Perhaps the most perplexing response to date comes from Lionel Sosa, a Latino member of the PBS board of directors.
"Asking Burns to change his documentary is like asking Leonardo da Vinci to add another apostle to The Last Supper because somebody was left out," Sosa said in a Laredo Morning Times article by Tricia Cortez published March 20. "This is artistic. This is a film. It's not journalism."
Apparently, Sosa needs a dictionary to look up the definition of "documentary."
By comparing Burns to da Vinci, Sosa inadvertently strikes the crux of the matter. Burns' work is branded as the definitive statement on a subject. This brand comes largely because of his affiliation with PBS, the mandate of which is to serve the American public but much more so because of PBS's reach beyond television (already pervasive) as an approved "text" for use in classrooms across the nation.
Being ignorant – willfully or otherwise – of the flesh-and-blood impact of Latinos in World War II, not to mention the role of World War II in defining U.S. Latino history, is, in a word, deplorable. I don't expect PBS to impose its will on a filmmaker's vision – but it is painfully disappointing to discover that PBS's vision is little more than a few "diversity" dishes served at a card table near the banquet table. No, if PBS is truly interested in expanding its base, it means more than making room at the table. It means allowing other cooks in the kitchen when the meal is being prepared.
Sosa makes another interesting statement in the aforementioned Laredo Morning Times article. Although "disappointed" by the omission of Latinos in The War, he says it's up to Latinos, not Burns, to tell their stories.
"We have the talent in terms of writers, producers, directors, and historians to tell the story," he said. "And we have the resources to raise the money to make the films."
In that case, why bother supporting PBS at all?
“This is slavery, not to speak one's thought.” ― Euripides, The Phoenician Women
Thursday, April 05, 2007
Belinda Acosta: "Deplorable" Ken Burns No Da Vinci
In the Austin Chronicle, Belinda Acosta weighs in against Ken Burns and PBS: