What a movie: slow-moving, stark, depressing, haunting, thought-provoking. It's about what it takes to survive, about the struggle in each person between good and evil, about war and peace, POW camps, the Japanese occupation of Asia, the A-bomb--and Anglo-American relations, as well.
The cast of this adaptation of James Clavell's autobiographical 1962 novel makes the film worth watching just for the acting: George Segal is King Rat, the American black-marketeer, a US Army corporal who runs the rackets in a Singapore POW camp; James Fox is Marlowe, a sarong-wearing British officer who falls under his spell. Supporting cast reads like the Masterpiece Theatre stock company--John Mills, Leonard Rossiter, Denholm Elliott.
It makes you think, it makes you feel, and it sticks with you for a long time afterwards. (Not suitable for children or the squeamish, since the film's POWs eat rats and a dog).
“This is slavery, not to speak one's thought.” ― Euripides, The Phoenician Women
Tuesday, September 05, 2006
Sunday, September 03, 2006
Conservation Finance
I came across this blog while researching NGOs. Conservation Finance has interesting posts about ecology, development, and the economics of international aid programs. It's worth a look...
Daniel Pipes to Bin Laden: "Nuts!"
Well, he said it a little more long-windedly than America's soldiers fighting the Battle of the Bulge during WWII--but Daniel Pipes has just rejected Bin Laden's invitation to surrender, switch sides, and join his jihad against America:
So, Al-Qaeda wants me and my "sword" (a reference, presumably, to my computer keyboard) to join its efforts. My response to Gadahn:
I note your offer for me to change sides in the current war. But I am faithful to my own religion, to my own country, and to my civilization. I will do my part to defeat radical, totalitarian Islam and to usher in the emergence of a modern, moderate, and good-neighborly Islam in its place.
Uzbek Independence Day
It was celebrated on September 1st. Here's a link to an interesting holiday-themed article from the Escape Artist.
Christopher Hitchens on Richard Armitage, Joseph Wilson & Valerie Plame
I don't know how he does it. He churns out long such articles overnight. He must never sleep. Here's Christopher Hitchens take in Slate on the end of a Washington scandal:
I had a feeling that I might slightly regret the title ("Case Closed") of my July 25 column on the Niger uranium story. I have now presented thousands of words of evidence and argument to the effect that, yes, the Saddam Hussein regime did send an important Iraqi nuclear diplomat to Niger in early 1999. And I have not so far received any rebuttal from any source on this crucial point of contention. But there was always another layer to the Joseph Wilson fantasy. Easy enough as it was to prove that he had completely missed the West African evidence that was staring him in the face, there remained the charge that his nonreport on a real threat had led to a government-sponsored vendetta against him and his wife, Valerie Plame.
In his July 12 column in the Washington Post, Robert Novak had already partly exposed this paranoid myth by stating plainly that nobody had leaked anything, or outed anyone, to him. On the contrary, it was he who approached sources within the administration and the CIA and not the other way around. But now we have the final word on who did disclose the name and occupation of Valerie Plame, and it turns out to be someone whose opposition to the Bush policy in Iraq has—like Robert Novak's—long been a byword in Washington. It is particularly satisfying that this admission comes from two of the journalists—Michael Isikoff and David Corn—who did the most to get the story wrong in the first place and the most to keep it going long beyond the span of its natural life.
As most of us have long suspected, the man who told Novak about Valerie Plame was Richard Armitage, Colin Powell's deputy at the State Department and, with his boss, an assiduous underminer of the president's war policy. (His and Powell's—and George Tenet's—fingerprints are all over Bob Woodward's "insider" accounts of post-9/11 policy planning, which helps clear up another nonmystery: Woodward's revelation several months ago that he had known all along about the Wilson-Plame connection and considered it to be no big deal.)
Saturday, September 02, 2006
Swedish Recipes
While we're doing more cheerful links, here's Anne's Food, featuring recipes from Stockholm...
Russian Blog Saves Lives
Here's a nice story, for a change, about how weblogs are helping to save lives in Russia:
She is one of the most popular users of the LiveJournal, or JJ in Russian abbreviation. Almost 3,500 people are permanent readers of her Internet Diary. Olga went into charity about two years ago. The same LiveJournal encouraged her to go for it.
"The first case started with a request, which I came across in the LiveJournal. A single mother with four children needed money urgently. A fund-raising campaign was a huge success. Later on, another user of LiveJournal needed money, and we collected it for him, too. This is how it all started. After some time, we gained a reputation, and more users," Olga recalls.
A year ago, Vladik Kuzmin, a small boy with a cancerous tumor from Khabarovsk appeared in her life. Olga does not remember exactly how his parents contacted her. But this is not so important after all. Raising solid funds started with his case. During his short life the boy went through several operations in Russia, but to no avail. Russian doctors acknowledged that his tumor was inoperable, but their Japanese colleagues volunteered to try and save the boy. But they asked for about $300,000. Olga started her search for money. But she soon found out that the whole sum was not necessary. German doctors learnt about Vladik from the Internet, through the same LiveJournal, and said that the treatment would be by an order less. Volunteers contacted the hospital, prepared the required papers, and in late August Vladik went through a successful operation, and will soon return home. The Internet community has saved his life.
"The expenses for Vladik's treatment were brought down from $300,000 to $35,000. We collected even more than needed. All in all, we raised about $75,000 to help Vladik and other children. And this is just through my modest blog.
Friday, September 01, 2006
Glenn Ford (1916-2006)
It was surprising to hear that actor Glenn Ford passed away. Some obituaries noted that Santa Monica High School was Ford's alma mater. Mine too. I acted in student plays put on by the Drama Club--they presented an annual "Glenn Ford Award" for the best actor in a school play (not me). Ford's photo hung in our high school "Hall of Fame." At UCLA we watched "Gilda" in our Film Noir seminar. The Washington Post called him an overlooked Hollywood star, maybe true in Washington, DC--but not in Santa Monica... Here are some facts about his life, from the LA Times obituary:
He was born Gwyllyn Samuel Newton Ford on May 1, 1916, the son of a railroad executive and mill owner and nephew of Sir John MacDonald, a former prime minister of Canada and a descendant of Martin Van Buren, eighth president of the United States.
Ford spent his earliest years in Glenford, site of the family's paper mill, from which Ford took his professional name.
By the time his family moved to California when he was 7, he had already developed a taste for performing. At Santa Monica High School, he ran track, played lacrosse and excelled in English and drama.
Ford worked with numerous little theater groups and California touring companies as an actor and stage manager before joining the Broadway-bound play "Soliloquy," starring film actor John Beal, in 1938.
But when the play reached Broadway, it closed after only two performances. Ford returned to Los Angeles, and 20th Century Fox hired him for a fourth-billed role in the low-budget "Heaven With a Barbed Wire Fence."
It was not the most auspicious of debuts.
In a 1985 interview with The Times, Ford recalled that the film's director, Ricardo Cortez, told him he would never make it as a movie actor. But soon after, Ford was signed by Columbia. Roles in a string of B pictures followed, until World War II service intervened.
Ford enlisted in the Marine Corps in December 1942, after having been a member of the Coast Guard Auxiliary for a year. After his discharge in 1945, he returned to the screen the next year in three notable pictures: "Gilda"; "A Stolen Life," in which he played opposite Bette Davis; and "Gallant Journey," a film biography of 19th century flight pioneer John Montgomery.
In "Gilda," where Rita Hayworth performs one of the steamiest dances in movie history, Ford was praised by Variety as "a far better actor than the tale permits."
Thursday, August 31, 2006
Where's the Secret Service?
Michelle Malkin has a roundup of open incitement to kill President Bush, including a new British docudrama.
I think inciting people to kill the President is still against the law...
I think inciting people to kill the President is still against the law...
Daniel Pipes on Naguib Mahfouz (1911-2006)
Daniel Pipes has published a webpage on Naguib Mahfouz, with links to writings about the Egyptian Nobel-laureate. Here are some excerpts:
On Pour Rushdie: Cent intellectuels arabes et musulmans pour la liberté d'expression:
On Palace Walk:
On The Thousand and One Nights:
On the significance of his work:
On Pour Rushdie: Cent intellectuels arabes et musulmans pour la liberté d'expression:
In an impressive show of strength, one hundred Arab and Muslim intellectuals have written op-ed length articles in support of Rushdie. The writers include such heavyweights as the Syrian poet Adonis, the Kirgiz novelist Chingiz Aïtmatov, the Syrian writer Sadiq Al-Azm, the Moroccan novelist Tahar Ben Jelloun, the Tunisian historian Hichem Djaït, the Lebanese novelist Hanan el-Cheikh, the Israeli Arab novelists Emile Habibi and Anton Shammas, and the Egyptian Nobel Prize winner Naguib Mahfouz.
Their formats vary, from poetry to analysis to open letter to music, but the message stays the same: We're with you Salman. In addition to these, the volume includes a document of great daring: under the title, "Call of Iranian artists and intellectuals in favor of Salman Rushdie," some 127 Iranian figures have signed a petition blasting the Khomeini edict against Rushdie, as well as the "terrorist and liberty-cide methods" of the Islamic Republic.
This outpouring of solidarity with the beleagured victim of fundamentalist Islam has a message not just for Muslims but also for Westerners. First, don't assume that all Muslims think as do the ayatollahs, but recognize that they are the first victims of the fanatics. Second, ignore the Western apologists who claim that fundamentalism is the tide of the future, and fight it along with the brave Muslims represented in this volume.
On Palace Walk:
According to Mahfouz, the First World War signaled major changes in the traditional Muslim family structure. When Fahmi, the second son, refuses to comply with Ahmad's order to stop his nationalistic activities, he acts as a modern son. Fahmi is not merely disobedient; he is inspired by moral principles that Ahmad can neither share nor overrule through the force of personal authority. Such a conflict between generations was almost inconceivable in the more static society of earlier periods, when both father and son would have been similarly attuned to the traditional loyalties. Once the precedent has been set, one expects repetitions to recur with increasing frequency and diminishing justification. As Ahmad's power diminishes, family relations are on their way towards modernity.
Zaynab, briefly the wife of Ahmad's eldest son, wants changes in her position as woman. She insists on going out in the evening with her husband; Amina, the traditional woman, predictably leads the opposition to this notion (for otherwise her own decades of acceptance look wasted and foolish). More disruptive yet, Zaynab demands a divorce when she finds her husband with another woman. This may not sound like a surprising response, but it was to Ahmad, raised in an entirely different ethic. "There was nothing strange about a man casting out a pair of shoes, but shoes were not supposed to throw away their owner." The world is changing and each character, regretting this, changes with it.
Mahfouz can be compared to Honoré Balzac in his love for the life of a particular great city, high and low, and his tolerance for the ambiguity in the heart of each human. At its best, Palace Walk is full of insight about the human condition. Its triumph lies in the portrayal of character, particularly the complex figure of Ahmad, whom we might easily judge to be a moral monster. But Mahfouz makes plausible, through multiple points of view and the merchant's own interior monologues, the good opinion held of him by friends, family, and self.
Mahfouz's people are made plain by his great clarity of language, though his verbal strength is slightly hampered in this translation by a choice of words that often seems merely accurate.
The novel's most contemporary aspect, and its weakest, is its ending. Unlike Balzac, Mahfouz lets the story spin on inconclusively, stopping the action at a sobering climax but without giving closure to an event which might have been a satisfying measuring stick for the change in its characters.
On The Thousand and One Nights:
Mahfouz, the Egyptian novelist who won the Nobel Prize for Literature in 1988 and was stabbed in the neck by a fundamentalist Muslim in 1994, has added to the pseudo-Nights literature with a wonderful set of fantastical stories about the town where the original Nights are supposed to have occurred. Normally known as a Balzac-type chronicler of the human comedy all around him, Mahfouz lets loose here with enchanting tales from a bewitched world-but one that illustrates a full range of human emotions and predicaments. Arabian Nights and Days may be the outstanding work of modern Arabic literature. Also, Doubleday has graced the book with one of the most stunning jackets of any book published in the United States in recent years.
On the significance of his work:
Mahfouz exerts a benign and moderating influence on the turbulent politics of the Arabic-speaking countries, and for this one must be grateful. But actually, as an artist, how good is he? He won the Nobel Prize for literature in 1988, a pretty impressive credential, to be sure. But the sages of Stockholm have been known to respond to political pressures, and the absence of any Arabic writer among the ranks of the world's most prestigious literary laureates weighed heavily on them. They selected Mahfouz because he was the confirmed giant among Arab writers - not because they found him to be the leading belle-lettrist in a worldwide competition.
This reviewer once spent an academic year in Cairo enrolled in a program to learn the Arabic language that amounted to a crash course in modern Egyptian literature. The many novels I read left me deeply unimpressed by the general quality of the artistry. I found stories contrived, characters thin, and language stilted. Had they been written in English, I concluded, most of these Arabic novels would likely not have been published. This is not entirely surprising, for the novel is a Western form very new to Arabs. Poetry is the glory of Arabic literature; novels remain derivative and experimental. Mahfouz is no doubt right that "The novel is the poetry of the modern world," but his is a format that Arab authors have yet fully to master.
By this unexacting standard, Mahfouz does shine; by international standards, however, he is a middling novelist. Two of his works are truly compelling: Palace Walk (1956), the first volume of the trilogy, with its very comprehensive account of three generations of a rather typical, if prosperous, Cairene family, depicts a dictatorial husband in the 1910s who insists that his family live a thoroughly Islamic life but then goes off nearly every evening to pursue his sybaritic pleasure. The contrast between his domineering personality at home and the good-time Ahmad out on the town is unforgettable. Arabian Nights and Days (1982) tells a wonderful set of fantastical stories about the town where the original Thousand and One Nights are supposed to have occurred. It's a modernized version of an ancient fable and it works surprisingly well.
But the other volumes fall off and most of his other major works (The Beginning and the End, The Thief and the Dogs, Miramar) somewhat repeatedly and tediously pursue the same themes. Though compared to Balzac, Mahfouz's vision is far more constricted, so his stories fall way short of that master's. A Balzac or an Austin could display the human comedy within narrow confines, but not Mahfouz, who only glancingly touches on it. Worse, Mahfouz is a committed artist, much of whose fiction, Milson explains, "is the outcome of his desire to reform society, and his primary purpose throughout is to convey ideas." However laudable those ideas may be, this political purpose gives his work a didactic and sometimes stifling quality.
Japanese Women ISO Korean Men
Today's Washington Post reports the latest fad to sweep across Japan is the "Korean Wave":
TOKYO -- Thin and gorgeous in a slinky black dress, Mikimoto pearls and a low-slung diamond Tiffany pendant, 26-year-old Kazumi Yoshimura already has looks, cash and accessories. There's only one more thing this single Japanese woman says she needs to find eternal bliss -- a Korean man.
Melanie Phillips: Western Media Are Jihadist Dupes
(ht LGF)
Certain conclusions are now inescapable. First, hatred of Israel and the irrationality associated with that hatred have now reached unprecedented proportions within Britain and the west. Second, with a few honourable exceptions the mainstream media are no longer to be believed in anything they transmit, either in words or pictures, about the Middle East. It is only the blogosphere which is now performing the most elementary disciplines of journalism: to aspire to objectivity, to separate facts from prejudices, to apply basic checks to claims being made by partisans to a conflict, and to be particularly wary of those with a proven track record of lying. Third, the mainstream media must now be regarded as active accessories to the war being waged against the free world and therefore as a fifth column in that world – an enemy within. Fourth, the impact of the lies and distortions transmitted by the mainstream media in inflaming the already pathological hatred of the west within the Arab and Muslim world is incalculable. Fifth, the mainstream media’s vilification, demonisation and delegitimisation of Israel, based on outright fabrications and malevolent distortions, is imperilling the very existence of the country that is the front line of defence of the free world. Sixth, that vilification is also imperilling the safety and well-being of Jewish communities around the world, subject now to the double victimisation of attack by Islamists and attack by non-Muslims for belonging to a Jewish people that refuses to submit passively to a second attempt at genocidal slaughter and instead fights to defend itself.
To date, as far as I can determine, not one mainstream editor or proprietor has acknowledged this corruption of the western media. The scale of this corruption now threatens to have a lethal impact on the course of human history. Hatred now drives not just the jihadists but their western dupes, too. Truth and freedom are indivisible. The deconstruction of the former inevitably presages the destruction of the latter. This is the way a civilisation dies.
Alan Dershowitz: Amnesty International's Phony War Crimes Charge
...against Israel. From The Jerusalem Post:
For Amnesty, "Israeli war crimes" are synonymous with "any military action whatsoever."
The real problem with Amnesty's paper is that its blanket condemnations do not consider the consequences of its arguments. (It doesn't have to; it would never advance these arguments against any country but Israel.)
Amnesty International's conclusions are not based on sound legal arguments. They're certainly not based on compelling moral arguments. They're simply anti-Israel arguments. Amnesty reached a predetermined conclusion - that Israel committed war crimes - and it is marshalling whatever sound-bites it could to support that conclusion.
Amnesty International is not only sacrificing its own credibility when it misstates the law and omits relevant facts in its obsession over Israel. It also harms progressive causes that AI should be championing.
Just last year, for example, Amnesty blamed Palestinian rapes and "honor killings" on - you guessed it - the Israeli occupation. When I pointed out that there was absolutely no statistical evidence to show that domestic violence increased during the occupation, and that Amnesty's report relied exclusively on the conclusory and anecdotal reports of Palestinian NGOs, Amnesty stubbornly repeated that "Israel is implicated in this violence by Palestinian men against Palestinian women."
This episode only underscored AI's predisposition to blame everything on Israel. Even when presented with an ideal opportunity to promote gender equality and feminism in the Arab world, it preferred to take wholly unrelated and absurd shots at Israel.
Amnesty International just can't seem to help itself when it comes to blaming Israel for the evils of the world, but rational observers must not credit the pre-determined conclusions of a once-reputable organization that has destroyed its own credibility by repeatedly applying a double standard to Israel.
Wednesday, August 30, 2006
Print Your Own Classic Books--Free
With Google's new service, according to the BBC:
The firm's book search tool will let people print classics such as Dante's Inferno or Aesop's Fables, as well as other books no longer under copyright. Until now, the service has only let people read such books on-screen.
Google's book search service stems from a wider project to put books online in a searchable format, which it is undertaking with major universities. Working with Google on the Books Library project are Oxford University, Harvard, Stanford, the University of Michigan and the University of California, as well as the New York Public Library.
"How many users will find, and then buy, books they never could have discovered any other way? Eric Schmidt, Google
Volunteers working for a project known as Gutenberg have for some years copied out-of-copyright books as text files, which can then be used for printing, reading or piping into a programme for editing.
In contrast, Google is offering the books in a "print-ready" format, as have several other - albeit much smaller and less well-known - firms.
NPR Attacks My Cousin!
I guess it shows that I really don't listen to NPR anymore... Thanks to tesing Digg It versus Topix, I found out that this past June, "bioethicist" Katie Watson recorded an NPR commentary calling my cousin, Dr. Robert Jarvik, "a sellout" for endorsing Lipitor. Well, I may be biased, but after hearing her complaint, I don't think I'd ever ask Katie Watson for ethical advice, much less medical advice from the anonymous cardiologist friend (are anonymous denunciations ethical?) she quotes against my cousin.
I'm pretty sure Robbie is getting paid for the ads, of course. He may be "cashing in" on his fame, but that certainly doesn't make him a "sellout." I don't think he's betrayed any principle. He's a bioengineer, not a cardiologist. If my cousin says he takes Lipitor himself, I believe him. We have a family tendency towards elevated cholesterol. I take Lipitor myself, my internist prescribed it when another statin wasn't working (how come I can't get it for free?).
The first time I saw the Pfizer ad on TV, I was surprised. I wondered why a drug company would pick an inventor to promote a pill. Then I guessed the subtext of the ad might be: "Take this cholesterol reducing drug so you won't need to have artificial heart implanted." I guess that's kind of clever, because it seems sort of understated.
Now, I'm told there's a sequel--filmed at the Milwaukee Art Museum--but I still haven't seen it so I don't know what that's about. (For some reason, I doubt NPR will call the art museum a "sellout.")
Of course, I do like seeing my relative starring in a TV ad. Everyone knows that people watch commercials more than the shows. And it's not for Viagra or Ex-Lax or denture cream, or even Rogaine. I admit I'm biased, and that I got some calls from people that I had not heard from in a long time and having a cousin on TV raised my status, too.
But that doesn't give NPR the right to smear my relative as a sellout just for doing advertising. Especially since NPR runs ads all the time--for example: the digital download attacking my cousin included a plug for RealPlayer. Since NPR claims to be non-commercial, and Robbie doesn't (he has a commercial company called Jarvik Heart), I think that may make NPR the "sellout."
I'm pretty sure Robbie is getting paid for the ads, of course. He may be "cashing in" on his fame, but that certainly doesn't make him a "sellout." I don't think he's betrayed any principle. He's a bioengineer, not a cardiologist. If my cousin says he takes Lipitor himself, I believe him. We have a family tendency towards elevated cholesterol. I take Lipitor myself, my internist prescribed it when another statin wasn't working (how come I can't get it for free?).
The first time I saw the Pfizer ad on TV, I was surprised. I wondered why a drug company would pick an inventor to promote a pill. Then I guessed the subtext of the ad might be: "Take this cholesterol reducing drug so you won't need to have artificial heart implanted." I guess that's kind of clever, because it seems sort of understated.
Now, I'm told there's a sequel--filmed at the Milwaukee Art Museum--but I still haven't seen it so I don't know what that's about. (For some reason, I doubt NPR will call the art museum a "sellout.")
Of course, I do like seeing my relative starring in a TV ad. Everyone knows that people watch commercials more than the shows. And it's not for Viagra or Ex-Lax or denture cream, or even Rogaine. I admit I'm biased, and that I got some calls from people that I had not heard from in a long time and having a cousin on TV raised my status, too.
But that doesn't give NPR the right to smear my relative as a sellout just for doing advertising. Especially since NPR runs ads all the time--for example: the digital download attacking my cousin included a plug for RealPlayer. Since NPR claims to be non-commercial, and Robbie doesn't (he has a commercial company called Jarvik Heart), I think that may make NPR the "sellout."
Dan Gordon on Israeli Tactics in Lebanon
Gordon points out that Arab Druze and Bedouin Muslims fight in the Israeli army. From The American Thinker:
They had received intelligence that arms were being stored in the mosque of that village, and that possibly it had been booby trapped in order to kill or maim any Israeli troops trying to enter the mosque in search of weapons. Lieutenant Colonel Ishai related that normal operating procedures and common sense would dictate that he first send in bomb sniffing dogs.
It should be noted that Lieutenant Colonel Ishai’s brigade is made up not only of Jews but Druze and Bedouin Muslims. All of these fighters came from villages in the Galilee which had been hit by Hezb’allah’s constant barrages of katyusha rockets aimed at Israel’s civilian population. For them this fight was not a political struggle, nor even a national one, it was quite literally in defense of their homes.
Lieutenant Colonel Ishai has served for many years shoulder to shoulder with Muslim troops in the army of the Jewish state. Indeed I was privileged to meet Druze commanders, who commanded almost exclusively Jewish troops. The first one of those commanders was my own company commander when I was in basic training in 1973.
The soldiers who fight for the state of Israel are not only Jews they are Christian, Druze and Moslem as well. Far from the image of a barbaric Nazi-like military, the IDF takes great pains even in war time to respect the sensitivities not only of its own troops but of the Palestinian and Lebanese civilians caught up in the cross fire brought about by the Islamist terrorists who hide behind them.
Lieutenant Colonel Ishai decided that sending bomb sniffing dogs into a Moslem mosque would be offensive to members of that religion. He thus decided that rather than do that he would send in soldiers, knowing that he was risking their lives to do so.
He gave that order and his soldiers obeyed it in full knowledge of all the implications of their actions. They would risk their lives to respect the sanctity of another’s religion and the sensitivities of another people. Those were the actions of the Israeli army.
What they found in the mosque were anti-tank missiles of the kind that had just been used to try and kill them and katyusha rockets of the kind that quite literally had been aimed at their own homes and families. This is the nature of the enemy we faced. It was a terrorist army organized, trained, financed and equipped as an army whose short, medium and long range rockets rained at Israel’s civilian population, while hiding behind Lebanon’s civilian population.
It is a terrorist army that sought to maximize both Israeli and Lebanese civilian loss of life. The use of indiscriminate weapons against civilian populations is recognized as a war crime in every court in every nation. Hezb’allah committed four thousand of those war crimes in launching its four thousand rockets against Israel’s cities and villages. That is a war crime which no one seems to be investigating, let alone prosecuting. However, one could add to that, that the firing of such weapons from within ones own civilian population is not only a war crime, not only a crime against one’s own people, but a crime against humanity. I would hope that the next time someone so casually refers to Israel’s barbaric attacks against the Lebanese people, they remember Lieutenant Colonel Ishai and his soldiers, Druze Moslem, and Jewish alike who risked their lives rather than offend the sensitivities of the Lebanese people, those very same people whom Hezb’allah’s terrorist army so readily sacrificed in their unprovoked attack against Israel.
VOA & Radio Free Europe Topper Ensnared in Corruption Probe
Today's NY Times and Washington Post both report that former CPB Chairman Ken Tomlinson--currently head of the International Broadcasting Board of Governors that oversees Radio Free Europe and the Voice of America--has been named in a State Department corruption investigation. He's accused of hiring cronies, running a horse-breeding business, and other violations. Interestingly, despite the swirl of scandal, President Bush had re-nominated Tomlinson for another term.
From the Post story by Paul Farhi:
President Bush may not realize it, but the Democrats have done him a favor by forcing Tomlinson out. It gives Bush a second chance--to nominate somebody qualified to improve America's battered image around the globe.
From the Post story by Paul Farhi:
The most sensational complaint against Tomlinson might be that he used government resources to support his stable of thoroughbred racehorses, potentially violating federal embezzlement laws. Tomlinson has had a lifelong interest in breeding and racing horses. Upon his retirement from Reader's Digest in 1996, he began to devote himself to raising horses at his ranch, Springbrook Farm, near Middleburg.I'm an outsider, but I'd say Ken Tomlinson's chances of getting through the Senate for a second term are zero. You can read the original State Department investigation posted on Congressman Howard Berman's website.(ht TPM Muckracker.com)
The investigation determined that Tomlinson used his office for his thoroughbred activities, but the summary offers no details.
The State Department said it turned its report over to the Department of Justice, which has declined to bring criminal charges against Tomlinson. The allegation involving the contractor, however, is pending in DOJ's civil division.
Tomlinson, who is attending a conference in Berlin, said via e-mail yesterday that he made "diligent efforts" to bill each board for the work he did. "It is well known and accepted by all," Tomlinson wrote, "that because of the importance of what I was doing in the war on terror that I would be working more than 130 days a year," which is the statutory maximum.
He also wrote that he devoted an average of one e-mail and 2 1/2 minutes a day at the office to his horse operations. "In retrospect," he wrote, "I should have been more careful in this regard."
The inspector general's report was made public by three Democratic members of Congress: Reps. Howard Berman and Tom Lantos, both of California, and Sen. Christopher Dodd of Connecticut. The three legislators requested the investigation last year after being contacted by an anonymous BBG employee.
The lawmakers called for Tomlinson's removal yesterday and urged President Bush in a letter to "take all necessary steps to restore the integrity of the Broadcasting Board of Governors."
President Bush may not realize it, but the Democrats have done him a favor by forcing Tomlinson out. It gives Bush a second chance--to nominate somebody qualified to improve America's battered image around the globe.
Tuesday, August 29, 2006
Al Qaeda's Saudi Connection
It's not exactly a surprise, but Uriya Shavit carefully presents the evidence of Al Qaeda's Saudi Arabian roots:
Indeed, bin Laden's success in terrorizing the United States is largely the result of the materialization of the conception of the "counterattack": while the 9-11 attacks had little direct strategic importance for the U.S. economy and society, the emerging threat of a few Muslim Americans or Muslim Europeans becoming a fifth column and of sophisticated technologies becoming self-destructive weapons not only struck fear and suspicion in many Western societies but also forced them to rethink long-held convictions on such issues as freedom of speech, immigration, due process, and multiculturalism.
Gerald Steinberg: Investigate Human Rights Watch
Writing in the Jerusalem Post,Gerald Steinberg has accused HRW head Ken Roth of "blood libel" against Israel, and demanded an investigation of the organization:
I agree. I'd like to nominate Natan Sharansky to conduct an independent investigation of Human Rights Watch--and suggest HRW founder Robert Bernstein raise the money to pay for it...
With an annual budget of $50 million, Roth and his funders are obliged to insure that HRW's reports are accurate and free of ideological bias. In contrast, when these reports are instrumental in spreading anti-Israel sentiment in Malaysia, Turkey, Bangladesh, Europe and elsewhere, the result is the antithesis of the human rights objectives proclaimed by HRW.
Rather than the independent investigations of Israel that Roth always demands, it is his HRW's activities that need to be investigated.
Reese Schonfeld on Republican War Wimps
From MeandTed.com:
Liberals are accused of NIMBY – Not in My Backyard: School integration, emphatically, but NIMBY; low-income housing, absolutely, but NIMBY; a halfway house, absolutely, but not in my backyard – obvious hypocrisy, all of it.
Conservatives are just as two-faced about “staying the course.” As with Vietnam when this generation of conservative leaders rich boy-ed their way out of the draft (Bush, Cheney, Quayle, never spent a day in that country), conservatives now talk one way and act another.
Everyday conservatives are demanding that the U.S. “stay the course,” demanding that we support our troops and honor our brave men and women, even while they are unwilling to make the least sacrifice to ease the strains on the soldiers and Marines actually doing the fighting. The Pentagon keeps them there on longer and longer tours and rotates them back with less and less R&R. Real support would entail enlisting more men, more reserves to permit an adequate rotation schedule, prevent battle fatigue and leave these heroes victims of their own bravery.
The best way for conservatives to avoid the charge of hypocrisy would be to deliver a son, a daughter, a brother, a sister or some other loved one to the Army or Marines. (The second best way would be to show some political courage and vote for a draft.) Then maybe at last we would have enough troops to fight and win the war.
No one has the right to demand we “stay the course” unless he has one of his own traveling that course with the truly brave men and women who are there now. Otherwise, he is just another N.M.B. – stay the course but “Not with My Boy.”
By the way, the Pentagon is not necessarily honoring our troops when they cut their widows pensions in half. (More on that Monday.)
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