A Panda Sneezes

Just saw this on Google video...

William Stearman: Ken Burns Should Not Spotlight Latinos

The debate over Ken Burns' WWII film is heating up, it seems, from this letter published in the Washington Post:

'Red-Blooded Americans, Fighting for Our Country'
Wednesday, May 16, 2007; Page A14

As a World War II combat veteran, I was both disappointed and concerned that Ken Burns let himself be pressured into singling out Latino contributions in his World War II documentary [Style, May 11].

Our landing ship, which saw considerable action in the Pacific, had onboard people of ethnic origins including Italian, Polish, Latino, Greek, German, Irish, Armenian, British and African. Incidentally, the black sailors involved lived fully integrated with the white sailors, and all were on gun crews.

Had anyone sought, for example, to single out Radioman Campo for attention because of his Latino ethnicity, he, no doubt, would have been perplexed, if not affronted. We would all have described ourselves simply as true, red-blooded Americans fighting for our country.

As to Mr. Burns's documentary, I would support highlighting exclusively ethnic units such as the valiant and effective Army Air Corps/Force Tuskegee pilots in all-black formations, the brave and battle-savvy Japanese American infantry units (in Europe), and the invaluable Navajo "code talkers" attached to the Marine Corps.

WILLIAM LLOYD STEARMAN
North Bethesda

Agustin Blazquez Speaks!

On Google Video, about why he makes documentary films.

Daniel Pipes: Stop US Support for Turkish Islamists

Originally published in the NY Sun:

Each Turk must judge the AKP for himself, as must key foreign governments. If the polls show Turkish voters still quite undecided, foreign leaders have opted in Erdoğan's favor. The Council of Europe condemned military intervention and U.S. Secretary of State Condoleezza Rice has gone further, praising the AKP for "pulling Turkey west toward Europe" and specifically endorsed its efforts to make Turkey's laws conform to Europe's in the areas of individual and religious freedom.

But her statement ignores AKP efforts to apply the Islamic law by criminalizing adultery and creating alcohol-free zones, not to speak of its privileging Islamic courts over secular courts, its reliance on dirty money, and its bias against religious minorities as well as the persecution of political opponents. Further, European Union membership offers the AKP a huge side-benefit: by reducing the political role of Turkey's arch-secular military leadership, paradoxically, it eases the way to apply Islamic laws. Would the AKP's caution outlast its neutering the officer corps? Finally, Secretary Rice ignores AKP-induced tensions in U.S.-Turkish relations.

But her superficial analysis has one inadvertent benefit: given Turkey's fervid anti-Americanism these days, American support for the AKP might actually cause it to lose votes. Such cynical humor aside, Washington should stop bolstering the AKP and instead side with its natural allies, the secularists.

2nd Report of the World Bank Executive Directors Ad Hoc Group on Paul Wolfowitz

Read for yourself what the World Bank Executive Directors said about Paul Wolfowitz, here, as a PDF file.

Bernard Lewis on Al Qaeda's Political Strategy

In today's Wall Street Journal:

The Muslim willingness to submit to Soviet authority, though widespread, was not unanimous. The Afghan people, who had successfully defied the British Empire in its prime, found a way to resist the Soviet invaders. An organization known as the Taliban (literally, "the students") began to organize resistance and even guerilla warfare against the Soviet occupiers and their puppets. For this, they were able to attract some support from the Muslim world--some grants of money, and growing numbers of volunteers to fight in the Holy War against the infidel conqueror. Notable among these was a group led by a Saudi of Yemeni origin called Osama bin Laden.

To accomplish their purpose, they did not disdain to turn to the U.S. for help, which they got. In the Muslim perception there has been, since the time of the Prophet, an ongoing struggle between the two world religions, Christendom and Islam, for the privilege and opportunity to bring salvation to the rest of humankind, removing whatever obstacles there might be in their path. For a long time, the main enemy was seen, with some plausibility, as being the West, and some Muslims were, naturally enough, willing to accept what help they could get against that enemy. This explains the widespread support in the Arab countries and in some other places first for the Third Reich and, after its collapse, for the Soviet Union. These were the main enemies of the West, and therefore natural allies.

Now the situation had changed. The more immediate, more dangerous enemy was the Soviet Union, already ruling a number of Muslim countries, and daily increasing its influence and presence in others. It was therefore natural to seek and accept American help. As Osama bin Laden explained, in this final phase of the millennial struggle, the world of the unbelievers was divided between two superpowers. The first task was to deal with the more deadly and more dangerous of the two, the Soviet Union. After that, dealing with the pampered and degenerate Americans would be easy.

We in the Western world see the defeat and collapse of the Soviet Union as a Western, more specifically an American, victory in the Cold War. For Osama bin Laden and his followers, it was a Muslim victory in a jihad, and, given the circumstances, this perception does not lack plausibility

From the writings and the speeches of Osama bin Laden and his colleagues, it is clear that they expected this second task, dealing with America, would be comparatively simple and easy. This perception was certainly encouraged and so it seemed, confirmed by the American response to a whole series of attacks--on the World Trade Center in New York and on U.S. troops in Mogadishu in 1993, on the U.S. military office in Riyadh in 1995, on the American embassies in Kenya and Tanzania in 1998, on the USS Cole in Yemen in 2000--all of which evoked only angry words, sometimes accompanied by the dispatch of expensive missiles to remote and uninhabited places.

Stage One of the jihad was to drive the infidels from the lands of Islam; Stage Two--to bring the war into the enemy camp, and the attacks of 9/11 were clearly intended to be the opening salvo of this stage. The response to 9/11, so completely out of accord with previous American practice, came as a shock, and it is noteworthy that there has been no successful attack on American soil since then. The U.S. actions in Afghanistan and in Iraq indicated that there had been a major change in the U.S., and that some revision of their assessment, and of the policies based on that assessment, was necessary.

More recent developments, and notably the public discourse inside the U.S., are persuading increasing numbers of Islamist radicals that their first assessment was correct after all, and that they need only to press a little harder to achieve final victory. It is not yet clear whether they are right or wrong in this view. If they are right, the consequences--both for Islam and for America--will be deep, wide and lasting.

Byron York on the Republican Debate

From National Review:

It all started when Paul was asked how September 11 changed American foreign policy. “Have you ever read the reasons they attacked us?” Paul answered. “They attack us because we’ve been over there; we’ve been bombing Iraq for ten years…”

Questioner Wendell Goler, of Fox News, asked, “Are you suggesting we invited the 9/11 attack, sir?”

“I’m suggesting that we listen to the people who attacked us and the reason they did it,” Paul said. “They don’t come here to attack us because we’re rich and we’re free. They come and they attack us because we’re over there.”

Enter Giuliani. “May I comment on that?” the mayor said, interrupting the orderly flow of things for the first time in the debate. “That really an extraordinary statement. That’s an extraordinary statement, as someone who lived through the attack of September 11, that we invited the attack because we were attacking Iraq. I don’t think I’ve heard that before, and I’ve heard some pretty absurd explanations for September 11th.”

The audience loved it. As the applause built, Giuliani added, “And I would ask the congressman to withdraw that comment and tell us that he didn’t really mean that.”

Paul didn’t back down, but by cutting in, Giuliani had scored some of the best, and perhaps easiest, points of the night. So much so that advisers from rival campaigns couldn’t quite hide their frustration that Giuliani had moved so quickly. “I don’t think it takes a lot of courage to use Ron Paul as a prop,” said Charlie Black, the longtime GOP strategist who is backing Sen. John McCain. “But he [Giuliani] got his 9/11 credential in there, so congratulations.”

The Ron Paul moment was just one of Giuliani’s strong points in the debate. He was solid on terrorism, solid on the war in Iraq, solid on taxes, solid on lots of things. On abortion, he was not exactly solid, but his answers were more coherent than they had been in the first debate, held May 3 at the Reagan Library in California. Put it all together, and Giuliani’s aides seemed genuinely happy with his performance Tuesday night, in contrast to the way they seemed to be faking their happiness in California. “He was better,” said Jim Dyke, a top Giuliani adviser. “9/11 is very personal to the mayor. You can’t coach something like that.”

IMHO it is interesting to note that in his debate comments Paul linked Iraq directly to 9/11--just as Dick Cheney did at the time.

St. Clair Bourne on Maggie Rivas-Rodriguez v. Ken Burns

The renowned African-American independent filmmaker, who helped bring Black Journal to PBS, is blogging about the Ken Burns scandal on Chambanotes.

Maggie Rivas-Rodriguez Debates Ken Burns' Supporter on PBS Newshour

I found this link to last night's debate between University of Texas journalism professor Maggie Rivas-Rodriguez and Ken Burns' spokesmodel Nancy Buirski (of the Durham, NC "Full Frame" documentary festival) on last night's Newshour with Jim Lehrer. They went head-to-head on the question of Ken Burns' anti-Latino bias in his upcoming PBS documentary about World War II. Maybe Buirski wasn't officially representing Ken Burns--but she appeared to be repeating talking points from his people, to this viewer. Here's a photo from Indiwire of Buirski with Michael Moore, giving an award to Ross McElwee, apparently taken at the Full Frame documentary festival: Here's another item about Buirski's Full Frame festival from INDYWEEK:

Indeed, Moore, who attended the 2004 festival, will participate in no less than four events. Along with presenting his Power of Ten choice, Kazuo Hara's World War II atrocity film The Emperor's Naked Army Marches On, Moore will attend a screening of his acclaimed film Roger & Me and a panel discussion involving all the Power of Ten curators, as well as help honor this year's Career Award recipient, filmmaker Ross McElwee (Bright Leaves, Sherman's March, both to be screened this weekend).

Also attending the festival will be infamous publisher and First Amendment crusader Larry Flynt in conjunction with one of the annual Center Frame programs, the world premiere of Larry Flynt: The Right to be Left Alone.

Hmm...(For some unknown reason, the FullFrame.org website appears not to be working right now.)

Round One: Rivas-Rodriguez and Latino WWII veterans.

You can watch the debate online in streaming video, here.

Another Hero of the Holocaust

Varian Fry, subject of Pierre Sauvage's upcoming documentary And Crown Thy Good: Varian Fry in Marseille:

Varian Fry (1907-1967) was a New York intellectual who after the fall of France to the Nazis spent a year in the Southern port city of Marseille leading one of the most remarkable and successful rescue efforts of the Nazi era. The first American to be singled out by Israel's Holocaust memorial Yad Vashem as one of the Righteous Among the Nations...

Defying the Nazis, the French Vichy regime, and his own government, Varian Fry, a dapper, 32 year-old intellectual, led a unique mission that helped to save some 2,000 artists, intellectuals, and anti-Nazi refugees, Jewish and non-Jewish. Pierre Sauvage made the highly acclaimed 1989 feature documentary Weapons of the Spirit. His new documentary will provide a careful and dramatic account of what will come to be recognized as a crucial chapter in 20th century American and world history.

David Margulies Wins Actors Equity Award

For playing Rabbi Stephen Wise, in Bernard Weinraub's "The Accomplices" (and "a preternaturally wise gay john in New York Theatre Workshop's production of Alan Ball's 'All That I Will Ever Be'"). Seems I'm not the only one to think the actors were outstanding. Backstage's story here.

Leon Aron's Russia's Revolution

Just came back from a book signing at the American Enterprise Institute for Leon Aron's collection of essays, Russia's Revolution: Essays 1989-2006. Who should I see talking to Leon as I went to get my copy inscribed but Putin’s former economic guru and G8 "sherpa" Andrei Illarionov, talking (in Russian) to Leon. Of course with my bad Russian, I didn't understand a word they said--but did learn that Iliarionov now lives in Washington, DC--working for for the libertarian CATO institute as Senior Fellow, Center for Global Liberty and Prosperity. Sounds like we may be hearing more from Iliarionov in the future...

While we are waiting, you can order a copy of Russia's Revolution from AEI by clicking on this link.

Shiva in the Shenandoah Valley?

Last weekend, someone I know and I went to Luray Caverns in Virginia's beautiful Shenandoah Valley, and were surprised to discover tour groups of Buddhist monks in saffron robes, as well as what looked like a large number of tourists from the subcontinent, among the middle-American types. "What would bring Buddhist monks on a pilgrimmage to a tourist trap on the outskirts of Washington, DC?", we wondered on the drive home.

A few minutes googling the internet provided the answer--stalactites, stalagmites, and the columns they form are sometimes considered to be naturally occuring lingams, representations of Shiva's power and the male principle (in some formations, the male + female principle). It seemed that the monks and visitors from the subcontinent were looking at an American variant of the Amaranth temple dedicated to Lord Shiva, located in Jammu and Kashmir, India.

Instead of garlands and milk, the only religious symbolism in Luray was the "Stalacpipe Organ" (really sort of a xylophone) that played "A Mighty Fortress Is Our God" with its hammers tinkling the hanging stalactites. (You can listen to "Red River Valley" here. Or another tune here...)

The whole experience was somewhat supernatural--Luray Caverns are well worth a visit, for both the natural wonders and the human beings who experience them. There's also a car museum, which has a nice collection of sleighs, carriages, and vintage Hudsons, DeSotos, Model Ts, Stanley Steamers, as well as Rolls-Royces that belonged to Pola Negri and Rudolf Valentino--of all things, in all places...

360 degree views, here. And here.

Roger L Simon on PBS's "Islam v. Islamists" Ban

In the New York Post (ht RogerLSimon.com) :

I HAVE to admit the first thing that attracted me to Martyn Burke's "Islam vs. Islamists" was that PBS had suppressed it. As is now well known, the network rejected Burke's documentary - produced with Frank Gaffney and Alex Alexiev for the network's "American Crossroads" series - on the film's completion. PBS's initial explanation was that the film was not good enough, aesthetically.

Well, yes, I thought, that could be. Most things aren't. As a filmmaker, I know that well. Only one of the films I have written - "Enemies, A Love Story" - can I even watch today. Most PBS documentaries I find so stultifying I'd rather read the phone book.

So I assumed the criticism of Burke's film was valid. Still, I was curious. I had not been entirely satisfied with previous documentaries I had seen on related subjects - "Islam: What the West Needs To Know" and "Obsession" - because, like Al Gore's global-warming film, they were made in the old-fashioned, didactic style of the conventional documentary that always teeters on the edge of propaganda or special pleading. I assumed "Islam vs. Islamists" would be like that.

Boy, was I wrong. Burke's doc is a riveting and creatively made film about the most important subject of our time: What to do about radical Islam?

It confronts this dilemma in a sly, novelistic manner, inter-weaving the stories of good, moderate Muslims with the imams and supposedly "true Muslims" who, not surprisingly, accuse the moderate Muslims of not being Muslims at all.

Soon enough we learn these imams are apologists for terrorism and for the worst kind of medieval religious sadism. (One of them enthusiastically endorses the stoning to death of adulterers by holding up a Koran. "I didn't make this up," he says proudly. "It is written here.") The mostly mild-mannered moderate Muslims are shown to be at risk for their lives, some of them accompanied everywhere by bodyguards.

All this is done with the people talking about themselves and revealing themselves (including the imam responsible for the bloody Danish Cartoons riots). There are no so-called "terrorism experts" or other talking heads interpreting reality for us.

In other words, this is a film, not another one of those didactic docs referred to above...

...I hereby call on my fellow Motion Picture Academy members, whatever their political leanings, to protest this cowardly and un-American act of censorship. As artists, we should be appalled by such blatant disregard of our First Amendment rights. Public funding of PBS should be reconsidered if such reactionary behavior continues.

Happy Mother's Day!

On this holiday, Mark Steyn explains a song that means the world to him:

With Mother’s Day coming up (in North America, anyway: in Britain, it’s the fourth Sunday after Lent), a young lad’s heart naturally turns to thoughts of serenading his mom. And, when it does, he quickly discovers the heyday of mother songs was a century ago. From the Gay Nineties to the Great War, mother songs were a Tin Pan Alley staple and among the biggest hits of the day: “Always Take Mother’s Advice”, “A Boy’s Best Friend Is His Mother”, “Your Mother Is Your Best Friend After All”, “That Old Fashioned Mother Of Mine”, “That Wonderful Mother Of Mine”, “That Old Irish Mother Of Mine”. Old Irish mothers were a thriving sub-genre all by themselves – “Mother Machree”, “Ireland Must Be Heaven For My Mother Came From There”. So were songs for southern mammies, for whose smiles one would walk a million miles. There are songs about dads with excellent taste in mothers: “Daddy Has A Sweetheart And Mother Is Her Name”, “I Want A Girl Just Like The Girl Who Married Dear Old Dad”. There are mother songs about mothers who sang songs, like “Those Songs My Mother Used To Sing” (1912). And songs about elderly mothers – “There’s A Mother Old And Gray Who Needs Me Now” – and even a few that hint at senile decline - “Baby Your Mother As She Babied You, Back In Your Baby Days”.

Other people’s mothers are a different matter. One of my favorite mother songs is by Ivor Novello and Dion Titheradge, and was introduced with appropriate rueful resignation by Jack Buchanan in the 1921 West End revue A To Z. Although it’s brimming with period detail, most fellows of whatever age will have encountered this situation at some time or other. As the verse says, “There may be times when couples need a chaperone/But mothers ought to leave a chap alone”:

My car will meet her
And her mother comes too!
It’s a two-seater
Still her mother comes too!
At Ciro’s when I am free
At dinner, supper or tea
She loves to shimmy with me
And her mother does too!
compare...

I like the way Titheradge keeps the conceit going:

We lunch at Maxim’s
And her mother comes too!
How large a snack seems
When her mother comes too!
And when they’re visiting me,
We finish afternoon tea,
She loves to sit on my knee
And her mother does too!

And he caps the thing with a twist in the final line:

She simply can’t take a snub
I go and sulk at the club,
Then have a bath and a rub
And her brother comes too!

Call Your Nana, May 16th

From Cousin Lucy's Spoon:

Plugging in to the World--my Family

After Plugging into the World, and joining Fausta, Judith, and Noam in an impromptu podcast from my "blogging room," I got word from my cousin Miriam's granddaughter Hilary that she and Miriam will be doing a weekly show on blogtalkradio, Call Your Nana, starting this coming Tuesday, May 16, at 1PM Los Angeles time. If you want to hear it live, and have the opportunity to call in and be part of the show, you can tell blogtalkradio now to send you an email reminder then, based on your very own time zone. All shows are archived, so you can just listen any time after the broadcast. I listened to Hil and Miriam on their pilot show and it was really weird to realize that anyone on the Internet will be able to participate in the conversations we used to have in each other's kitchens.

Welcome to my cyberspace family!

Tony Blair Congratulates Nicolas Sarkozy

On YouTube:

And Now For Something Completely Different...

From The Telegraph (UK) report on Russian riot police (ht Drudge):

Techno music filled the air as officers formed a circle, picked a partner and then demonstrated dozens of different ways to disarm, disable and then finish him off with a gunshot to the back, an exercise that was accompanied by theatrical grunts.

With lengthy demonstrations of Kalashnikov firing, grenade tossing and Chechen killing, the sensitive bit of the exercise seemed in danger of being drowned out.

But then Ajax the attack alsatian appeared and Omon's cuddly side suddenly shone forth.

An officer placed a cat on the ground just yards away from the panting dog.

If Ajax's soul was tormented by this feline temptation, it did not show. After all, this was a dog on whose shoulders lay the responsibility of reshaping Omon's battered reputation.

To the orders of his handler, Ajax proceeded to lick and nuzzle the cat, whose expression of nonchalance only started to slip when the dog lifted it into the air in its jaws, carried it several feet and then gently placed it back on the ground.

"You see," said Maj Gen Alexander Ivanin, commenting through a microphone, "our service dogs wouldn't threaten a thing."

Then it was back to what Omon does best: crowd control.

Judith Miller on George Tenet

From the NY Sun (ht JudithMiller.org):

Mr. Tenet repeatedly tries to distance himself from catastrophes he helped create. While acknowledging that he "did not oppose the president's decision to invade Iraq," he hints that he considered this decision unwise. Yet invariably, he portrays himself, in the words of one national security expert, as "the cat that drops the mouse on the doorstep and then walks away."

While his portrait of the factionalism and distrust within the Administration's inner circle is depressing, so, too, is Mr. Tenet's alleged self-serving passivity in the guise of intelligence neutrality. He was never a policy maker, he contends, merely a provider of intelligence — "just the facts ma'am."

In some cases the claim is simply incredible. Mr. Tenet, after all, was a member of the policy-making "Principals Committee" — the White House inner circle. Though the word "torture" never appears in his index, he was an architect of the CIA's notorious interrogation techniques that have mocked America's claim to be a civilized democracy that abides by national and international law. Although he defends the procedures by arguing that, after September 11, the CIA was on "new ground — legally and morally," he fails to explain what precisely the agency has done to detainees in its custody, or how such repulsive, counterproductive, and illegal conduct was instrumental in "preventing the death of American citizens."

This is an angry book, written after the White House blamed him for the mess it created. Mr. Tenet portrays himself as the latest in a series of "fall guys." But where was he when those policies were being adopted and implemented? Why did he do and say so little at the time? And why, if he could not bring himself to criticize the president he served, did he not quietly resign? He contemplated resigning earlier, he now says, but the president asked him to stay. Only those who remain silently loyal, or at least avoid a ruckus when they go, receive Medals of Freedom.

Juan Gonzalez Documents Ken Burns' Anti-Hispanic Record

In the New York Daily News:

Worse, this is not the first time Burns has inexplicably erased or minimized Latino contributions to American society.

The same thing happened with "Baseball" and "Jazz," says Maggie Rivas-Rodriguez, an associate professor of journalism at the University of Texas at Austin who runs an oral history project on World War II Hispanic veterans.

"Burns has done it again," Latin jazz musician and New School music professor Bobby Sanabria told me this week. Sanabria has criticized for years the distorted history of "Jazz," the 19-hour blockbuster film Burns produced in 2001.

"Burns doesn't even acknowledge we [Latinos] existed in Jazz," Sanabria said. "He's a serial eraser of Latinos."

"When you have 19 hours, you'd expect the definitive work," Sanabria said. "Latinos were there from the freakin' beginning of jazz in New Orleans, and he gave us less than three minutes."

From Louis Moreau Gottschalk in the 1850s to Perlops Nunez and Jimmy (Spriggs) Palau, who played with Buddy Bolden in the early ragtime bands, Mexicans and Cubans were major figures in New Orleans music in those early years. None were mentioned by Burns.

Then there is the legendary James Reese Europe, leader of Harlem Hell Fighters Army Band that electrified Europeans and Americans during and after World War I. Burns pays much attention to Europe's band, but never mentions that half the members were Puerto Rican and Cuban. They included Rafael Hernandez, the greatest composer and singer in Puerto Rican history.

Those Latinos created a pipeline of musicians that fed all the great jazz and Broadway bands of the 1920s and 1930s in New York City. But you find none of that in "Jazz," not Mongo Santamaria or Tito Puente or Chico O'Farrill or Machito or all the great Afro-Cuban musicians who so influenced American jazz.

But perhaps the greatest Burns revision of history occurred with his 1994 film "Baseball." In 18 hours of gripping drama, guess how much time Burns devoted to Latino ballplayers?

Six minutes: four to Roberto Clemente, and two to all the other Latinos.

As Milton Jamail, an expert on Latino baseball players, noted in a blistering criticism of the film back in 1994, Burns claimed Sandy Koufax and Bob Gibson were the two dominant pitchers of the 1960s. Juan Marichal, the Dominican Hall of Famer who was their main nemesis, did not rate a mention. Marichal had more 20-win seasons and a lower earned run average than Gibson and 86 more career victories than Koufax.

Burns simply erased him.

Same for Luis Aparicio, the great Venezuelan shortstop, and Fernando Valenzuela, the Mexican wonder.

But this time around, even the mighty Ken Burns could not ignore the outcry from Latino politicians, national organizations and veterans groups who bombarded PBS with letters and phone calls.

BTW, Here's a link to a website memorializing one Hispanic Medal of Honor winner from the Civil War: Able Seaman Philip Bazaar.