Tuesday, March 04, 2014

Vladimir Putin's Press Conference on Ukraine: Transcript from the President of Russia Website

At a meeting with media representatives.

The President of Russia met with media representatives to answer a number of their questions, in particular with regard to the situation in  Ukraine.
PRESIDENT OF RUSSIA VLADIMIR PUTIN:

Good afternoon, colleagues,How shall we do this? This is what I’d like to suggest: let’s have a conversation, rather than an interview. Therefore, I would ask you to begin by stating all your questions, I will jot them down and try to answer them, and then we will have a more detailed discussion of the specifics that interest you most.Let’s begin.

QUESTION: Mr President, I would like to ask (you took a lengthy pause, so we have quite a few questions by now) how you assess the events in Kiev? Do you think that the Government and the Acting President, who are currently in power in Kiev, are legitimate? Are you ready to communicate with them, and on what terms? Do you yourself think it possible now to return to the agreements of February 21, which we all talk about so often?

QUESTION: Mr President, Russia has promised financial aid to Crimea and instructions were issued to the Finance Ministry yesterday. Is there a clear understanding of how much we are giving, where the money is coming from, on what terms and when? The situation there is very difficult.

QUESTION: When, on what terms and in what scope can military force be used in Ukraine? To what extent does this comply with Russia’s international agreements? Did the military exercises that have just finished have anything to do with the possible use of force?

QUESTION: We would like to know more about Crimea. Do you think that the provocations are over or that there remains a threat to the Russian citizens who are now in Crimea and to the Russian-speaking population? What are the general dynamics there – is the situation changing for the better or for the worse? We are hearing different reports from there.

QUESTION: If you do decide to use force, have you thought through all the possible risks for yourself, for the country and for the world: economic sanctions, weakened global security, a possible visa ban or greater isolation for Russia, as western politicians are demanding?

QUESTION: Yesterday the Russian stock market fell sharply in response to the Federation Council’s vote, and the ruble exchange rates hit record lows. Did you expect such a reaction? What do you think are the possible consequences for the economy? Is there a need for any special measures now, and of what kind? For instance, do you think the Central Bank’s decision to shift to a floating ruble exchange rate may have been premature? Do you think it should be revoked? 

VLADIMIR PUTIN: Fine, let us stop here for now. I will begin, and then we will continue. Don’t worry; I will try to answer as many questions as possible.First of all, my assessment of what happened in Kiev and in Ukraine in general. There can only be one assessment: this was an anti-constitutional takeover, an armed seizure of power. Does anyone question this? Nobody does. There is a question here that neither I, nor my colleagues, with whom I have been discussing the situation in Ukraine a great deal over these past days, as you know – none of us can answer. The question is why was this done?I would like to draw your attention to the fact that President Yanukovych, through the mediation of the Foreign Ministers of three European countries – Poland, Germany and France – and in the presence of my representative (this was the Russian Human Rights Commissioner Vladimir Lukin) signed an agreement with the opposition on February 21. I would like to stress that under that agreement (I am not saying this was good or bad, just stating the fact) Mr Yanukovych actually handed over power. He agreed to all the opposition’s demands: he agreed to early parliamentary elections, to early presidential elections, and to return to the 2004 Constitution, as demanded by the opposition. He gave a positive response to our request, the request of western countries and, first of all, of the opposition not to use force. He did not issue a single illegal order to shoot at the poor demonstrators. Moreover, he issued orders to withdraw all police forces from the capital, and they complied. He went to Kharkov to attend an event, and as soon as he left, instead of releasing the occupied administrative buildings, they immediately occupied the President’s residence and the Government building – all that instead of acting on the agreement.I ask myself, what was the purpose of all this? I want to understand why this was done. He had in fact given up his power already, and as I believe, as I told him, he had no chance of being re-elected. Everybody agrees on this, everyone I have been speaking to on the telephone these past few days. What was the purpose of all those illegal, unconstitutional actions, why did they have to create this chaos in the country? Armed and masked militants are still roaming the streets of Kiev. This is a question to which there is no answer. Did they wish to humiliate someone and show their power? I think these actions are absolutely foolish. The result is the absolute opposite of what they expected, because their actions have significantly destabilised the east and southeast of Ukraine.Now over to how this situation came about.In my opinion, this revolutionary situation has been brewing for a long time, since the first days of Ukraine’s independence.  The ordinary Ukrainian citizen, the ordinary guy suffered during the rule of Nicholas II, during the reign of Kuchma, and Yushchenko, and Yanukovych. Nothing or almost nothing has changed for the better. Corruption has reached dimensions that are unheard of here in Russia. Accumulation of wealth and social stratification – problems that are also acute in this country – are much worse in Ukraine, radically worse. Out there, they are beyond anything we can imagine imagination. Generally, people wanted change, but one should not support illegal change.Only use constitutional means should be used on the post-Soviet space, where political structures are still very fragile, and economies are still weak. Going beyond the constitutional field would always be a cardinal mistake in such a situation.  Incidentally, I understand those people on Maidan, though I do not support this kind of turnover. I understand the people on Maidan who are calling for radical change rather than some cosmetic remodelling of power. Why are they demanding this? Because they have grown used to seeing one set of thieves being replaced by another. Moreover, the people in the regions do not even participate in forming their own regional governments. There was a period in this country when the President appointed regional leaders, but then the local Council had to approve them, while in Ukraine they are appointed directly. We have now moved on to elections, while they are nowhere near this. And they began appointing all sorts of oligarchs and billionaires to govern the eastern regions of the country. No wonder the people do not accept this, no wonder they think that as a result of dishonest privatisation (just as many people think here as well) people have become rich and now they also have all the power.For example, Mr Kolomoisky was appointed Governor of Dnepropetrovsk. This is a unique crook. He even managed to cheat our oligarch Roman Abramovich two or three years ago.  Scammed him, as our intellectuals like to say. They signed some deal, Abramovich transferred several billion dollars, while this guy never delivered and pocketed the money. When I asked him [Abramovich]: “Why did you do it?” he said: “I never thought this was possible.” I do not know, by the way, if he ever got his money back and if the deal was closed.  But this really did happen a couple of years ago. And now this crook is appointed Governor of Dnepropetrovsk. No wonder the people are dissatisfied. They were dissatisfied and will remain so if those who refer to themselves the legitimate authorities continue in the same fashion.Most importantly, people should have the right to determine their own future, that of their families and of their region, and to have equal participation in it. I would like to stress this: wherever a person lives, whatever part of the country, he or she should have the right to equal participation in determining the future of the country.Are the current authorities legitimate? The Parliament is partially, but all the others are not. The current Acting President is definitely not legitimate. There is only one legitimate President, from a legal standpoint. Clearly, he has no power. However, as I have already said, and will repeat: Yanukovych is the only undoubtedly legitimate President.There are three ways of removing a President under Ukrainian law: one is his death, the other is when he personally stands down, and the third is impeachment. The latter is a well-deliberated constitutional norm. It has to involve the Constitutional Court, the Supreme Court and the Rada. This is a complicated and lengthy procedure. It was not carried out.  Therefore, from a legal perspective this is an undisputed fact.Moreover, I think this may be why they disbanded the Constitutional Court, which runs counter to all legal norms of both Ukraine and Europe. They not only disbanded the Constitutional Court in an illegitimate fashion, but they also – just think about it – instructed the Prosecutor General’s Office to launch criminal proceedings against members of the Constitutional Court. What is that all about? Is this what they call free justice? How can you instruct anyone to start criminal proceedings? If a crime, a criminal offence, has been committed, the law enforcement agencies see this and react. But instructing them to file criminal charges is nonsense, it’s monkey business.Now about financial aid to Crimea. As you may know, we have decided to organise work in the Russian regions to aid Crimea, which has turned to us for humanitarian support. We will provide it, of course. I cannot say how much, when or how – the Government is working on this, by bringing together the regions bordering on Crimea, by providing additional support to our regions so they could help the people in Crimea. We will do it, of course.Regarding the deployment of troops, the use of armed forces.  So far, there is no need for it, but the possibility remains. I would like to say here that the military exercises we recently held had nothing to do with the events in Ukraine.  This was pre-planned, but we did not disclose these plans, naturally, because this was a snap inspection of the forces’ combat readiness. We planned this a long time ago, the Defence Minister reported to me and I had the order ready to begin the exercise. As you may know, the exercises are over; I gave the order for the troops to return to their regular dislocations yesterday.What can serve as a reason to use the Armed Forces? Such a measure would certainly be the very last resort.First, the issue legitimacy. As you may know, we have a direct appeal from the incumbent and, as I said, legitimate President of Ukraine, Mr Yanukovych, asking us to use the Armed Forces to protect the lives, freedom and health of the citizens of Ukraine.What is our biggest concern? We see the rampage of reactionary forces, nationalist and anti-Semitic forces going on in certain parts of Ukraine, including Kiev. I am sure you, members of the media, saw how one of the governors was chained and handcuffed to something and they poured water over him, in the cold of winter. After that, by the way, he was locked up in a cellar and tortured. What is all this about? Is this democracy? Is this some manifestation of democracy? He was actually only recently appointed to this position, in December, I believe. Even if we accept that they are all corrupt there, he had barely had time to steal anything.And do you know what happened when they seized the Party of Regions building? There were no party members there at all at the time. Some two-three employees came out, one was an engineer, and he said to the attackers: “Could you let us go, and let the women out, please. I’m an engineer, I have nothing to do with politics.” He was shot right there in front of the crowd. Another employee was led to a cellar and then they threw Molotov cocktails at him and burned him alive.  Is this also a manifestation of democracy?When we see this we understand what worries the citizens of Ukraine, both Russian and Ukrainian, and the Russian-speaking population in the eastern and southern regions of Ukraine. It is this uncontrolled crime that worries them. Therefore, if we see such uncontrolled crime spreading to the eastern regions of the country, and if the people ask us for help, while we already have the official request from the legitimate President, we retain the to use all available means to protect those people. We believe this would be absolutely legitimate. This is our last resort.Moreover, here is what I would like to say: we have always considered Ukraine not only a neighbour, but also a brotherly neighbouring republic, and will continue to do so. Our Armed Forces are comrades in arms, friends, many of whom know each other personally. I am certain, and I stress, I am certain that the Ukrainian military and the Russian military will not be facing each other, they will be on the same side in a fight.Incidentally, the things I am talking about – this unity – is what is happening in Crimea. You should note that, thank God, not a single gunshot has been fired there; there are no casualties, except for those crushed by the crowd about a week ago. What was going on there? People came, surrounded units of the armed forces and talked to them, convincing them to follow the demands and the will of the people living in that area. There was not a single armed conflict, not a single gunshot.Thus the tension in Crimea that was linked to the possibility of using our Armed Forces simply died down and there was no need to use them. The only thing we had to do, and we did it, was to enhance the defence of our military facilities because they were constantly receiving threats and we were aware of the armed nationalists moving in. We did this, it was the right thing to do and very timely. Therefore, I proceed from the idea that we will not have to do anything of the kind in eastern Ukraine.There is something I would like to stress, however. Obviously, what I am going to say now is not within my authority and we do not intend to interfere. However, we firmly believe that all citizens of Ukraine, I repeat, wherever they live, should be given the same equal right to participate in the life of their country and in determining its future.If I were in the shoes of those who consider themselves the legitimate authorities, I would not waste time and go through all the necessary procedures, because they do not have a national mandate to conduct the domestic, foreign and economic policy of Ukraine, and especially to determine its future.Now, the stock market. As you may know, the stock market was jumpy even before the situation in Ukraine deteriorated. This is primarily linked to the policy of the US Federal Reserve, whose recent decisions enhanced the attractiveness of investing in the US economy and investors began moving their funds from the developing markets to the American market. This is a general trend and it has nothing to do with Ukraine. I believe it was India that suffered most, as well as the other BRICS states. Russia was hit as well, not as hard as India, but it was. This is the fundamental reason.As for the events in Ukraine, politics always influence the stock market in one way or another. Money likes quiet, stability and calm. However, I think this is a tactical, temporary development and a temporary influence.Your questions, please.

QUESTION: Mr President, can you tell us if you expected such a harsh reaction to Russia’s actions from your western partners? Could you give us any details of your conversations with your western partners? All we’ve heard was a report from the press service. And what do you think about the G8 summit in Sochi – will it take place?

VLADIMIR PUTIN: Regarding the expected reaction, whether the G8 will meet and about the conversations. Our conversations are confidential, some are even held over secure lines. Therefore, I am not authorised to disclose what I discussed with my partners. I will, however, refer to some public statements made by my colleagues from the west; without giving any names, I will comment on them in a general sense.What do we pay attention to? We are often told our actions are illegitimate, but when I ask, “Do you think everything you do is legitimate?” they say “yes”. Then, I have to recall the actions of the United States in Afghanistan, Iraq and Libya, where they either acted without any UN sanctions or completely distorted the content of such resolutions, as was the case with Libya. There, as you may know, the resolution only spoke of closing the airspace for government aircraft, while it all ended with bomb attacks and special forces land operations.Our partners, especially in the United Sates, always clearly formulate their own geopolitical and state interests and follow them with persistence. Then, using the principle “You’re either with us or against us” they draw the whole world in. And those who do not join in get ‘beaten’ until they do.Our approach is different. We proceed from the conviction that we always act legitimately. I have personally always been an advocate of acting in compliance with international law. I would like to stress yet again that if we do make the decision, if I do decide to use the Armed Forces, this will be a legitimate decision in full compliance with both general norms of international law, since we have the appeal of the legitimate President, and with our commitments, which in this case coincide with our interests to protect the people with whom we have close historical, cultural and economic ties. Protecting these people is in our national interests. This is a humanitarian mission. We do not intend to subjugate anyone or to dictate to anyone. However, we cannot remain indifferent if we see that they are being persecuted, destroyed and humiliated. However, I sincerely hope it never gets to that.

QUESTION: How do you asses the reaction of the west to the events in Ukraine and their threats regarding Russia: are we facing the possibility of sanctions or withdrawal from the G8?

VLADIMIR PUTIN: Regarding sanctions. It is primarily those who intend to apply them that need to consider their consequences. I believe that in the modern world, where everything is interconnected and interdependent, it is possible to cause damage to another country, but this will be mutual damage and one should bear this in mind.  This is one thing.The second and the most important thing. I have already told you what motivates us.  And what motivates our partners? They supported an unconstitutional armed take-over, declared these people legitimate and are trying to support them. By the way, despite all of this we have been patient and even ready to cooperate; we do not want to disrupt our cooperation. As you may know, a few days ago I instructed the Government to consider how we can maintain contacts even with those powers in Kiev that we do not consider legitimate in order to retain our ties in the economy and industry. We think our actions have been absolutely reasonable, while any threat against Russia is counterproductive and harmful.As for the G8, I do not know. We will be ready to host the summit with our colleagues. If they do not want to come – so be it.To be continued.

Tuesday, February 25, 2014

Samuel Huntington on Ukraine's Culture War

From THE CLASH OF CIVILIZATIONS:

THE FAULT LINES between civilizations are replacing the political and ideological boundaries of the Cold War as the flash points for crisis and bloodshed. The Cold War began when the Iron Curtain divided Europe politically and ideologically. The Cold War ended with the end of the Iron Curtain. As the ideological division of Europe has disappeared, the cultural division of Europe between Western Christianity, on the one hand, and Orthodox Christianity and Islam, on the other, has reemerged. The most significant dividing line in Europe, as William Wallace has suggested, may well be the eastern boundary of Western Christianity in the year 1500. This line runs along what are now the boundaries between Finland and Russia and between the Baltic states and Russia, cuts through Belarus and Ukraine separating the more Catholic western Ukraine from Orthodox eastern Ukraine, swings westward separating Transylvania from the rest of Romania, and then goes through Yugoslavia almost exactly along the line now separating Croatia and Slovenia from the rest of Yugoslavia. In the Balkans this line, of course, coincides with the historic boundary between the Hapsburg and Ottoman empires. The peoples to the north and west of this line are Protestant or Catholic; they shared the common experiences of European history -- feudalism, the Renaissance, the Reformation, the Enlightenment, the French Revolution, the Industrial Revolution; they are generally economically better off than the peoples to the east; and they may now look forward to increasing involvement in a common European economy and to the consolidation of democratic political systems. The peoples to the east and south of this line are Orthodox or Muslim; they historically belonged to the Ottoman or Tsarist empires and were only lightly touched by the shaping events in the rest of Europe; they are generally less advanced economically; they seem much less likely to develop stable democratic political systems. The Velvet Curtain of culture has replaced the Iron Curtain of ideology as the most significant dividing line in Europe. As the events in Yugoslavia show, it is not only a line of difference; it is also at times a line of bloody conflict. 

Monday, February 24, 2014

Cong. Dana Rohrabacher: Be Patient With Ukraine

Ukraine's population is split on whether to bond with Russia or Europe. That decision should be left for them to decide democratically. The U.S. should not be doing the bidding of either side in the determination of Ukraine's future.
Certainly, we must condemn human rights violations in every instance. Freedom of speech and assembly are important to the workings of a democratic society. They reflect America's values.
Just as important should be our respect for the rule of law. Those who win elections should make the policies and laws. That's not what happened in Ukraine, where tensions between eastern and western factions boiled over and became today's bloody crisis.
The U.S. shouldn't tell Ukraine what policies to follow. When the European Union's offer of closer ties was countered by Russia, it was up to the Ukrainian government to decide what was best.
The U.S. does not have a dog in this fight. An American offer of billions of dollars to dissuade Ukrainians from accepting Moscow's offer was doing the bidding of powerful European interests, not ours.
Why do we in the U.S. feel it necessary to thwart Russian efforts in various parts of the world? Russia rightfully looks at this as a hostile act.
We instead should reach out to make Russia a friend and ally in combating radical Islam and China, which now threaten the world's peace and stability.
The Cold War has been over for two decades. We should stay out of Ukraine.
Ukraine's president, Viktor Yanukovych, rejected the EU enticements, deciding to opt for Russian President Vladimir Putin's Eurasian trade bloc. That was Yanukovych's prerogative — as it was the prerogative of riled, Western-focused Ukrainians to express their opposition. Instead they took to the streets, not to the ballot box.
Americans should not feel compelled to determine the outcome. In the post-Cold War world, we Americans must show more patience.

Sunday, February 23, 2014

Eliyho Matz on The Status of Jewish Women...

THE STATUS OF JEWISH WOMEN, CAMELS
AND THE KETUBAH (MARRIAGE CERTIFICATE)
by Eliyho Matz

In Hindu culture, “the Dharma-Shastras observe that there are three general types of sins.  The first is the bodily type, and the favorite example of it, here and elsewhere, is adultery.  The result of adultery is that you came back as a fixed object such as a stone [on the issue of stones, see below] or a tree stump, and you can see by the number of stones and stumps around that there has been a lot of this going on.”
Edward Cameron Dimock, “Mr. Dimock Explores the Mysteries of the East (Chapel Hill: Algonquin Books, 1999),
p. 110.

“It has long been noted that camels possess a sixth sense for traversing the desert.  In the third century AD, the Chinese writer Kuo P’u observed, ‘The camel is an unusual domestic animal; it carries a saddle of flesh on its back; swiftly it dashes over the shifting sands; it manifests its merit in dangerous places; it has secret understanding of springs and sources, subtle indeed is its knowledge!’”
Laurence Bergreen, Marco Polo From Venice to Xanadu (New York: Alfred A Knopf, 2007), p. 53.


         The actual history of Jews is complex enough, but the many narratives make it more speculative because we are not exactly sure about the ancient events that preceded Judaism’s origins, and probably we will never know how Judaism all started and emerged as a Biblical text that led to the Talmud and resulted in the rules and rituals that are called Judaism.  Judaism evolved as the interaction between G’d and human activity: tied together in a beautiful narrative, at times crystal clear, but sometimes as opaque as a frosted-up window in which nothing is clear or visible. 
The history of Jews between 500 BCE to 500 CE is extremely dynamic and complex.  The most important texts of Judaism were created during this period when Jews were under the influence of the ancient Persians.  The impact of this Persian experience is reflected in all forms of what we call Jewish life.  Among the most important issues of Jewish life related to women, and, as ancient societies struggled to figure out how to deal with women, Judaism came out with its own solutions. 
         The Persian connection to Judaism is unquestionably clear; it is reflected in the Bible and in the Talmud.  It was through the language, Aramaic, as well as through the customs along with the evolving Persian ideologies and lore that we became Jews.  Furthermore, the Jews acquired from the Persians the art of doing business.  Under the Persians, Jews became merchants and roamed the world as such until the 1600’s.  They learned to conduct business between East and West -- the East was China, and the West was Europe.
         In ancient times, the forms of transportation were many, among them ships, horses, donkeys, and, later and most important, camels.  The camel eventually became the vehicle of transport and, of course, wealth.  The wealthier one was, the more camels he owned.  This leads to the Biblical story of finding a wife for Isaac – it is inconceivable to think of Abraham’s slave Eliezar being portrayed by the Biblicists as coming to fetch Rebecca on donkeys! The debate as to whether the writers of the Bible inappropriately inserted the camel into their narrative is most recently reflected in an article by John Noble Wilford (February 11, 2014, p. D3) in The New York Times.  One explanation for this inapt inclusion by the Biblical writers seems to be a reflection of the place of camels as used by  merchants for long distance travel.  Thus, the camel enters into the literature of the Bible through the back door by reverse engineering to reflect sometimes an anachronism or simply a part of our opaque history.
         With the help of the camel, Jewish merchants conducted trade and traveled long distances, disappearing from home for long periods of time.  Numerous basic laws and customs of Judaism came into being as a result of this lifestyle of conducting business in far-away lands and the consequent disappearance from home by the merchants.  It was a situation that demanded some action on behalf of the women they left behind. 
         That is approximately how the Ketubah (marriage certificate) came to appear in our complex history. The Ketubah is a unique Jewish document; Gentiles do not have such an agreement.  The Ketubah, as translated from Hebrew, is a “written” document, composed in Aramaic, the lingua franca of the Persian Empire. This document relates to the well being of a woman, spelling out her rights in case of a divorce, or in other issues of separation between her and her husband.  The long distance trade via camels evolved for more than 1000 years.  Jewish men got involved with other women along the roads, and thus, to protect the wives, rabbis were pushed to create a written document to offer fairness. 
This protracted involvement in long distance trade by necessity gave rise to other important elements in Judaism.  It ultimately changed the status of the Jewish family.  Unlike in previous generations, the mother now came to hold the place of determining the Jewish identity of their children, rather than the father.  Since Jewish merchants traveled the world up until the 1600’s, a rabbi in Europe around the 11th century, in another landmark decree, ruled that Jewish men could marry only one woman.  Other customs came into being including the wearing of the kipah, an adaptation taken from the Chinese Mandarins.  And the burial custom in which stones are placed on Jewish graves also grew out of necessity -- the stones were used as permanent markers of the burial sites of Jewish and other victims fallen along the long distance paths to China or other places.  Thus the history of Jews transformed itself as a result of livelihood.  
Since at the time of this writing we are approaching Purim, it is worthwhile to remember that the holiday takes its name from Persian, meaning “lots.”  And in his song “Suzanne,” Leonard Cohen sings about “…tea and oranges that come all the way from China” – how can we not connect the use of the citrus, now commonly the etrog, that is a symbol basic to our holiday of Sukkot?    
         I would like to return now to the writer Edward Cameron Dimock, whom I quote in the beginning, to include a few words of his pertaining to Indian religion: “The result of incest is that you come back as grass” (p. 110).  I will stop here, and maybe one day I will continue the story of the merchandising Jews.  The reason for my stopping is because I need to feed the camels their grass and water…. 
One day, I will end this story, somehow.

Eliyho Matz
eliyho_matz@yahoo.com
February 2014


Thursday, February 20, 2014

DOWNTON ABBEY DIARY: The Mad Memoirs of Rebecca Eaton--A Review by Laurence Jarvik


MAKING MASTERPIECE: 25 YEARS BEHIND THE SCENES AT MASTERPIECE THEATRE AND MYSTERY! ON PBS, Rebecca Eaton (2013), Preface by Kenneth Branagh, NY: Viking, 285 pp., $29.95

Masterpiece Theatre premiered on American Public Broadcasting Service (PBS) on Sunday, January 10, 1971, some 42 years before Rebecca Eaton's Making Masterpiece was published. It is still on the air. That is a very long run indeed for an American television series, especially a dramatic anthology. For purposes of comparison with other American shows, consider that Rod Serling’s Twilight Zone produced new episodes for approximately ten years; Studio One, also ten years; Playhouse 90, four years; GE Theatre, nine years; Omnibus, nine years; PBS’s American Playhouse, 11 years; and NET Playhouse, eight years. Only Hallmark Hall of Fame has had a longer shelf life as a dramatic anthology—yet although it premiered in 1951 and still produces new programming for American television, more recently episodes have appeared only from time-to-time as occasional specials, rather than as series. Thus, longevity alone makes Masterpiece (as it is now called) a unique television institution in the United States. There is quite simply nothing else like it being broadcast over American airwaves.

Executive producer Rebecca Eaton attempts to explain her program’s remarkable run in a new book, Making Masterpiece: 25 Years Behind the Scenes at Masterpiece Theatre and Mystery! (2013) Interestingly, Eaton combines autobiographical details such as medical and psychological problems, marriage and divorce, the tensions of working motherhood, her relationship with her parents, and own education alongside a discussion of business and artistic developments related to television classics such as Downton Abbey, Upstairs, Downstairs, Pride and Prejudice, David Copperfield, and mysteries including Prime Suspect, Hercule Poirot, Inspector Morse, and Sherlock Holmes, among others. Thus, Making Masterpiece is valuable at once as memoir, history of television, and corporate saga.

Eaton is at times refreshingly frank. She admits that when she became executive producer of Masterpiece Theatre, “I wasn’t a regular Masterpiece viewer—I wasn’t even a Masterpiece fan, really.”  But, apparently that did not matter. As Eaton’s book explains, the reason is fairly simple.  In the beginning, key decisions were made by the sponsor, Mobil Corporation, in conjunction with British television producers. So, WGBH was essentially koshering a commercial series for a non-commercial television network. Thus, placement of the Boston station’s call letters served as a secular hechsher for shows which otherwise would have been banned under PBS guidelines.

The book definitively documents the crucial role of the Mobil Corporation as original sponsor for Masterpiece Theatre. Her account of working with Russell Baker, Alistair Cooke’s successor is intriguing. Unlike Cooke, a veteran television performer and host of Omnibus, Baker was uncomfortable in front of cameras. He fidgeted, and his hands waved uncontrollably at times—so much so, that he took to literally sitting on them while on air. In addition, Baker had to obtain a waiver from his then-employer, The New York Times, for his work on the Mobil-sponsored PBS show violated the newspaper’s existing ethics guidelines.  Apparently, the Times wasn’t worried about conflict-of-interest charges. Baker got approval to host the series, which he introduced for over a decade. Apparently, some ethics guidelines are more binding than others…

Likewise, Eaton’s book is noteworthy for its documentation of the series’ almost complete collapse and fragmentation after the withdrawal of Mobil’s sponsorship—which eventually led up to “rebranding” the series in 2008; split into Masterpiece Classic, Mystery and Contemporary. Eaton’s account of focus groups, corporate consultants, and bickering with a Hallmark Hall of Fame producer over American-themed (as opposed to British) literary adaptations makes for what might have been a Bretts-like behind-the-scenes comedy of the absurd.

After Exxon-Mobil pulled their $10 million annual sponsorship, ratings plunged, the series began a hegira to different days, different times, different formats, and different hosts--and clearly lost its way. De facto, it was no longer a unified television series, just a time slot with a venerable title.  Then, almost uncannily, Eaton reprised PBS’s 1970s rejection of ITV’s original Upstairs, Downstairs (glossed over in her account) with her own refusal to buy ITV’s Downton Abbey, in favor of the BBC’s more pedestrian sequel to Upstairs, Downstairs (which nevertheless achieved a respectable 6.5 rating on PBS, prior to BBC’s cancellation). Ironically, although Downton had been Eaton’s and PBS’s second choice, it proved to be a PBS audience favorite, and garnered the highest Nielsen rating for the series--a reported 8.1. Once more, a British commercial production had become the jewel in the crown of American public broadcasting.

That Downton was written by a Tory aristocrat (Grantham was Margaret Thatcher’s parliamentary seat), while Upstairs, Downstairs had been penned by working-class Labour supporters, somehow added to the irony. Downton was Upstairs, Downstairs on steroids. It was bigger, badder, soapier, and more outrageous than the original. In a word: camp. Almost a self-parody. Too big too fail; it was the best Masterpiece Theatre could do to attempt to recover its original formula for success as a show window for British drama in the United States. Needless to say, Up, Down Anglomania once again worked its charms on the PBS audience.

Eaton’s account records the phenomenal success of Downton Abbey, the double nostalgia of which (for Britain’s aristocratic past and the old-fashioned programs of the original Mobil Masterpiece Theater) has provided the secret formula needed to attract two new sponsors: Viking River Cruises (Eaton christened the Viking Long ship Freya in the port of Amsterdam on March 12, 2012) and Ralph Lauren.

Surprisingly to this reviewer, Eaton plainly calls Masterpiece’s new underwriters “sponsors.” Although the term had been one which dare not speak its name when this author wrote about PBS some twenty years ago, officially nonexistent, in her memoir Eaton appears to be perfectly comfortable with Viking River Cruises and Ralph Lauren’s corporate support, and expresses her gratitude without the snarkiness once heard from PBS executives. But if sponsorship is indeed a net positive for the series, then what is the rationale for non-commercial claims by the PBS network? If it is a sponsor-supported corporation; and if that sponsorship was attracted by quality programming such as Downton Abbey, then logic would dictate the conclusion that corporate sponsorship is not opposed to quality—rather, the opposite: that corporate sponsors might indeed wish to be associated with quality television.

In addition to limning a corporate dimension, Eaton’s confessional illuminates the closed shop of American public broadcasting as a manifestly elitist institution redolent of unearned privilege. Her peek behind the PBS station curtain is fascinating to an outsider as a glimpse of an insular institution as formidably insulated from the hoi polloi as the mythical Downton Abbey. Not surprisingly, the author early on declares her blue-blood New England bona fides, complete with Maine family retreat. Eaton’s father, Paul Eaton, was MIT-educated dean of English at the California Institute of Technology. Her mother, Katherine Emery, was a Southern Belle from Alabama, who became a Broadway actress in Lillian Hellman’s The Children’s Hour, then a Hollywood star at RKO. Eaton majored in English at elite Vassar College, in 1969 a “seven sister” for the education of privileged females; afterwards worked at the BBC in an exclusive “Anglo-American swap deal” with Oxford University’s Lady Margaret Hall during the “swinging sixties.” No wallflower, Eaton writes of buying hashish in Piccadilly Circus (but claims it was a bag of dirt), and of the influence of Mary Quant, Twiggy, and “my new friends from the British ‘upper class,’ country houses and all.” Her favorite television program, Sir Kenneth Clark’s Civilization (curiously, Eaton misspells his surname as Clarke). Of British country weekends, she says, “As I recall, I was pretty much drunk the whole time.” Yet, she says she became estranged from her aristocratic companions. Like a Henry James heroine, Eaton claims she “felt that I was in the wrong place. I loved my own country. In Britain, I went from being antiwar and anti-U.S. government to realizing how deep my American roots actually were.” Well, let us say, from the account it appears that New England roots may not spread far beyond Boston.

Eaton says she cried on her BOAC flight back to the USA in 1970 (not usually the reaction of one happy to return home). Class privilege and sexism allowed Eaton to quickly obtain a job at WGBH’s National Public Radio station, due to “my Vassar degree, my BBC credentials, and my miniskirt…” Like many American children of privilege, she could afford to work without pay at first (the BBC had paid her $35/week). She was eventually hired for a “public access” television show called Catch-44, produced by Henry Becton (later to head WGBH), and to become a documentary producer.

In 1985, aged 37, Eaton married an artist named Paul Cooper, in a church in Kennebunkport, Maine—home of Presidents Bush, among other American Brahmins. Since 1984, she’d been on a leave of absence from WGBH, co-producing an independent feature film for American Playhouse directed by Jan Egelson (probably The Little Sister (1986), which appears in her IMDB listing, although the title is not mentioned in the book). Becton asked her to read scripts for Joan Wilson, the station’s Masterpiece Theatre producer at the time, who was dying of cancer. “He’d been considering me for the job of executive producer of Masterpiece Theatre in the event of her death.”

And that is how PBS stations worked then and now. It didn’t matter that Eaton had a very slim track record in drama, for she had the right breeding, the right bloodlines, the right schools, the right social formation, to do a PBS job—which, in 1985, was to serve as a glorified go-fer to the Mobil Corporation, by her account. That is the reason Eaton is able to write, without apparent embarrassment, that when offered the Masterpiece job, “I was pretty sure I didn’t want it.” 

That is also why Eaton is free to state that she had “disdain” for Masterpiece. She apparently felt superior to proles in commercial television, as her condescending description implies. That is why Eaton declares taking the helm of the most prestigious program on American television at that time  “would mean becoming an administrator, a manager of other people’s work, rather than a ‘creative’ person who actually made programs.”  For Eaton knew, and everyone at PBS knew, that in 1985, Mobil made Masterpiece Theatre programs with its British partners. WGBH was just a delivery service. She didn’t want the job, she says, and I believe her. Luckily, her then-husband pressured her to take the position. When Eaton applied to Henry Becton, she says that she had been the only person on the station’s shortlist who read The Mill on the Floss.  What does that say about the educational level at an American PBS station in 1985? Not much.

Eaton’s remarkable disdain continues to be expressed in her description of meeting Frank Marshall, a former Xerox speechwriter turned public relations consultant, who owned the trademark Masterpiece Theatre at one point (he later turned it over to Mobil, which eventually turned it over to WGBH). She slams Marshall as a “consigliere” (a Mafia term from The Godfather) to Mobil vice-president Herb Schmertz; describes his Vermont farmhouse as “in the middle of nowhere;” goes into detail about how awful she felt to be considered for the Masterpiece job, and links it to her pregnancy. Now, why would Eaton need to visit the middle of nowhere to see a corporate consultant—unless the consultant had approval rights for personnel hires?  Eaton’s very story establishes that Mobil, as sponsor, was running the show for Masterpiece Theatre at WGBH as late as 1985—not Henry Becton, not WGBH, and not PBS. Mobil had right of approval on personnel.

Which is why Eaton says that she didn’t want the job of executive producer in the first place—working for public broadcasting was, among women of a certain class in America in 1985, “U,” in Nancy Mitford’s terminology. At WGBH, PBS productions meant documentaries like “Frontline” (although a number of those episodes reworked British material). PBS was classy because it was “non-commercial.” Indeed, it was ostensibly above commerce. Such was the legacy of Puritanism in Boston and at PBS. Indeed, the Boston PBS station’s call letters stand for “God Bless Harvard,” a Puritan version of the Tetragrammaton. One could not serve PBS and Mobil, in good conscience; for PBS was doing God’s work, while Mobil was doing Mammon’s. 

Yet Eaton's story of bureaucratic and personal drift and disarray at Masterpiece Theater after Exxon Mobil discontinued funding in 1994, in what might be called its disassociated state, evidences that Mobil's corporate sponsorship made possible, and Viking Cruises and Ralph Lauren may continue to insure, that Masterpiece Theatre remains a Masterpiece of American television. 

Monday, February 17, 2014

Pam Geller On The Pussies Behind Pussy Riot

I have a real challenge for these brave femmes: Stage a protest in a mosque. Protest clitoridectomies, honor killings, child marriage, forced marriage, women as and chattel. Then let’s see how many of their new friends they have at the end of the day. If Pussy Riot protested inside, say, the Blue Mosque, singing songs calling on Muhammad’s six-year-old wife Aisha to remove President Vladimir Putin from office, would the world be petting and fêting the felines?
They would have been destroyed, smeared, banned. But they protested in a cathedral, so they are worshiped. That was enough to make them become overnight the darlings of the West.

Read more at http://mobile.wnd.com/2014/02/pussy-riot-fever-infects-u-s/#CDsymKqogZ16MXrv.99


Monday, February 03, 2014

Mark Steyn on Barry Rubin

From SteynOnline:
Barry Rubin, a great strategic thinker and cartographer of the emerging post-American world, died today in Tel Aviv. I read him regularly and cited him in After America re the collectively insane urge of almost everyone Nidal Hasan encountered as he wafted upwards through the US Army to look the other way and not see what was staring them in the face:
As the writer Barry Rubin pointed out, Major Hasan was the first mass murderer in US history to give a PowerPoint presentation outlining the rationale for the crime he was about to commit. And he gave it to a roomful of fellow army psychiatrists and doctors - some of whom glanced queasily at their colleagues, but none of whom actually spoke up. And, when the question of whether then Captain Hasan was, in fact, "psychotic", the policy committee at Walter Reed Army Medical Center worried "how would it look if we kick out one of the few Muslim residents".
I remember when I read Rubin's line about the PowerPoint presentation. Many of us had been groping in the same direction, but he was the one who came up with the perfect, piercing image for the madness that was going on. He did that a lot, right up to the end. Rest in peace.

Thursday, January 30, 2014

Richard Kaye Remembers Bob Tashman at the New York Review of Books

A nice memoir of our late friend by one of his co-workers at NYRB:

http://www.nybooks.com/blogs/50-years/2014/jan/21/the-room-you-wanted-to-be-in/
The other aesthete—unkempt, straight, Jewish-guy division—was Bob Tashman, as nervously fast-talking as David was mellifluously smooth-talking, an assistant editor for many years at the Review. For some time Bob and I did not get along. It was an office joke, of sorts, our everyday friction and bitchy bickering, and thinking about this now I am not sure why. But then, suddenly, we did get along, a development that may have had something to do with Bob’s basic sweet nature and perhaps my telling our mutual friend Arthur Goldwag at the Reader’s Subscription that I thought Bob was one of the smartest people I had ever met. Heck, he was the smartest man in the office, in the entire Fisk Building. It got back to Bob, as I wanted it to. Usually dressed in a bland preppy blue shirt and jeans, hair sprouting from everywhere, Bob would careen from office to office at the Review and do fiendishly accurate impressions of people, myself included. (Something about me saying “Iknow!” into the phone when I was talking to a friend.) 
Very tough-minded intellectually and yet hilarious in a way that would have served him well in vaudeville, Bob had all sorts of complex, fancy tastes in literature and plays and music and art and he could get quite emotional about some of those opinions. He loved to pick little fights about cultural matters. Wasn’t Orson Welles’s Chimes at Midnight absolutely the best film adaptation of Shakespeare ever made? Wasn’t James Joyce’s story “The Dead” the “greatest piece of fiction in the language”? He would become almost physically taunting about—or alternately physically gratified by—your tastes in books or music, depending on whether your judgments fit his own finely honed refinements. He would rant, cajole, become irritated. Bob was one of those brilliant people who almost always drop out of Ph.D. programs in which they are uneasily enrolled, as I would later understand, because their brilliance invariably is too ornery and unsystematic. Seldom would he yield to another person’s argument or a “school of thought.” Somehow Bob always brought to mind T.S. Eliot’s comment about Henry James having a “mind so fine no idea could violate it.” (Bob passed away from cancer several years ago.)

Sunday, January 19, 2014

Eliyho Matz's New Year's Blessings for 2014...

Blessing, Blessings for 2014
A Compilation, by Eliyho Matz

For the past 35 years, I have been working in Manhattan in the Stationery business (i.e., pens and pencils), and it has been my daily habit to read The New York Times.  I cannot testify to my mental condition after analyzing the many complexities and ideas found in this newspaper.  

Following are some interesting pieces I have accumulated over these thirty-five years as a result of my work and my daily meditations on life and the Times.
*******************************

An Ode to “Best” Pencils

 O’, God, give me Black Wings, to fly among the Mongols, to see the Ticonderoga river, and the Velvet birds in the Valley of Lead, where the Best pencils are made.
                                                                                               
E.M.

Of Blintzes, Lox And Poetic Expression

            “The muses on the Lower East Side must have been hungry to inspire such an ode. 
            It is taped to a milk machine at the B&H Dairy Restaurant at 127 Second Avenue, between Seventh and Eighth Streets.  The manager, Raul Morales, promises to keep it there ‘for quite a while.’
            Two patrons, Jonathan Robbins and Peter Lamborn Wilson, handed the poem to Mr. Morales one day after lunch.

Blessings on your counter tops,
Bruchas on your pans and pots,
B&H, the Dairy princes,
Lords of sour cream and blintzes!
Young and fresh or old and gnarly,
All must slurp your mushroom barley;
Even wealthy uptown fogeys
Grab a cab for your pirogies!
If we had a dozen wishes
Never could we wish a dish as
Good as your gefilte fish is!
Though your premises be narrow
You have stuffed us to the marrow;
Still, we cannot leave your table
Till we wheedle or finagle
One more lox or one more bagel!

                                                Susan Heller Anderson
                                                David W. Dunlap
                                                The NY Times: April 8, 1985

Haiku

“One of the most celebrated haiku by the poet Basho, Japan’s Wordsworth and Shakespeare rolled into one, is: ‘furu ike ya/kawazu tobikomu/mizu no oto.’  Translated: “’old pond/frogs jumped in/sound of water.’…The beauty in Japanese comes from its allusions; to the season, the setting, and the sound of water conveyed by the onomatopoeic ‘oto’.”

                                                      (I do not recall the source – E.M.)

Chinese Poetry

[At age 102, Mr. Qian is back in school, with many like him.]

         “Mr. Qian manages to walk to the class on his own, and he hears and sees well enough to follow the teacher most of the time.  The first class he took was on health care for the elderly, and he says he found it very useful in looking after his wife, who died a few months ago at the age of 100, and his daughter, who is 81 years old and in fading health.
            A lover of traditional poetry, Mr. Qian scarcely paused when asked for a few lines of his favorite poem.  The room fell silent as he recited from memory this ancient Chinese poem:
                        The clouds are wispy this morning,
                                    the breeze is light.
                        As I pass the pond, I see flowers
                                    and willow trees.
                        The passers-by don’t know the joy
                                    in my heart.
                        I’m like a kid at play.

                                                                                    The NY Times:            December 6, 1990           

Papusa

[One of the most tragic poets of the Twentieth Century, Papusa was a Polish Gypsy and an exceptionally great poet who suffered because of her writing.]

                        No one understand me,
                        Only the forest and the river.
                        That of which I speak
                        Has all, all passed away,
                        Everything has gone with it –
                        And those years of youth.

******************************

For a further understanding of humanity, please read Understanding Media: The Extensions of Man by Marshall McLuhan.


Following is a short example of The NY Times reports on events:

First Example – On November 19, 1986 (p. A4), The NY Times reported

“’The camel is an extremely smart animal,’ said Dr. D.P. Singh,
a livestock official.  “He can easily recognize his master and his environ-
ment.  He knows how to perform and please his master.  But if you beat
him, he will take revenge, even if he has to wait for a year to do it.’”

Second Example – On February 3, 1988 (p. B3), The NY Times reported in an AP news item titled “Park Fined in Camel Attack”
“JACKSON, N.J., Feb 2 (AP) – The Federal Occupational Safety and
Health Administration has cited the Six Flags Great Adventure Amusement
Park for two safety violations in a camel attack on a worker last July 4,
officials said.  The camel knocked down the employee, Susan Wright, 32
years old, of New Egypt in Ocean County, and sat on her.  Each violation
carries a $1000. fine.”

Dear Reader, please feel free to connect the dots!




New Statesman: Will We Regret Pushing Christians Out of Public Life?

http://www.newstatesman.com/2014/01/new-intolerance-will-we-regret-pushing-christians-out-public-life

Cristina Odone writes:

Without a change, the work that faith groups have carried out for millennia – charities, hospitals, schools, orphanages – will disappear. Communities will no longer be able to rely on the selfless devotion of evangelists and missionaries who happily shoulder the burden of looking after the unwanted, the aged, the poor. Feeling stigmatised and persecuted by the authorities and the establishment, Christians, Muslims and Jews may well become entrenched in the more fundamental shores of their faith.
Equality is already becoming the one civic virtue universally endorsed; equality legislation, the overriding principle of law. In this new scenario, yesterday’s victims are today’s victors. Gays and women, among other scapegoats from the past, now triumph over their former persecutors. But they have learned no lesson from their plight. As they promote a one-sided tolerance, they act as if their rights now include this: to have no one disagree with them.
This is not the sign of a healthy society. Ordinary citizens should not live in fear of saying or doing “the wrong thing”. Diversity means respecting conscientious objections and making reasonable accommodation to let subcultures survive. Erasing God from the public square, and turning religion into a secret activity between two consenting adults in the privacy of their home, leads to what the poet Seamus Heaney calls the hollowing-out of culture. A no-God area can only sustain a fragile and brittle civilisation, a setting worthy of a broken people.