Who's Behind the "Appeal for Redress" PR Campaign?

The Mudville Gazette explains the background to last night's 60 Minutes segment breathily narrated by Lara Logan on anti-war protesters in the US military. It appears this protest may not be as spontaneous as it seems (ht The American Thinker):

The missing piece of the puzzle was actually available from the start:

Yesterday, a company that does public relations for the liberal activist political action committee MoveOn.org, Fenton Communications, organized a conference call for reporters and three active-duty soldiers to unveil the soldiers' anti-war group Appeal for Redress.
<...>
A staff member at Fenton Communications who requested anonymity said his company was approached last week by a longtime peace activist and former director of the anti-nuclear proliferation front known as SANE/Freeze, David Cortright, to publicize Appeal for Redress. Mr. Cortright is now president of an Indiana-based nonprofit group, the Fourth Freedom Forum, and his biography on the organization's Web site says he helped raise "more than $300,000 for the Win Without War coalition to avert a preemptive attack on Iraq in 2002–03."

That's from the October 26 New York Sun - kudos to the only reporters in the crowd who had the guts to tell the truth about this. As of this writing, over 200 newspapers have carried the story; The Boston Globe, al-Jazeera, The Washington Post, ABC News, Reuters, The (UK) Guardian... but none of the stories acknowledge the orchestration of the event by Fenton Communications. Instead, virtually all of them detail the "grass roots" effort of the troops. Even without the Sun story, the mere fact that this appeared simultaneously in multiple "big media" outlets is evidence enough of such a campaign. In the pre-internet days this wouldn't be so obvious, but in these days of instant global communication the life cycle of such a story should hardly exceed 24 hours (and wouldn't have in the past without active media participation). But if you're among the few tech savvy and information hungry people interested in not taking such slickly-packaged information at face value, here are the facts about "Appeal for Redress" in order of discovery here.

The site is registered to J.E. Glick, of 803 North Main Street, Goshen, Indiana. A quick check of online white pages reveals that's the address of The Fourth Freedom Forum. (You can also read about the group here). This would seem to confirm the point in the Sun story quoted above:

A staff member at Fenton Communications who requested anonymity said his company was approached last week by a longtime peace activist and former director of the anti-nuclear proliferation front known as SANE/Freeze, David Cortright, to publicize Appeal for Redress. Mr. Cortright is now president of an Indiana-based nonprofit group, the Fourth Freedom Forum.

And Jennifer Glick (J.E. Glick), actual "owner" of the Appeal for Redress web site, is listed in the Fourth Freedom Forum contact page as Director, Information Services.

The Fourth Freedom Forum's opposition to war pre-dates Iraq and Afghanistan. They are a well funded, very professional organization. But the group is not listed among the sponsoring organizations on the Appeal for Redress web page. (Those groups are Iraq Veterans Against the War, Military Families Speak Out, and Veterans For Peace.)

It would seem the Fourth Freedom Forum wants to hide it's activities behind some groups and individuals seen as more credible to this particular cause. (I think "front groups" is the usual term.) But it was easy to find the real owners of the "Redress" web page (I originally noted the failure to do so on the part of one of the reporters who carried this propaganda to "the next level" - but have since come to believe that among journalists this was actually common knowledge that they saw fit not to include in their stories), so the "staff member at Fenton Communications who requested anonymity" (ironically, given the breathless press accounts, the only actual whistleblower in this story) may or may not have needed to be so concerned about being revealed.

(Update: registration of the site has been changed. Fourth Freedom is working quickly to camoflage their involvement in this project.)

The Queen to Have "The Queen" to Tea

According to an AP story in The Guardian, Helen Mirren may soon be having tea at Buckingham Palace, after her Oscar win for "The Queen." Wouldn't it be nice to be a fly on the wall for that? In any case, Helen: Jolly Good Show!

Mr. Schwarzenegger Goes to Washington

Just heard Arnold Schwarzenegger's National Press Club speech on C-Span radio, while driving in the car. It's pretty good. You can watch it yourself (scroll down for link), on the C-Span website.

William Grimes on Alexander Herzen

Today's New York Times Book Review features William Grimes (who holds a doctorate in Russian literature) on the literary legacy of Alexander Herzen, "star" of Tom Stoppard's New York hit, The Coast of Utopia:

“My Past and Thoughts” embraces a wide range of moods and emotional registers, from the poignant lyricism of the chapters on childhood to the anguished, self-lacerating examination of the Herwegh affair (not included in the Macdonald abridgement). Herzen’s version is hot, vindictive and wildly unfair — in other words, the one you want to read first. Herwegh is portrayed as a weak-willed, cowardly narcissist, a third-rate poet who, while protesting undying devotion to Herzen, sets about seducing his wife. Herwegh’s slavishly adoring wife, whom Herzen loathed, gets her share of abuse as well. With cruel precision, Herzen describes her foghorn voice, her simpering Romantic vocabulary, her appetite for self-abasement before the altar of genius. As a character assassin, Herzen knows no peer.

At the time he published the first chapters of “My Past and Thoughts,” Herzen’s best years lay ahead of him. In July 1857 he and his childhood friend, the poet Nikolai Ogarev, began publishing a new periodical, The Bell. A rough equivalent of I. F. Stone’s Weekly, The Bell analyzed political developments in Russia, exposed crimes and abuses and put the fear of God into czarist functionaries high and low. “V. P. Botkin himself,” Herzen wrote, referring to a famous reactionary, “constant as a sunflower in his inclination toward any manifestation of power, looked with tenderness on The Bell as though it had been stuffed with truffles.”

“My Past and Thoughts” winds down inconclusively. Its final chapter contains a brief account of Herzen’s last years in Switzerland, some random observations on Italian architecture and Heinrich Heine, and some fascinating predictions about the United States (“The standard of their civilization is lower than that of Western Europe, but they have one standard and all attain to it: in that is their fearful strength”). Most telling, however, is his attack on the new breed of radical coming to the fore in Russia, and epitomized in the “nihilist” Bazarov, the antihero of Turgenev’s “Fathers and Sons.”

In Bazarov, Herzen recognized his replacement. The world had turned since he and Ogarev, aflame with the ideas of the French Revolution and German philosophy, had stood on the hills overlooking Moscow and sworn eternal faith to the liberal Decembrist uprising of 1825. By the year of his death, Herzen was yesterday’s man, and his natural heirs would be among the first victims of the revolution to come. His enduring legacy was not a just, democratic Russia. It was “My Past and Thoughts.”

Washington DC's Black Opera Company

In yesterday's Washington Post, Jackie Trescott reports on the African-American opera company that brought high culture to America's capital in the 19th Century:

Where the idea for an opera company came from is not entirely clear, but the group was organized by a barber, William T. Benjamin. The opera company came together in 1873 with John Esputa, a well-known white teacher, as its director.

He had worked with St. Augustine's since 1868, according to a church history written by Morris J. MacGregor in 1999. How the partnership happened is not entirely clear.

"What it looks like is that he lived in the Navy Yard neighborhood, and the parish priest at [the nearby] St. Peter's Catholic Church was the Rev. Felix Barotti. He became the priest at Blessed Martin's, and recruited Esputa as the music director," says Patrick Warfield, visiting assistant professor of music at Georgetown University.

Esputa had been an apprentice of the U.S. Marine Band, where his father played, and then joined the band himself. He and his father ran a music school near the Marine Barracks, and John Philip Sousa was one of their students. About the time Esputa began working with the black church, he became a music teacher for the Washington Colored Schools.

The parish choir, according to the MacGregor history, sang Haydn and Mozart at well-attended performances chronicled by the daily newspapers, as well as the Catholic Mirror. "On Easter Sunday in 1873, for example, the choir performed Haydn's 'Solemn Mass in Honor of the Blessed Virgin' and Antonio Diabelli's 'Gaudeamus' accompanied by a small orchestra of trumpets, horns and strings," wrote MacGregor.

By 1873, the opera company was a distinct part of the church's music program.

Chicago's O'Hare Airport, Valentine's Day, 2007

Melvyn Bragg on William Wilberforce

From Radio Four's In Our Time. Listen here.

Lev Navrozov: China More Dangerous Than Russia

From Newsmax:

It is true that I write about the danger of Putin's Russia mainly because of its "cooperation" with China, which cooperation was established officially in 2001, but few Americans except me publicly noticed the sinister danger of such cooperation in the development of post-nuclear super weapons.

The population of China exceeds four times that of the United States, and eight times that of Russia.

Why is this important?

Those Westerners who write about the "China threat," while knowing nothing about it, speak about how big China's army is. Actually, it is tiny compared with the population of China. The size of its population is important as a source not of soldiers, but of scientists and technologists, such as Tsung-Dao Lee, a genius of high-energy particle physics, who received the Nobel Prize in 1937 and established in Beijing in 1998 the Chun-Tsung (Chun is the name of his wife) Endowment Fund to distribute scholarships among the most gifted students at five universities in China.

Graduated in China as of today are 442,000 engineers a year (with 48,000 graduates having masters' degrees) compared to 60,000 engineers a year in the USA. This is the real army, whom annual growth exceeds the relevant U.S. numbers already more than seven times....

...Recall Stalin: he concluded a treaty with Hitler under which Hitler was receiving raw materials for the production of military equipment. Stalin's goal was to divide the world with Hitler. Is Putin's goal to divide the world with Hu Jintao?

Hitler feared that Stalin would attack him, Hitler, to pre-empt Stalin's preemption.

Before our emigration from Russia, we had been living in our three-storied country house because I was the only native Russian capable of translating classical Russian literature into English. Our friends brought for dinner an important American. I entertained him by my anti-Sovietism, and he was delighted. Then I said: "Well, in China it is even worse."

He became ashen gray. "How can you say this?" He was visibly shaken.

I recall the scene whenever I meet an American unwilling to apply to China what was said during the Cold War about Stalin's Russia.

Tony Blair Speaks...

On BBC Radio Four's Today Programme, a fascinating and lengthy discussion with the British Prime Minister about the war in Iraq, and possible attacks on Iran,here.

Egyptian Blogger Convicted of Insulting Islam

From AP via JihadWatch (ht Michelle Malkin):

An Egyptian blogger was convicted Thursday and sentenced to four years in prison for insulting Islam, the Prophet Muhammad and Egypt's president, sending a chill through fellow Internet writers who fear a government crackdown.

Abdel Kareem Nabil, a 22-year-old former student at Egypt's Al-Azhar University, an Islamic institution, was a vocal secularist and sharp critic of conservative Muslims in his blog. He also lashed out often at Al-Azhar -- the most prominent religious center in Sunni Islam -- calling it "the university of terrorism" and accusing it of encouraging extremism.

Imagine...A World Without America

I dunno if pr like this might give some people the wrong idea--imagine the world without America!--but in any case this YouTube ad from the group BritainandAmerica is worth watching (ht lgf):

Christopher Hitchens on Sunnis v. Shiites

From Slate:

"See how the Christians love each other!" This used to be the secular response to the fratricide between Catholics and Protestants, let alone the schisms within the Catholic Church and the vicious quarrels between different schools of Calvinism. (When the Baptists of Danbury, Conn., wrote to Thomas Jefferson, asking for his assurance against persecution and generating his famous "wall of separation" response, it was the Congregationalists of Connecticut of whose intolerance they were apprehensive.)

Within Islam, these lines of division are many times more acute. Ahmadi Muslims are considered impossibly heretical by most other followers of the Prophet, and Ismaili Muslims are looked upon askance in many quarters as well, but the rivalry between Sunnis and Shiites (which also conceals numerous poisonous rifts between different interpretations and leaderships in both camps) has become one of the most toxic phenomena in the world today. On Web sites that offer advice to the devout, Sunnis and Shiites ask their imams and ayatollahs whether it is permitted to take the life of a member of the other sect. On American campuses, Muslim student groups now shun one another on a confessional basis. Throughout the Arab and Persian media, moods of excommunication and denunciation are vocally expressed. Almost every day in Iraq, as has been well-reported, a mosque is blown up or a religious procession shredded by other Muslims. As is less well-reported, the same thing happens in Pakistan almost every week. And it is waiting to happen in other countries, too, as the Alawite sect that runs Syria (Alawism being a splinter of Shiism) gets ready for another confrontation with the Sunni Muslim Brotherhood, and as Sunni minorities in Iran become restive at the increasingly sectarian character of the Shiite dictatorship...

...However, the self-generated Islamic civil war does have significance in the wider cultural struggle. All over the non-Muslim world, we hear incessant demands that those who believe in the literal truth of the Quran be granted "respect." We are supposed to watch what we say about Islam, lest by any chance we be considered "offensive." A fair number of authors and academics in the West now have to live under police protection or endure prosecution in the courts for not observing this taboo with sufficient care. A stupid term—Islamophobia—has been put into circulation to try and suggest that a foul prejudice lurks behind any misgivings about Islam's infallible "message."

Well, this idiotic masochism has to be dropped. There may have been a handful of ugly incidents, provoked by lumpen elements, after certain episodes of Muslim terrorism. But no true secularist or even Christian has been involved in anything like the torching of a mosque. (The last time that such a thing did happen on any scale—in Bosnia—the United States and Britain intervened militarily to put a stop to it. We also overthrew the Taliban, which was slaughtering the Hazara Shiite minority in Afghanistan.) But where are the denunciations from centers of Sunni and Shiite authority of the daily murder and torture of Islamic co-religionists? Of the regular desecration of holy sites and holy books? Of the paranoid insults thrown so carelessly and callously by one Muslim group at another? This mounting ghastliness is a bit more worthy of condemnation, surely, than a few Danish cartoons or a false rumor about a profaned copy of the Quran in Guantanamo. The civilized world—yes I do mean to say that—should find its own voice and state firmly to Muslim leaders and citizens that respect is something to be earned and not demanded with menace. A short way of phrasing this would be to say, "See how the Muslims respect each other!"

Remote Control Inventor Dies at 93

From Paul Farhi's obituary in the Washington Post:

Robert Adler, a prolific inventor, received more than 180 U.S. patents during a lifetime of dreaming and tinkering. But only one of his creations revolutionized an industry, changed the face of modern life, and supplied stand-up comedians with a never-ending source of material.

Adler, who died Thursday at the age of 93, was the co-inventor of the remote control, the device that has bedeviled, edified and otherwise sustained a grateful nation of couch potatoes ever since its introduction. Along with inventor and fellow engineer Eugene Polley, Adler helped bring the first commercially successful wireless TV remote -- the Zenith Space Command -- to market in 1956.

Happy Chinese New Year

It's the Year of the Pig.

Michelle Malkin's Presidents' Day Greeting

Here.

Francisco Gil-White: No to Kosovo Independence

On his website, Francisco Gil-White argues Kosovo independence would be bad for the Jews:

In addition to directing a campaign of genocide against the Serbian minority in Kosovo, the KLA also attacked the very few Jews and Roma (Gypsies) who still lived there. Kosovo today is judenrein, as the Nazis would say....

Should the Jews endorse Kosovo independence?

If the Jews endorse Kosovo independence, they will be endorsing that terrorist Mulsim forces tracing their roots to the German Nazi Final Solution, and which have been directing terror against the greatest allies of the Jews, and against the Jews themselves, be rewarded for this terror.

What then will be the argument against rewarding the terror of PLO/Hamas, Muslim forces that also trace their roots to the German Nazi Final Solution, and whch further their goal of extermination the Jews by killing as many innocent Jews as they can?

If the Jews endorse Kosovo independence, they will be sowing the seeds of their own destruction.

An Interview with the New York Times' New Dance Critic

FT theatre critic and TLS dance critic Alastair Macaulay spoke to Paul Ben-Itzak of Dance Insider:

PBI: As far as you know, will Jennifer Dunning, as well as current freelancers Gia Kourlas and Roslyn Sulcas, still be reviewing for the Times?

AM: As far as I know, not only will they, but so will Claudia La Rocco. I have been in regular contact with Jennifer Dunning (whom I first met in 1980) since November about the posisbility of working together at the "Times."

The offer only materialized at the end of last week (February 8-9), I only spoke to the FT and considered their counter-offer on Monday (February 12), and only on the afternoon of Tuesday 13 (British time) did I advise both newspapers that I would be accepting the Times offer. My next immediate move was to make e-mail contact with Gia Kourlas (whom I had met in January), Claudia La Rocco (whom I have not yet met), and Roslyn Sulcas (whom I used to know years ago), and they have all made warm and enthusiastic replies. I like what I know of their work and am genuinely look forward to getting to know it and them better.

PBI: How do you see your role as a dance critic, generally and writing for a newspaper?

AM: A critic describes, analyses, contextualises, interprets, evaluates. He/she also entertains: I mean this in the serious sense that Balanchine told Denby that ballet is entertainment. But the word "critic" is, obviously, intimately connected to the word "criteria." In that sense, what makes a critic good is his/her choice of criteria and his/her application of them. A critic is a professional aesthete, a reporter on the ostensible facts and the intimate effects of art, and a communicative writer with passions and values.

PBI: Will you be responsive to the NY dance community -- not, of course, as pertains to your criticism but as far as listening to its feedback on dance coverage?

AM: How can I say at this stage? The senior dance critic and editor Mary Clarke gave me in the 1970s the advice that the senior dance critic Arnold Haskell gave her in the 1940s: "Never predict."

PBI: As a British-based critic, what qualifies you for this position over American candidates?

AM: I've written a great deal for the New Yorker, the Financial Times, and the Times Literary Supplement -- three publications for which the New York Times has great respect. As chief theater critic of the FT for over 13 years, I have very considerable experience of working for daily newspapers. I've written for many years about theater and music, and thus hope to bring some breadth to the area. I've been writing about dance for almost 29 years, and a large part of my dance writing has always been about American dance.

My first visits to the USA were all to see dance. On my first morning in New York, in January 1979, I stood in line for standing room places for New York City Ballet, and I did that for eight performances a week for three weeks. I was 23 years old, and I had withdrawn every bit of money I had to make the trip, all because the dance writing of Edwin Denby and Arlene Croce had inspired me to find out why on earth New York City Ballet prompted them to write such inspiring prose. Once I had bought my standing-room place, I used to spend every day in the New York Dance Collection, where I was a frequent visitor for many years (and will be again).

More recently, my visits to America have often been to see dance by Merce Cunningham and Mark Morris, whose companies I've been to watch in New York, Philadelphia, Berkeley, Orange County, and St. Louis. I've also had the opportunity to follow their work and Christopher Wheeldon's in Europe, where all three choreographers have given major world premieres this millennium. My experience of American ballet companies goes back 30 years this year: I can still tell you who danced what at every single performance by American Ballet Theatre at the London Coliseum in the week of July 18-23, 1977. Thanks to the visits by American ballet companies to the Edinburgh Festival and London in recent years, I have had the chance to see some American ballet productions that have not been shown in New York, not to mention most of Christopher Wheeldon's many ballets for the London Royal Ballet.

As I've mentioned, in 1988 and 1992, I worked as guest dance critic for the New Yorker. I covered choreography by George Balanchine, Trisha Brown, Merce Cunningham, William Forsythe, Peter Martins, Mark Morris, Paul Taylor, and Twyla Tharp and other American-based choreographers -- just as I've often covered them in Britain.

Since 1979, many of my best friends have been American dance critics and members of the American dance community; I'm looking forward to seeing more of them.

Will Bill Clinton Become NY's Next Senator?

Speculation has already started, on Fox News.

WASHINGTON — If Hillary Clinton is elected president, the next senator from New York could be her husband, Bill Clinton.

Supporters are touting that scenario in the event the seat currently held by Mrs. Clinton opens up as she moves to higher office. New York Gov. Eliot Spitzer, a Democrat, would be tasked with appointing someone to fill the open Senate seat for the remaining two years of Clinton's term.

The Washington Examiner reports that the Clintons' allies think that would be an excellent plan even if unlikely.

"As a senator, he’d be a knockout,” Harold Ickes, an adviser for Sen. Clinton and a White House aide to the former president, told the newspaper. “He knows issues, he loves public policy and he’s a good politician.”

Melanie Phillips on Anti-Israel Jews

From her column in The Jewish Chronicle (London):

Before Israel was restored to the Jews, before the Holocaust, before the Arabs of Palestine allied themselves with the Nazis, it was possible for there to be a legitimate Jewish argument against a Jewish state. But now that Israel exists, such an argument is obscene. It is a voice raised for the destruction of the Jewish nation.

If these signatories are so sure that they represent the authentic voice of Jewish conscience, why then are they so coy about stating their real agenda? Might it be that they don’t have the honesty to admit to the potentially murderous consequences of such attitudes?

As Natan Sharansky wrote this week, Israel is currently trapped in a pincer between the genocidal intentions of Iran and a world which is either silent in response to this threat or is increasingly willing to discuss Israel’s very existence as a mistake, an anachronism, or a provocation.

At a time when the west is being softened up for genocide by the demonisation of Israel, Jews who reinforce the Big Lie about the Jewish state are helping pave the way for a second potential holocaust.

Yet when this is pointed out, they call it an insult. More than that, they take it as proof of the rightness of their position! On the IJV website, Brian Klug gloated that the fierceness of the attacks upon them showed they had struck a nerve.

So the more we try to protect Israel from this lethal onslaught, the more these perpetrators claim that they are martyrs to those who would suppress free speech. The price they would force us to pay for not being thus vilified is to embrace our own people’s destruction.

The deadly enemies of the Jewish people are beside themselves with joy over the IJV. For the terrible thing is that, far from being silenced, Jewish voices like these are in the very forefront of the hate-fest against Israel. Martyrs of dissent? Hardly. They are the British arm of the pincer of Jewish destruction.

Ayaan Hirsi Ali Speaks...

Unfortunately, I couldn't make it to the AEI speech by Ayaan Hirsi Ali Tuesday afternoon. There was a big snowstorm in Washington, DC that practically shut down the city--but it appears she Ayaan Hirsi Ali is made of sterner stuff. So here's a link to her book talk about her new book Infidel, posted on the AEI website. You can link directly to her video webcast here.