr. Weissman. In the course of his guilty plea, the otherwise respectful Mr. Franklin forcefully objected to the government's characterization of the self-typed paper about Iran he'd faxed to Mr. Rosen--a document at the heart of one of the significant charges against the lobbyist--as "classified."

"It was unclassified," Lawrence Franklin told the court, "and it is unclassified."

The government would "prove that it was classified," announced the U.S. attorney.

Mr. Franklin: "Not a chance."

What chance the defendants--who asked no one for classified information--have of acquittal and the avoidance of prison remains to be seen. Though Judge T. S. Ellis rejected defense motions to dismiss the charges on constitutional grounds, his early rulings have so far shown a keen appreciation of the meaning this case. In this he stands in sharp contrast to the nation's leading civil rights guardians, these days busy filing lawsuits against the government and fulminating on behalf of the rights of captured terrorists in Guantanamo and elsewhere, while accusing the U.S. of failing to provide open trials and assurances that the accused have the right to view the evidence against them. As of this day neither the ACLU nor the Center for Constitutional Rights has shown the smallest interest in this prosecution so bound up with First Amendment implications. Nor has most of the media, whose daily work includes receiving "leaks" from government officials far more damaging to national security than anything alleged in this case. In this as in the Scooter Libby matter, the desire to see Bush Administration officials nailed apparently counts for more than First Amendment principle.

The government has also moved (in the interest of protecting classified information) to impose strict limits during the trial, on the testimony the public and press will be allowed to hear. If the proposal is allowed, significant portions of the testimony will be available only in the form of summaries. Witnesses, furthermore, would not be allowed to deliver certain testimony directly to jurors, who would instead be told to look at secret documents. It will be, as a member of the Reporters Committee For Freedom of the Press, now opposing the government efforts, describes it, "a secret trial within a public trial." (Dow Jones, publisher of this newspaper, has joined the Reporters Committee in filing an objection.)

Will US Bomb Iran?

Russian News Agency RIA-Novosti seems to think so:
MOSCOW, March 30 (RIA Novosti) - Russian intelligence has information that the U.S. Armed Forces have nearly completed preparations for a possible military operation against Iran, and will be ready to strike in early April, a security official said.

The source said the U.S. had already compiled a list of possible targets on Iranian territory and practiced the operation during recent exercises in the Persian Gulf.

"Russian intelligence has information that the U.S. Armed Forces stationed in the Persian Gulf have nearly completed preparations for a missile strike against Iranian territory," the source said.

American commanders will be ready to carry out the attack in early April, but it will be up to the country's political leadership to decide if and when to attack, the source said.

Official data says America's military presence in the region has reached the level of March 2003 when the U.S. invaded Iraq.

The U.S. has not excluded the military option in negotiations on Iran over its refusal to abandon its nuclear program. The UN Security Council passed a new resolution on Iran Saturday toughening economic sanctions against the country and accepting the possibility of a military solution to the crisis.

The source said the Pentagon could decide to conduct ground operations as well after assessing the damage done to the Iranian forces by its possible missile strikes and analyzing the political situation in the country following the attacks.

A senior Russian security official cited military intelligence earlier as saying U.S. Armed Forces had recently intensified training for air and ground operations against Iran.

"The Pentagon has drafted a highly effective plan that will allow the Americans to bring Iran to its knees at minimal cost," the official said.

More Confessions From Iran's British Hostages

From the BBC:
All 15 Britons held by Iran accept they were in the country's waters despite the UK's insistence they were in Iraqi territory, Iranian state radio says.
The BBC report can be watched here: http://news.bbc.co.uk/player/nol/newsid_6510000/newsid_6516700/6516753.stm?bw=nb&mp=rm.

The video names the British frigate involved as HMS Foxtrot.

A friend mentioned that this story reminds him of the Pueblo incident, when an American naval vessel was captured by North Korea on January 23, 1968, humiliating the United States during the Vietnam War. The commander of the USS Pueblo, Lloyd M. (Pete) Bucher was recommended for Courts Martial. The crew was kept prisoner in North Korea for 11 months--and the USS Pueblo remains in North Korea to this day...Wikipedia entry here.

The US Code of Military Conduct would seem to prohibit American POWs from delivering the type of public confessions broadcast on television by Iran's British hostages:
5. When questioned, should I become a prisoner of war, I am required to give name, rank, service number, and date of birth. I will evade answering further questions to the utmost of my ability. I will make no oral or written statements disloyal to my country and its allies or harmful to their cause.

When questioned, a prisoner of war is required by the Geneva Conventions and this Code to give name, rank, service number (SSN) and date of birth. The prisoner should make every effort to avoid giving the captor any additional information. The prisoner may communicate with captors on matters of health and welfare and additionally may write letters home and fill out a Geneva Convention "capture card."

It is a violation of the Geneva Convention to place a prisoner under physical or mental duress, torture, or any other form of coercion in an effort to secure information. If under such intense coercion, a POW discloses unauthorized information, made an unauthorized statement, or performs an unauthorized act, that prisoner’s peace of mind and survival require a quick recovery of courage, dedication, and motivation to resist anew each subsequent coercion.

Actions every POW should resist include making oral or written confessions and apologies, answering questionnaires, providing personal histories, creating propaganda recordings, broadcasting appeals to other prisoners of war, providing any other material readily usable for propaganda purposes., appealing for surrender or parole, furnishing self-criticisms, communicating on behalf of the enemy to the detriment of the United State, its allies, its Armed Forces, or other POWs.

Every POW should also recognize that any confession signed or any statement made may be used by the enemy as a false evidence that the person is a "war criminal" rather than a POW. Several countries have made reservations to the Geneva Convention in which they assert that a "war criminal" conviction deprives the convicted individual of prison of war status, removes that person from protection under the Geneva Convention, and revokes all rights to repatriation until a prison sentence is served.

Recent experiences of American prisoners of war have proved that, although enemy interrogation sessions may be harsh and cruel, one can resist brutal mistreatment when the will to resist remains intact.

The best way for prisoner to keep faith with country, fellow prisoners and self is to provide the enemy with as little information as possible.
I wonder if this type of code applies for British military personnel?

Sunday, April 01, 2007

Mahmoud Ahmadinejad Wins Nobel Peace Prize

(April Fool)

On the other hand, here's a link to Mark Steyn's Chicago Sun-Times column:
On this 25th anniversary of the Falklands War, Tony Blair is looking less like Margaret Thatcher and alarmingly like Jimmy Carter, the embodiment of the soi-disant "superpower" as a smiling eunuch.

Saturday, March 31, 2007

Gus Chavez: Ken Burns Documentary "Shameful"

From the San Diego Tribune:
SAN DIEGO – Gus Chavez of San Diego had five uncles who served in World War II, including two who were injured and one who was captured by the Germans. The uncle he's named after died during training for the war.

So Chavez took it personally when he learned that acclaimed filmmaker Ken Burns' seven-part documentary about the war, scheduled to air nationally on PBS in September, doesn't feature any Latinos.

“It's a misrepresentation,” said Chavez, a retired San Diego State administrator and longtime local activist. “You have a documentary that runs 14 hours and it doesn't mention the Latino experience? It's unacceptable. It's shameful.”

Chavez, 63, is helping spearhead a campaign called “Defend the Honor” to pressure Burns and PBS not to air the series until changes are made.

The campaign drew support this week from the Congressional Hispanic Caucus and the American GI Forum, a Hispanic veterans group. Cartoonist Lalo Alcaraz – tipped off to the controversy by Chavez – has been lampooning Burns in his comic strip “La Cucaracha,” which runs in newspapers including The San Diego Union-Tribune.

In a written statement, Burns and co-producer Lynn Novick asked viewers to “refrain from passing judgment on our work until they have seen it.” The statement said:

“We are dismayed and saddened by any assumption that we intentionally excluded anyone from our series on the Second World War. Nothing could be further from the truth.

“For 30 years we have made films that have tried to tell many of the stories that haven't been told in American history. In this latest project, we have attempted to show the universal human experience of war by focusing on the testimonies of just a handful of people. As a result, millions of stories are not explored in our film.”

Carlos Guerra on Maggie Rivas-Rodríguez v. Ken Burns

From the San Antonio Express News:
It was at a meeting in New Orleans' World War II Museum last fall that Rivas learned about "The War," Ken Burns' seven-part epic that will air on PBS in the fall and will be followed by releases of a major book, a soundtrack CD, educational packages and a DVD box set.

"Carmen Contreras Bozak, who was a WAC during World War II, asked if women were (included in the 60-plus interviews) and the producer said that no, (only) women in the home front," Rivas says. Neither has Burns included Native Americans or Latinos in his series.

" 'We're not really looking at individuals' ethnic-group experiences, except for Japanese Americans and African Americans because of their experiences,' " one producer told them, suggesting, Rivas says, that "Latinos' experience wasn't rich and unique, and it was."

Rivas also adds that she won't be satisfied if Burns "finds and interviews someone named Garza and inserts it into this thing because it is being billed as a definitive look at World War II in our country.

"We need the Latino perspective included across the board, in that overall picture," she says. "But there is a much bigger, longstanding issue: Why do Latinos continue to be excluded from PBS specials and general history books across the board?"

If you think Burns' and PBS' blind spot is limited to Latino veterans' contributions, however, consider this: "The War" will premiere nationally on Diez y Seis de Septiembre [Mexican Independence Day].

2nd British Marine Confesses on Iranian TV

Nathan Summers submits:

So, This is the Little Lady Who Started The War (Against Ken Burns): Maggie Rivas-Rodriguez

From her official University of Texas biography:
Rivas-Rodriguez received her Ph.D. as a Freedom Forum doctoral fellow from the University of North Carolina at Chapel Hill in 1998. Her dissertation, "Brown Eyes on the Web: A U.S. Latino Newspaper Site on the Internet," included a content analysis of a Latino Web newspaper as well as one of the mainstream newspapers in the same market. Rivas-Rodriguez received her master's degree from Columbia University's Graduate School of Journalism in 1977. She received a bachelor of journalism degree from the University of Texas at Austin in 1976.

She has more than 17 years of daily news experience, mostly as a reporter for the Boston Globe, WFAA-TV in Dallas and the Dallas Morning News. Her first job was as a copy editor for UPI in Dallas. Her most recent professional work was for the Morning News state desk as bureau chief of the border bureau, based in El Paso, covering border states.

Her research interests include the intersection of oral history and journalism, U.S. Latinos and the news media, both as producers of news and as consumers. Since 1999, Rivas-Rodriguez has spearheaded the U.S. Latino and Latina World War II Oral History Project, which has collected interviews with over 450 men and women throughout the country. Stories based on those interviews have appeared in a newspaper dedicated to the project. The project has several other components: a conference, an edited volume of academic manuscripts, a play (through Arizona State University Public Events and the University of Texas' Performing Arts Center), documentary film with educational materials, a general interest book, and a video, audio tape and photographic archive. The project is self-supporting and has enjoyed support from the Austin American-Statesman and the San Antonio Express-News, and has received financial contributions from several foundations, corporations and hundreds of individual donors.

Rivas-Rodriguez was on the committee that organized and founded the National Association of Hispanic Journalists in 1982. She began two of the NAHJ's most successful student projects: a convention newspaper produced by college students and professionals and a nationwide high school writing contest. The convention newspaper has become the model for most other industry organizations (ASNE, NABJ, AJA) as a way to develop mentoring relationships and to train students.

She is the Associate Director of the Center for Mexican American Studies at the University of Texas at Austin.

Recent Courses: J320D Intermediate Reporting, J335 Narrative Journalism, J349T.7 Oral History as Journalism, J395 Covering the U.S.-Mexico Border and J395.1 Professional Writing for Journalists.

Publications: "Brown Eyes on the Web: An Alternative U.S. Latino Newspaper on the Internet" (New York: Routledge), 2003. She was also the editor of "Mexican Americans and World War II", an edited volume (Austin: University of Texas Press, forthcoming).

Friday, March 30, 2007

Guillermo Martinez: Ken Burns' "Intolerable" Documentary

From Florida's Sun-Sentinel:
Like a forest fire in its earliest stages, the flames have not yet erupted. They soon will, however, for the complete disregard of the Latino experience in World War II in a documentary by Ken Burns, scheduled to air for 14 hours starting Sept. 23, is insulting and discriminatory.

This fire has been simmering for weeks, the result of work by a group of Latino civic leaders -- Dr. Maggie Rivas-Rodriguez, a journalism professor at the University of Texas in Austin; Angelo Falcon of the National Latino Policy in New York City; Marta Garcia, second vice chair of the executive board of the National Hispanic Media Coalition, and Gus Ch–vez, retired administrator from San Diego State University.

The movement these four activists began a few short weeks ago is catching on and drawing the ire of Hispanics across the nation. For what Burns and PBS have done is simply intolerable.

Current: Ken Burns' Anti-Latino Bias "Civil Rights Issue"

In the trade paper of the public broadcasting industry, Karen Everhart Bedford's article is headlined: Burns’ omission seen as Latino civil rights issue.
As long as television and other media continue to marginalize Latinos’ military service and wartime sacrifice, “we continue to be invisible,” said Maggie Rivas-Rodriguez, a journalism professor at the University of Texas at Austin who is leading the charge against The War. “This is one that we’re not going to allow.”

The War documents a “major national experience and we’re not part of it and we don’t want it to be shown until it’s corrected,” said Gus Chavez, a retired university administrator from San Diego who participated in a March 6 meeting with PBS execs. “We are not going to sit still and let historical events of this nature be presented without our input and representation.”

Chavez, a Navy veteran, joined Rivas-Rodriquez in organizing the campaign for recognition that they call “Defend the Honor.”

“We are totally geared to making the general public aware of our concern that this documentary is misrepresenting the war as it’s presented to exclude the Latino experience,” Chavez said.

Defend the Honor



Here's a link to Defend the Honor, a website countering Ken Burns's exclusion of Latino war heroes, which has posted some anti-Ken Burns cartoons. Their mission statement:
A "documentary" about Americans and World War II, to be broadcast by PBS next fall, deliberately excludes any mention of Latino heroes who found to defend the United States from its enemies. This exclusion makes this documentary historically flawed! PBS and the corporate and foundation sponsors of this “documentary” need to know it now, before the film is aired. You need to tell them. Look for contact information at The US Latino & Latina WWII Oral History Project

This website is dedicated to supporting efforts of individuals and organizations to ensure that WWII-era Latinos and Latinas are included in today's general historical narratives. Currently, the focus of this effort is the scheduled September 2007 airing of a 14-hour PBS WWII documentary which fails to include any mention of the Latino experience. Their stories are significant and should be included. The story of our country's wartime experiences are incomplete without including the telling of what happened to Latinos.

AP: Hispanic GIs Protest Ken Burns Documentary

The anti-Ken Burns movement is growing, Suzanne Gamboa reports in the Houston Chronicle:
The latest group to take their grievance to PBS is the American GI Forum, an Hispanic veterans group that has waged numerous civil rights battles for Hispanics and Hispanic veterans.

The American GI Forum is appealing to Hispanic veterans and other Latino groups to write members of Congress and their local PBS affiliate about the documentary that has been six years in the making.

This week, GI Forum President Antonio Morales and other Latino leaders met in Washington with PBS President Paula Kerger to lodge their complaints about the 14-hour Ken Burns documentary set to air this September, Hispanic Heritage month.

"We are not going to tolerate this omission," Morales said after the PBS meeting.

PBS Ombudsman Defends Ken Burns

Apparently the documentary will broadcast four-letter words at a time when children are watching TV, so PBS is asking that the FCC not enforce its obscenity ban against Burns.

Charming.

Read Michael Getler's pre-emptive apologia for the as-yet unbroadcast film here.

Ken Burns' Anti-Latino Agenda

From The Unapologetic Mexican:
Now, Ken Burns, famous "documentary" filmmaker is doing his part as a good American soldier of media, to insure that the future thinks even less of us.

KEN BURNS is a documentary filmmaker who has a lot of cred, and chances are good that you've seen his work. If you use Macintosh's iMovie (or if you've seen any documentary these days that uses still shots as part of its presentation), you are familiar with what is named the "Ken Burns Effect," an editing technique made ubiquitous by his documentaries.

When it comes to American documentary filmmaking, Ken Burns is an institution, frequently hailed as “the most accomplished documentary filmmaker of his generation,” or some other such thing. And I am not denying his chops. (Nor his very disarming and Opie-like aura of amiability!) The man can wield a mean editing decision, script, and shotlist. Ultimately, his presentations are engaging and very well-received, mainstreamed, and most important to this essay—considered fact.

The PBS site tells us that "for over 25 years, Ken Burns has been producing films that are unafraid of controversy and tragedy." And I would have to agree. Because his latest seven-part, fourteen hour film The War, an epic undertaking that took six years to make and that covers the second world war by interviewing forty veterans from four towns—one of them Sacramento, California—and does not include even one Mexican (or Puerto Rican, or Native American, or Latino at all) is a tragedy, when it comes to respecting an accurate history, or the contributions of the descendants of the Indigenous of these Americas.

Mark Steyn on Britain's Iranian Hostage Crisis

He spoke on Hugh Hewitt's radio show:
MS: Well, they were weak when this happened three years ago, and I believe I wrote in the Telegraph at the time that this was a great act of weakness by the British against an act of piracy by the Islamic Republic of Iran. Now if you allow people to get away with it, they try it again. They get a little more bolder. This parading of this woman, this female sailor, Royal Navy personnel rating, as they call it in the Royal Navy, in Islamic clothing, is a clear breach of the Geneva Conventions.

HH: Yes.

MS: But all the people who complain and whine about Gitmo all day long don’t care about countries like Iran violating the Geneva Conventions. Iran can violate them with impunity, and so will continue to do so. And I’m very concerned. Iran, you talk about the chronology, Iran respects far fewer of the basic courtesies between states than the Soviet Union, or the Chinese Communists, or any other traditional enemy of the United States has ever done. And the fact of the matter is that we respond weakly every time this happens. The absolute low point of the Cold War was nothing to do with America’s relations with the Soviet Union, but was Jimmy Carter’s completely disastrous behavior, vis-à-vis Iran in 1979. And the British are in effect reenacting a Carter strategy, 28 years later.

HH: Do you…I noted that you quoted at Nationalreview.com, Speaker Gingrich’s suggestion on this program yesterday, Rush even played it today, that first, blow the gasoline refinery, and then stop the tankers. Do you think there’s a chance in the world the Brits will adopt such a strategy?

MS: No, and I think the thing about it is that if you were to propose that either in the House of Commons, or in the United States Congress, people would regard you as an extremist. You would be accused of escalating the situation. Now I think you could make the case that in fact, you don’t even need to do as Newt was talking about with you, which is to threaten them privately with it for a week. I mean, you could make the case that they should just do it. I mean, Iran surprises us all the time. It seizes sailors, it takes out hit contracts on British subjects like Salman Rushdie, it blows up community centers in Argentina, it seizes the U.S. Embassy. Iran doesn’t threaten to do that, it just gets on with it and does it. And maybe there’s a case to be said for well, maybe we should just do something against Iran. Maybe we should just take out that refinery, and they can wake up to it, and see it smoking when it happens, and then they’ll realize we’re serious. But the fact of the matter is that at the moment, when you hear Speaker Gingrich talk about that on your show, you then think well, can I imagine the British Foreign Secretary threatening that? Can I imagine Condoleezza Rice threatening that? And it’s actually there, and you realize how far all the options have bled away, so that now, Tony Blair is threatening, threatening to very quietly raise the possibility of sometime down the road, getting a U.N. resolution on possible trade, blah, blah, blah, blah, blah. And we all know that anything meaningful can’t be done by the U.N., because it would be vetoed by some combination of the Chinese, the Russians and the French. So in other words, it’s a non-threat, and the Iranians understand it as such.

HH: And back in Tehran, they say I guess we can push even further, don’t they?

MS: Exactly.

HH: And as a result, great power status, as you wrote at National Review, erodes, and is not quickly reassembled. I don’t know if Great Britain gets it back. As Arthur Herman said, they used to wonder if they’d left a navy big enough to defend Great Britain. Now the question is do they have a navy big enough to defend the navy.

Afghanistanica

I found this interesting blog about Afghanistan via a link Nathan Hamm posted on Registan.

Bloggers Blast Ken Burns


Here:
It always frustrates me whenever I hear stories like this - the ethnic minority experience in America being reduced to the sidelines, especially when it comes to paramount events such as WWII. But the sad fact is that Burns is just the latest in the long list of notable historians who have concocted these white-centric narratives.
And here:
> Date: Sun, 25 Feb 2007 19:02:10 -0600
> To: Ron Takaki
> From: Maggie Rivas-Rodriguez
>
> Hello, Professor Takaki,
> I am very well aware of your work and indeed was very moved by Double Victory.
> Thank you so much for contacting me.
> A couple of things, in case you haven't sent out the letter. Apparently the
> Burns documentary does include the African American and Japanese American
> experience, but leaves out Native Americans and Latinos, as well, it seems,
> women in the military.
> I'm totally in agreement with you: they mustn't air this in September. I'll be
> meeting with Ms. Kerger and one other PBS executive next Tuesday, March 6. Gus
> Chavez of San Diego will also be with me.
> I'll add you to our listserve and let's see if we can stop this train wreck
> before it happens.
> All my best,
> Maggie
And here:
The two major financial backers to the film are two brands very familiar to the Latino community: General Motors and Anheuser-Busch.

As all in the Latino community know, both companies believe strongly in providing support to la raza.

Wonder how GM and Anheuser-Busch would feel if they knew some of their most loyal consumers were overlooked and flat-out dismissed when it came to acknowledging their important roles in a war story that, thanks to their money, will be broadcast across the nation without even a nod to the fact that Latino soldiers were even there.

Thursday, March 29, 2007

Jorge Marsical Slams Ken Burns for "Erasure" of Hispanic Veterans

In a syndicated Scripss-Howard News Service column, Vietnam Veteran Jorge Marsical blasts Ken Burns with both barrels:
First, by erasing the contributions of this nation's Spanish-speaking communities, Burns distorts the collective history of all the people in these United States.

Second, his erasure means that he has no clue about where we are and where we are going as a nation. That as many as half a million Latinos and Latinas served in that war as well as in Vietnam, Iraq and every other U.S. conflict cannot be disconnected from the fact that today Latinos are the largest minority ethnic/racial group in the country...

...Recently, when confronted by a small group of Latinos in San Francisco, Burns offered a flippant, "The film doesn't include gays either."

Mr. Burns, the Latino community will pursue our future by pursuing our past. Despite your obstinate refusal to recognize willful ignorance, we are insisting that we do indeed have a past whether or not you can see it from your isolated outpost in New England.

Our collective future will not be understood without an acknowledgement of the service and the sacrifices that decades of Latinos have bestowed upon the nation.

Is Ken Burns Anti-Hispanic?

According to Josphine Hearn's article in The Politico, the Congressional Hispanic Caucus seems to think think that he is--because his latest PBS documentary about World War II fails to include a single Hispanic veteran:
The Congressional Hispanic Caucus has joined a campaign to include Hispanics in an upcoming PBS documentary on World War II, vowing to "put the squeeze" on top public television executives.

"We're very much concerned about the lack of Hispanics in the documentary," Chairman Joe Baca (D-Calif.) said. "That's appalling. That's a no-no to us."

The Hispanic Caucus and other Latino interest groups have been troubled that the 14-hour series -- "The War," by renowned filmmaker Ken Burns and scheduled for broadcast in September -- features no Hispanics, even as it highlights African-Americans and Japanese-Americans. They note that 500,000 Latinos served in World War II.

Rep. Ciro Rodriguez (D-Tex.) echoed Baca's concerns.

"There is a lot of outrage and anger and disappointment," he said. "We've come so far, and then we haven't. It's our responsibility to put the squeeze on people and educate them."

Baca, Rodriguez and a half-dozen other caucus members met with PBS President Paula Kerger on Capitol Hill on Tuesday to discuss the issue. They did not rule out trying to restrict federal funding of public television if PBS officials do not address some of their concerns.

"The bottom line is we also have the right to do what we can economically with PBS to show our displeasure," Rodriguez said. "I hope it won't come to that."
To help Ken Burns and PBS figure out why Hispanic members of Congress believe he is a racist, here's a link to a website listing Hispanic Medal of Honor recipients from World War II. And, as an old PBS-watcher, might I suggest to the Hispanic Caucus that to speed up a response they might contact Ken Burns' other agency, corporate and foundation sponsors, as well? Here's a list from the PBS website:
Corporate funding is provided by General Motors and Anheuser-Busch. Major funding is provided by Lilly Endowment, Inc.; Public Broadcasting Service; National Endowment for the Humanities; the Corporation for Public Broadcasting; The Arthur Vining Davis Foundations; The Pew Charitable Trusts; The Longaberger Foundation; and Park Foundation, Inc.
BTW, I didn't see any Hispanic surnames in these credits listed on the documentary's website:
A Production of Florentine Films and WETA-TV

Directed and Produced by KEN BURNS and LYNN NOVICK; Written By GEOFFREY C. WARD; Produced by SARAH BOTSTEIN: Co-Producers PETER MILLER and DAVID McMAHON; Supervising Film Editor PAUL BARNES; Editors PAUL BARNES, ERIK EWERS and TRICIA REIDY; Cinematography BUDDY SQUIRES; Associate Producers MEGHAN HORVATH and TAYLOR KRAUSS; Narrated by KEITH DAVID with TOM HANKS, JOSH LUCAS, BOBBY CANNAVALE, SAMUEL L. JACKSON, ELI WALLACH, among others; Original Music Composed and Arranged by WYNTON MARSALIS; “AMERICAN ANTHEM” music and lyrics by GENE SCHEER.

Accompanying the series will be a companion book, written by Geoffrey C. Ward and introduced by Ken Burns, that will be published by Alfred A. Knopf in August 2007. The soundtrack will be released in September 2007 by Sony BMG Legacy Recordings.

Wednesday, March 28, 2007

Victor Davis Hanson on 300

A Classics professor analyzes Hollywood's latest big-screen blockbuster:
Finally, some have suggested that "300" is juvenile in its black-and-white depiction — and glorification — of free Greeks versus imperious Persians. The film has actually been banned in Iran as hurtful American propaganda, as the theocracy suddenly is reclaiming its "infidel" ancient past.

But that good/bad contrast comes not from the director or Frank Miller, but is based on accounts from the Greeks themselves, who saw their own society as antithetical to the monarchy of imperial Persia.

True, 2,500 years ago, almost every society in the ancient Mediterranean world had slaves. And all relegated women to a relatively inferior position. Sparta turned the entire region of Messenia into a dependent serf state.

But in the Greek polis alone, there were elected governments, ranging from the constitutional oligarchy at Sparta to much broader-based voting in states like Athens and Thespiae.

Most importantly, only in Greece was there a constant tradition of unfettered expression and self-criticism. Aristophanes, Sophocles and Plato questioned the subordinate position of women. Alcidamas lamented the notion of slavery.

Such openness was found nowhere else in the ancient Mediterranean world. That freedom of expression explains why we rightly consider the ancient Greeks as the founders of our present Western civilization — and, as millions of moviegoers seem to sense, far more like us than the enemy who ultimately failed to conquer them.

US Government Still Funds Palestinian Terror University

Joel Mowbray's FrontPageMagazine.com article makes sobering reading:
When asked by this journalist about its funding decisions in the West Bank and Gaza, USAID pointed to $2.3 million in assistance provided to Al Quds University. Undermining USAID’s argument that funding the school is wise policy, however, was the weeklong celebration this January of Yahya Ayyash, the Hamas leader known as “the shahid [martyr] engineer.” He is credited with creating the first suicide belts in the mid-1990s and training the next generation of suicide bomb makers.

The school’s celebration of a leading terrorist actually seems to be in line with the beliefs of its leader. The president of Al-Quds University President, Sari Nusseibeh, is widely considered a leading Palestinian moderate—USAID praised him as “one such prominent and respected figure”—yet he, too, celebrates the glories of terrorists.

In an appearance on Al-Jazeera in 2002 with Hamas political bureau chief Khalid Mashaal and the mother of a suicide bomber, Nusseibeh had this to say of the woman who proudly raised a terrorist: “When I hear the words of Umm Nidal, I recall the [Koranic] verse stating that ‘Paradise lies under the feet of mothers.’ All respect is due to this mother; it is due to every Palestinian mother and every female Palestinian who is a Jihad fighter on this land.” (Transcript provided by PMW.)

As Palestinian colleges go, Al-Quds University might well be quite moderate—but that’s the problem. If terrorists are hailed as heroes at the moderate schools, imagine what happens at the more radical ones.

British Hostages on Iranian TV

Submission...(ht Drudge):