Roger L. Simon on Madonna's Confessions Tour

From RogerLSimon.com:

Mega-snooze, "Kabbalist" Madonna is evidently doing the Bush-Blair-Hitler routine in her new review. This is obviously "good for business" for the Material Girl, as is, I guess, her mock crucifixion (yawn). But how can you push the envelope when the paper's already sopping wet? How could anyone be interested in her trivial, clichéd nonsense when we've already seen the "Piss Christ" (That was banal enough), not to mention a half-dozen fifty year old Bunuel movies? Now if she had any real guts, Madonna would dance around on stage as Mohammed in drag. Don't hold your breath, however. Was this supposed freethinker around for the Danish Cartoons protest? Of course not. Why should she clutter her head with things that have nothing to do with money?

UPDATE: The Material Girl has gotten what she wanted - the Church of England has branded her Cross "offensive." Ka-ching! Ka-ching! C'mon, Madonna. How about little Mohammed action? Prove us wrong. We don't think you have the cojones.

Congressional Immunity

Congressmen are angry that the FBI descended on Capitol Hill to search the office of Rep. William Jefferson (D-LA), a suspect in an ongoing bribery investigation. The principle in question is Congressional Immunity, contained in the Constitution, based on the separation of powers to protect speech and debate from Executive branch interference. More on this legal angle from Findlaw.com

Privilege From Arrest

This clause is practically obsolete. It applies only to arrests in civil suits, which were still common in this country at the time the Constitution was adopted. 376 It does not apply to service of process in either civil 377 or criminal cases. 378 Nor does it apply to arrest in any criminal case. The phrase ''treason, felony or breach of the peace'' is interpreted to withdraw all criminal offenses from the operation of the privilege. 379

Privilege of Speech or Debate

Members .--This clause represents ''the culmination of a long struggle for parliamentary supremacy. Behind these simple phrases lies a history of conflict between the Commons and the Tudor and Stuart monarchs during which successive monarchs utilized the criminal and civil law to suppress and intimidate critical legislators. Since the Glorious Revolution in Britain, and throughout United States history, the privilege has been recognized as an important protection of the independence and integrity of the legislature.'' 380 So Justice Harlan explained the significance of the speech-and-debate clause, the ancestry of which traces back to a clause in the English Bill of Rights of 1689 381 and the history of which traces back almost to the beginning of the development of Parliament as an independent force. 382 ''In the American governmental structure the clause serves the additional function of reinforcing the separation of powers so deliberately established by the Founders.'' 383 ''The immunities of the Speech or Debate Clause were not written into the Constitution simply for the personal or private benefit of Members of Congress, but to protect the integrity of the legislative process by insuring the independence of individual legislators.'' 384


The protection of this clause is not limited to words spoken in debate. ''Committee reports, resolutions, and the act of voting are equally covered, as are 'things generally done in a session of the House by one of its members in relation to the business before it.''' 385 Thus, so long as legislators are ''acting in the sphere of legitimate legislative activity,'' they are ''protected not only from the consequence of litigation's results but also from the burden of defending themselves.'' 386 But the scope of the meaning of ''legislative activity'' has its limits. ''The heart of the clause is speech or debate in either House, and insofar as the clause is construed to reach other matters, they must be an integral part of the deliberative and communicative processes by which Members participate in committee and House proceedings with respect to the consideration and passage or rejection of proposed legislation or with respect to other matters which the Constitution places within the jurisdiction of either House.'' 387 Immunity from civil suit, both in law and equity, and from criminal action based on the performance of legislative duties flows from a determination that a challenged act is within the definition of legislative activity, but the Court in the more recent cases appears to have narrowed the concept somewhat...

Haaretz: Elie Wiesel Helped Israeli PM

From Haaretz:

Author and Nobel Peace Prize laureate Elie Wiesel helped write the speech that Prime Minister Ehud Olmert will give to a joint session of Congress Wednesday (complete text here).

Wiesel received a draft of the speech last week in order to add to it and make comments.

Wiesel joined former prime minister Ariel Sharon on the March of the Living at Auschwitz last year, and the two held a long conversation during the trip.

Olmert's speech will include events from his own life as they were intertwined with the history of the State of Israel. He will also speak about the relationship between Israel and the United States. Olmert will not speak from a prepared text. His speech also will refer to the Iranian threat against Israel and Israeli-Palestinian relations, as well as the West Bank convergence plan.

Olmert spent hours working on his speech, poring over drafts written by two Foreign Ministry officials, including attorney Daniel Taub of the Law Division. Olmert's chief of staff, Yoram Turbowicz, and his foreign policy adviser, Shalom Turjeman, were in charge of the final version.

I believe the report. Elie Wiesel once helped me, too, when I made my film "Who Shall Live and Who Shall Die?". I had read his essay, "The Jews of Silence." So I invited him to take a look at a rough cut of my film. He came to my editing room, sat through the picture in silence. I was more than a little bit worried. Had I made some major error that would require a lot of work? At the end, however, Wiesel just said: "Every word is true." And then he left. It gave me confidence to finish the picture and stand behind it when I was attacked by Commentary magazine and some other people. Much later, I learned Wiesel had worked with Samuel Merlin--an Irgun leader who was one of the stars of the film--on a newspaper in Paris after the war. Small world....

Belinda Stronach on Bill Clinton

The Canadian MP talked to the CBC about news reports of her relationship with the former US President:

CAROLE MACNEIL: Did you see the Globe? Not the Globe and Mail but the Globe Magazine in the grocery stores this week? It has a picture of you and Bill Clinton.

BELINDA STRONACH: I think that was last week

CAROLE MACNEIL: Or last week, yeah. What's your reaction?

BELINDA STRONACH: Look there's, there's media out there, it's ... it's a tabloid. So Canadians can judge if it's entertainment, or if it's newsworthy or if it's factual and then, I'm saying it's a tabloid.

CAROLE MACNEIL: You're saying it's not factual? I ... the only reason I say that, and I know it sounds weird that I say that, but, because somebody said "is she having a relationship with Bill Clinton?" I mean, it's a question that's out there and everybody knows it's out there. What is your relationship with Bill Clinton?

BELINDA STRONACH: Bill Clinton is somebody I know, is someone I've had the opportunity to meet through a number of circumstances, is someone that I would welcome the advice on if I had the opportunity to take it, but that's it. That's it.

CAROLE MACNEIL: Does he give you any advice, or has he given you any advice?

BELINDA STRONACH: That's it. Like, given the opportunity to, I've met many world leaders, Bill Clinton, and many others, and uh, I consider it a great honour to be able to meet people that have achieved great things, and given the opportunity to discuss complex issues, I would take that opportunity. But no, we don't consult each other on a regular basis. (smiles)

Wikipedia entry here

Ayaan Hirsi Ali Speaks to Channel Four (UK)

(ht LGF).

Happy Birthday, Sir Arthur Conan Doyle...

Today's Google icon reminded us of Sherlock Holmes's author's birthday. Here's his official website.

Goodnight and Good Luck, Mike Wallace

Really enjoyed the 60 Minutes piece on Mike Wallace. He had a personality, and that 1950s Leonard Bernstein-Edward R. Murrow-style cigarette-smoking tough-guy sophistication that made the Tiffany Network the jewel in the crown of American television. Where did it all go? I can't say that I disagree with Andy Rooney. 60 Minutes won't be the same without Mike Wallace. Indeed, I tremble at the thought of Katie Couric on Sunday nights.

Interestingly, Mike Wallace made possible Ben Hecht's short-lived 1950s television show.

A Good Week

I Liked It . . .

Saw it yesterday at our local movie house. Yes, it's got a really ludicrous plot (I laughed out loud, just like the Cannes audience). Yes, it is anti-Catholic (they could have changed the name of Opus Dei to something fictional, like "Carpe Diem"). But it is a roller-coaster of a movie, lots of entertainment--car chases, castles, airplanes, priests, tombs, museums, professors, French, English, Italians...I liked The Da Vinci Code.

It has nostalgia value, too, like those 60s thrillers with Cary Grant and Audsrey Hepburn running around Europe accused of a crime he didn't commit, running from people without knowing why. American innocence confronting European horror.

BTW Ron Howard did a good directing job. And Tom Hanks is just fine, as is Mlle. Tatou and the supporting cast. Ian McKellen steals the show with his good-guy/bad-guy/who knows what? English lord star turn.

Favorite line: "I've got to get to a library!"

Not to be taken seriously. But a lot of fun. Plus, I love the cinematic references to "A Beautiful Mind" in the puzzle-solving scenes when Tom Hanks sees glowing letters and swirling orbs. The protagonist of that earlier Ron Howard/Akiva Goldsman film--as all you Harvard symbology professors reading this surely know--was a paranoid schizophrenic.

A Visit to the Lisner-Louise-Dickson-Hurt Home

Yesterday, at the invitation of a friend, we spent the afternoon at the annual garden party for The Lisner-Louise-Dickson-Hurt Home. It was the most pleasant afternoon we have passed in a long time. There were several bands, and the residents of this venerable (the Louise home for women was founded in 1869) institution had more energy than we did. They were still dancing when we left. It has to be the nicest and best-maintained home for the aged I'd ever seen. People seemed happy to be there. There are only 100 places, we were told, and a long waiting list. And the food, catered by the kitchen, was delicious.

The Desperate Hours

Took another look at William Wyler's production of The Desperate Hours, starring Humphrey Bogart and Frederic March, based on the Joseph Hayes Broadway play with Paul Newman and Karl Malden. (Interesting IMDB trivia: Spencer Tracy had been slated for March's role, but pulled out in a billing dispute.) In the Encylopedia of Film Noir, Alain Silver bashed the picture as pro-famiy and so omitted it from his list of noir. IMDB corrects this omission, lists the genre as noir. It is indeed noir. The film takes place mostly at night, has a nightmarish quality, stars Humphrey Bogart as a criminal. It's noir.

It really holds up well. What may have been intended as a Cold War parable--peaceful suburbanites=USA/ruthless gangsters=USSR--can be read in the context of the Global War on Terror just as readily. Bogart could be a Bin Laden-type. The complacent surburbanites are just as apt today. Message: you can't rely on the authorities alone to defeat terror, suburbanites must think for themselves. Frederic March actually stands up not only to Bogart, but also to the police, in order to defeat the desperatdoes.

In the 50s it meant standing up to Joe McCarthy and Stalin both. Today, it means standing up to George W. Bush as well as Osama Bin Laden.

It's not called "Hollywood's Golden Age" for nothing...

More on Turkey's Anti-Islamist Revolt

From Yahoo! News (ht LGF):

Turkey's Islamist-rooted government faced a wave of anger and calls for resignation after a deadly fundamentalist attack on the country's highest administrative court stunned a nation fiercely proud of its secular system.

The anti-government backlash Friday coincided with ceremonies marking the 87th anniversary of the start of the War of Independence, which ushered in a secular republic on the ruins of the theocratic Ottoman Empire.

On Thursday, tens of thousands of Ankara residents took to the streets in protest against the attack on the Council of State by an Islamist lawyer whose shooting spree killed one judge and wounded four others.

Alparslan Arslan, 29, shouting "I am a soldier of Allah", sprayed the judges' meeting with handgun fire, saying later that he wanted to "punish" the court for upholding a ban on the Islamic headscarf.

Contemporary Conflicts

I came across this website containing essays from the Social Science Research Council while doing some online research today. It has background on places like Darfur that I found interesting and thought-provoking. Your tax dollars at work, if you happen to be a US Citizen. Here's their blurb:

Not long after the attacks on New York and Washington on September 11, 2001, the Council launched a website of commissioned essays dealing with the causes, consequences and interpretations of the tragic events (archive for "After September 11"). Response to the site was favorable, reminding us that there is strong demand, even in these information-rich days, for careful, reliable and scholarly analysis of contemporary issues. With the launching of the SSRC website Contemporary Conflicts, we have extended coverage to other conflicts in the world besides those directly related to the events of September 11—reaffirming that these, too, merit serious scholarly attention. But coverage has continued on events related—or putatively related—to September 11, as many conflicts in the world have become enmeshed in what until recently was called "the war against terror."

Bush's Falling Stock

How low can public approval for President George W. Bush go? It's pretty low now, that's for sure. For example, last night I went to the Washington Opera at the Kennedy Center with someone I know. It was a crummy production of Rossini's "Italian Girl in Algiers." Everything was vulgar, crude, in poor taste, and not working. We had seen a lovely and charming production a few years ago in Charlottesville, so this was a disappointment. In any case, during a break my companion turned to me and said, out of the blue:

"I really hate George W. Bush."

What makes you say that? I asked.

"I blame him for this production."

Note to non-Washington readers: The Kennedy Center budget is subsidized by US government appropriations.

Turks Demonstrate for Secularism

The London Times reports:

Some 40,000 protesters took to the streets of Turkey today to noisily support their country's secular traditions, a day after a suspected Islamist militant shot dead a judge.

Members of Turkey's pro-Islamist government were booed as they attended memorial services, and the Turkish President issued a warning that "no one will be able to overthrow the (secular) regime".

The entire leadership of the Turkish military, which has led three coups in the past and regards itself as the guardians of secularism, lined up beside the flag-draped coffin of Judge Mustafa Yucel Ozbilgin, at his funeral today.

If it comes down to a conflict between Islamic fundamentalist democracy and military secularism in Turkey, I'd side with the latter--and I would hope (and pray) that the Bush administration will finally drop its "faith-based" "democracy-building" foreign policy--aka spreading worldwide Islamic revolution.

Agustin Blazquez to Star at Palm Beach Film Festival

Our favorite Cuban-American film director is having a really big show in Palm Beach next week (you can view his trailers via Google, here):

In person the filmmaker Agustin Blazquez at the Palm Beach International Film Festival by María Argelia Vizcaíno

The awaited first Palm Beach International Latin Film Festival, to be held from May 25 to 28, 2006, will rely on the participation in person of the recognized filmmaker, Agustin Blazquez.

The festival will last four days and will have several of the most important films of South America and Spain, and Blazquez’s films, made in the United States.

Blazquez was born in Cardenas, in the province of Matanzas, Cuba, grew up in the towns of Coliseo and Limonar. He left Cuba for Spain in 1965, and as many Cuban exiles, followed his destiny to the United States.

Agustin Blazquez is not only a daring, dynamic and truthful filmmaker, but an actor, a screenplay writer, a historian, and a writer who knows how to inform and educate the Anglo community that doesn’t have other ways to learn the real story denied by the massive communication media and their interests favoring the left.

Articles like “Collaborating With The Enemy,” “Children Kidnapped By Castro” and about a women’s prison in Cuba, “A Women’s Prison Known As Black Mantle,” etc. are some of his articles he has written in English especially for Americans.

With the same goal, he makes his documentaries that shows with facts the reality that is denied to the American people. That’s why in 1995 “COVERING CUBA 1" was born, and ”COVERING CUBA 2: The Next Generation” (2000), “COVERING CUBA 3: Elian” (2002), “CUBA: The Pearl of the Antilles” (1999) and “COVERING CUBA 4: The Rats Below” (2005) in English with Spanish subtitles.

In this last one he confirms what many Cubans already knew, how the power of money and greed of the American politicians brought a tragedy to little Elian. In this film reveals how the domination of an unscrupulous corporation influenced the government of President Bill Clinton to kidnap an innocent boy - violating his human rights – voiding the possibility of solving his status peacefully under the laws established by the Constitution of the United States.

That’s why “The Rats Below” is the continuation of “COVERING CUBA 3: Elian” and both will be exhibited in this Palm Beach County International Latin Film Festival during the last week of May.

The first film opening the festival will be “COVERING CUBA 3: Elian” on Thursday, May 25, 2006 at 5 p.m. For his second film there will be a Cocktail Reception with the talented filmmaker Agustin Blazquez on Saturday, May 27 at 5:30 p.m. in the lobby of the theater sponsored by Semanario Accion. In it, the director Blazquez, can exchange impressions with the audience. The screening of his film “The Rats Below” is programmed for 6 p.m.

The tickets for each film are $10.00 per person and include the access to all parties and celebrations. The screenings will be at the Cuillo Center For The Arts at 201 Clematis St. in the center of West Palm Beach. There are three options for parking: Valet Parking, street parking meter and city garage parking.

For the complete schedule of the other films, visit: www.PalmBeachLatinFilmFestival.com

Agustin Blazquez’s documentaries will be available for sale at the lobby or visit: http://www.cubacollectibles.com/

Joe Galloway on Rumsfeld's Iran War Game

The same friend who told me about Office Space told me the story of Lieutenant General Paul Van Riper's experience with Pentagon War Games, described in this column by Joe Galloway of Knight Ridder:

One event that shocked Van Riper occurred in 2002 when he was asked, as he had been before, to play the commander of an enemy Red Force in a huge $250 million three-week war game titled Millennium Challenge 2002. It was widely advertised as the best kind of such exercises -- a free-play unscripted test of some of the Pentagon's and Rumsfeld's fondest ideas and theories.

Though fictional names were applied, it involved a crisis moving toward war in the Persian Gulf and in actuality was a barely veiled test of an invasion of Iran.

In the computer-controlled game, a flotilla of Navy warships and Marine amphibious warfare ships steamed into the Persian Gulf for what Van Riper assumed would be a pre-emptive strike against the country he was defending.

Van Riper resolved to strike first and unconventionally using fast patrol boats and converted pleasure boats fitted with ship-to-ship missiles as well as first generation shore-launched anti-ship cruise missiles. He packed small boats and small propeller aircraft with explosives for one mass wave of suicide attacks against the Blue fleet. Last, the general shut down all radio traffic and sent commands by motorcycle messengers, beyond the reach of the code-breakers.

At the appointed hour he sent hundreds of missiles screaming into the fleet, and dozens of kamikaze boats and planes plunging into the Navy ships in a simultaneous sneak attack that overwhelmed the Navy's much-vaunted defenses based on its Aegis cruisers and their radar controlled Gatling guns.

When the figurative smoke cleared it was found that the Red Forces had sunk 16 Navy ships, including an aircraft carrier. Thousands of Marines and sailors were dead.

The referees stopped the game, which is normal when a victory is won so early. Van Riper assumed that the Blue Force would draw new, better plans and the free play war games would resume.

Instead he learned that the war game was now following a script drafted to ensure a Blue Force victory: He was ordered to turn on all his anti-aircraft radar so it could be destroyed and he was told his forces would not be allowed to shoot down any of the aircraft bringing Blue Force troops ashore.

The Pentagon has never explained. It classified Van Riper's 21-page report criticizing the results and conduct of the rest of the exercise, along with the report of another DOD observer. Pentagon officials have not released Joint Forces Command's own report on the exercise.

Van Riper walked out and didn't come back. He was furious that the war game had turned from an honest, open free play test of America's war-fighting capabilities into a rigidly controlled and scripted exercise meant to end in an overwhelming American victory.

Daniel Cohen: Bush's Embrace of Kadafi Dishonors America

From Daniel Cohen's oped in today's LA Times (ht LGF):

HOW WOULD YOU feel if the man who murdered your child was forgiven — and embraced — by your government?

That's what happened to me Monday when the State Department announced that Moammar Kadafi's Libya was being taken off the list of state sponsors of terrorism and that the United States would establish full and friendly relations with the regime.

Libya, you may recall, was the country that blew up Pan Am Flight 103 over Lockerbie, Scotland, on Dec. 21, 1988. The blast killed 270 people, 189 of them Americans. It was the worst terrorist attack on American civilians before 9/11. My daughter, Theodora — everyone called her Theo — was a Syracuse University drama student returning home from a semester in Britain on the flight. She was our only child, and her killing shattered our lives.

I know national policy cannot be influenced by the personal grief and rage of a single family. But the Bush administration has dishonored our country. The excuse the administration gives for its actions is that Libya has changed: It has given up its weapons of mass destruction. But Libya never really had weapons of mass destruction. Yes, it had materials bought from Pakistani scientist Abdul Qadeer Khan's nuclear supermarket, and maybe Kadafi was nuts enough to believe that he could build nuclear weapons someday. But he didn't actually have any, and his program had been completely compromised long before he magnanimously agreed to give it up.

Libya had no biological weapons either, apart from some World War I-era mustard gas. The truth is, Kadafi gave up nothing of value. It's hard to see how his example will inspire North Korea or Iran, countries that really do have nuclear weapons or the means to make them. The message they will take away is that the United States can be rolled.

Has Libya embraced democracy? Not according to human rights groups, which say that Kadafi remains a brutal and unstable dictator. So much for President Bush's doctrine of spreading democracy. The message here is that the U.S. doesn't really mind doing business with tyrants.

America by Ray Bradbury

Bradbury's ode to immigration on today's Opinion Journal channels poets Carl Sandburg and Walt Whitman...

His final stanza:

Run warm those souls: America is bad?
Sit down, stare in their faces, see!
You be the hoped-for thing a hopeless world would be.
In tides of immigrants that this year flow
You still remain the beckoning hearth they'd know.
In midnight beds with blueprint, plan and scheme
You are the dream that other people dream.

Michelle Malkin Connects Illegal Immigration to 9/11

In her latest Hot Air video Vent.