William Grimes on Alexander Herzen

Today's New York Times Book Review features William Grimes (who holds a doctorate in Russian literature) on the literary legacy of Alexander Herzen, "star" of Tom Stoppard's New York hit, The Coast of Utopia:

“My Past and Thoughts” embraces a wide range of moods and emotional registers, from the poignant lyricism of the chapters on childhood to the anguished, self-lacerating examination of the Herwegh affair (not included in the Macdonald abridgement). Herzen’s version is hot, vindictive and wildly unfair — in other words, the one you want to read first. Herwegh is portrayed as a weak-willed, cowardly narcissist, a third-rate poet who, while protesting undying devotion to Herzen, sets about seducing his wife. Herwegh’s slavishly adoring wife, whom Herzen loathed, gets her share of abuse as well. With cruel precision, Herzen describes her foghorn voice, her simpering Romantic vocabulary, her appetite for self-abasement before the altar of genius. As a character assassin, Herzen knows no peer.

At the time he published the first chapters of “My Past and Thoughts,” Herzen’s best years lay ahead of him. In July 1857 he and his childhood friend, the poet Nikolai Ogarev, began publishing a new periodical, The Bell. A rough equivalent of I. F. Stone’s Weekly, The Bell analyzed political developments in Russia, exposed crimes and abuses and put the fear of God into czarist functionaries high and low. “V. P. Botkin himself,” Herzen wrote, referring to a famous reactionary, “constant as a sunflower in his inclination toward any manifestation of power, looked with tenderness on The Bell as though it had been stuffed with truffles.”

“My Past and Thoughts” winds down inconclusively. Its final chapter contains a brief account of Herzen’s last years in Switzerland, some random observations on Italian architecture and Heinrich Heine, and some fascinating predictions about the United States (“The standard of their civilization is lower than that of Western Europe, but they have one standard and all attain to it: in that is their fearful strength”). Most telling, however, is his attack on the new breed of radical coming to the fore in Russia, and epitomized in the “nihilist” Bazarov, the antihero of Turgenev’s “Fathers and Sons.”

In Bazarov, Herzen recognized his replacement. The world had turned since he and Ogarev, aflame with the ideas of the French Revolution and German philosophy, had stood on the hills overlooking Moscow and sworn eternal faith to the liberal Decembrist uprising of 1825. By the year of his death, Herzen was yesterday’s man, and his natural heirs would be among the first victims of the revolution to come. His enduring legacy was not a just, democratic Russia. It was “My Past and Thoughts.”