On Saturday, February 4, The Inquirer published one of the cartoons originally commissioned for a Danish newspaper. These cartoons have become the subject of international protests, debates and, in some cases, violence.
At the heart of this debate are our journalistic values, and how we practice them day to day. To us, this was a moment for newspaper journalists to do what they are uniquely qualified to do in this country - to lay out all sides of the issue for a well-informed public to debate and discuss. The Inquirer published the image to inform our readers, not to inflame them. Before we published it, we interviewed a wide range of people, from Muslim theologians to experts in journalistic ethics. We considered the publication of the image in the same way we have previously considered publishing difficult or troubling images. Other such examples include the burned bodies of contractors hanging from a bridge in Fallujah, and artistic works that included disturbing Christian imagery.
We published the Danish cartoon as part of a rich offering of coverage on the whole issue. We not only covered the protests, we also examined the issues behind the protests. We have run stories on why Muslims might find the images offensive and on why the American media found this such a difficult choice. We plan further coverage on a variety of topics, including satire in the Middle East. We also have invited members of our local Muslim community to contribute pieces for our op-ed page.
This is what newspapers are in the business to do. We educate people, we inform them, we spark discussion. It is not only our profession, it is our obligation.
“This is slavery, not to speak one's thought.” ― Euripides, The Phoenician Women
Thursday, February 09, 2006
Philadelphia Inquirer Publishes Danish Cartoon
Here's editor Amanda Bennett's explanation for breaking ranks with the New York Times, Washington Post, and Boston Globe: