A plug for a friend's exhibition of floral paintings at a Milwaukee art gallery: The artist's statement:
My recent series of paintings was inspired by the arresting effects created by the macro lens in close-up photography, and my desire to translate these effects into the medium of oil painting. Under certain conditions of light and aperture setting, the macro lens isolates the subject from its surroundings, creating a vivid, highly textured subject dissolving into a radiantly blurred, prismatic background. Known among photographers as bokeh, the diffused colors of the background and edges often confer a soft, mesmerizing quality to the entire image, one not visible to the naked eye. Also, the rapid fall-off in focus creates a dramatic, often mysterious sense of depth within the image frame. Using my own macro photographs of flowers – from the lowly marigold to the exotic orchid – I have tried to capture in paint this beautiful and transforming interplay between highly resolved and refracted image elements.
Since last April, my macro lens and I have spent at least three days a week, in the early morning hours, photographing flowers and other botanical subjects. This journey has taken us to the glorious Chicago Botanic Gardens in Highland Park, the hidden jewel of the Fernwood Botanic Gardens in Michigan, the five acres of greenhouses at Hauserman Orchids in Villa Park, the Morton Arboretum, the Indian Dunes, and the gardens of friends who live in Harbert and Lakeside, Michigan. Spending so much time outdoors in the heart of nature has been an extraordinary revelation to me. I hope that some of the beauty I have experienced is communicated in my paintings.
Apart from the emotional allure of the subject matter, this project poses a number of technical challenges. I employ several techniques – including underpainting, glazing, scumbling, layering and blurring – in an effort to solve them and, with luck, to communicate the powerfully affecting bokeh quality in my paintings.
