Charles in Space...

To read Charles Simonyi's blog about his space tourist trip to the International Space Station, click here:

Dr. Charles Simonyi and the crew of Expedition 15 have completed a successful launch into orbit from the Baikonur Cosmodrome in Kazakhstan at 17:31 GMT April 7. The Soyuz TMA-10 spacecraft lifted off the launch pad bound for the International Space Station (ISS). The capsule will orbit the Earth for two days until its rendezvous with the space station at 19:15 GMT April 9.

Kathleen Parker: After Iran Hostage Photo-Op, Take Women Off Combat Duty

Kathleen Parker says one lesson of Britain's Iran hostage crisis is that young mothers of small children ought not be sent to war, in The Washington Post (of all places):

It is not fashionable these days to suggest that women don't belong in or near combat -- or that children need their mothers. Yes, they need their fathers, too, but children in their tender years are dependent on their mothers in unique ways.

There's not enough space here to go into all the ways that this is true, but children (and good parents) know the difference even if some adults are too dim, brainwashed or ideologically driven to see what's obvious.

Why the West has seen it necessary to diminish motherhood so that women can pretend to be men remains a mystery to sane adults. It should be unnecessary to say that the military is not a proper vehicle for social experimentation but is a machine dedicated to fighting and, if necessary, killing.

Women may be able to push buttons as well as men can, but the door-to-door combat in Fallujah proved the irrelevance of that argument. Meanwhile, no one can look at photos of the 15 British marines and sailors and argue convincingly that the British navy is stronger for the presence of Acting Leading Seaman Faye Turney -- no matter how lovely and brave she may be.

Happy Easter!

This year Orthodox and Western Easter fall on the same Sunday, in a rare coincidence. Wikipedia entry here:

Easter, the Sunday of the Resurrection, Pascha, or Resurrection Day, is the most important religious feast of the Christian liturgical year, observed at some point between late March and late April each year (early April to early May in Eastern Christianity). It celebrates the resurrection of Jesus, which his followers believe occurred on the third day after his death by crucifixion some time in the period AD 27 to 33 (see Good Friday).

Easter also refers to the season of the church year, previously called Eastertide, lasting for fifty days, from Easter Sunday through Pentecost; and, in the Roman Catholic Church, to the eight-day feast beginning on Easter Day called the Octave of Easter.

Douglas Feith's Powerpoint Slides Assessing the Relationship Between Iraq & Al Qaida

Thanks to Senator Levin making the Office of Special Plans briefing public (with some item blacked out, which makes the presentation more credible, rather than less), we can now see what all the fuss is about.You can download the complete briefing as a PDF file here.

Findings:

*More than a decade of numerous contacts

*Multiple areas of cooperation

*Shared anti-US goals and common bellicose rhetoric
- Unique in calling for killing of Americans and praising 9/11

*Shared interest and pursuit of WMD

*Some indications of possible Iraqi coordination with al Qaida specifically related to 9/11

*Relationship would be compartmented by both sides; closely guarded secret; indications of excellent operational security by both parties.

Good Friday

Wikipedia entry here:

Good Friday is the Friday before Easter or Pascha. It commemorates the crucifixion and death of Jesus at Calvary. This year, it is on April 6, 2007.
Good Friday is a holy day observed by most Christian religions. Special prayer services are often held on this day with readings from the Gospel giving accounts of the events leading up to the crucifixion. Mainstream Christian churches view Christ's crucifixion as a voluntary and vicarious act, and one by which, along with resurrection on the third day, death itself was conquered.

The Concert Podcast

Someone I know recently subscribed to The Concert Podcast from the Isabella Stewart Gardner Museum. It's terrific. We just listened to:

The Concert No.19
Contrasting Beethoven and Mozart (37.8MB)
Works for piano trio and string quintet played by the Claremont Trio and the Orion String Quartet, with violist Ida Kavafian

•Beethoven: Allegretto in B-flat Major, WoO. 39
•Mozart: String Quintet No. 4 in G minor, K. 516

You can subscribe using iTunes, or by downloading podcasts from their website.

Albuquerque Journal: Ken Burns Shows "Patterned Disrespect" for Hispanic-Americans

From Hispanic Vets Lose the Battle With 'The War' by John M. García and Eduardo Díaz:

More than 40 interviews and 14 hours of programming, and no Latinos? How do you explain this "brown out" of a publicly financed and supported project?
Producer and director Ken Burns states, "We are dismayed and saddened by any assumption that we intentionally excluded anyone from our series." The producers assert that the series is about individuals and the "universal human experience," however, it highlights discrimination against Japanese-Americans and African-Americans. We applaud this effort, but ignoring the Latino experience is inexplicable.
Sacramento is one of the cities where the producers conducted interviews. Sacramento is over 25 percent Latino; they couldn't find one of our World War II vets? But, really what can you expect from a producer whose series on jazz excluded the likes of Machito, Tito Puente and Eddie Palmieri, or whose series on baseball included a scant six minutes on Roberto Clemente only?
Burns has shown a patterned disrespect for our community's contributions in building America and shaping our popular culture.

American GI Forum Resolution Condemns PBS & Ken Burns

From the American GI Forum Website:

AMERICAN GI FORUM OF THE UNITED STATES

RESOLUTION- PBS/Ken Burns Documentary, THE WAR

WHEREAS, The American GI Forum of the United States, is the only Congressionally Chartered Hispanic/Latino Veterans Organization in the United States whose primary purpose is to serve Hispanic/Latino Veterans and their families;

WHEREAS, The American GI Forum was founded by Dr. Hector P. Garcia in 1948 because of the inequities and discrimination inflicted upon returning Mexican-American Veterans after their distinguished service in World War II;

WHEREAS, Hispanic/Latino individuals, as members of the Armed Forces of the United States, served with valor and distinction during World War II;

WHEREAS, In World War II, Hispanic/Latino individuals fought and died for the principles of equality, justice and freedom for all.

WHEREAS, Hispanic/Latino individuals during World War II were the most decorated minority group to receive this Country's highest award, "The Congressional Medal of Honor";

WHEREAS, Hispanic/Latino Americans, as an ethnic group, made tremendous and significant contributions during World War II, for example:

. . . In 1940, while America was still at peace, two National Guard units from New Mexico, the 200th and 515th Coast Artillery (Anti-aircraft) battalions were activated and dispatched to the Philippine Islands. Largely made up of [Mexican Americans]-- both officers and enlisted men from New Mexico, Arizona, and Texas -- the two units were stationed at Clark Field, 65 miles from Manila.

On December 7, 1941, the Japanese Imperial Navy launched a surprise attack on the American naval fleet at Pearl Harbor, forcing America into war. Within days, Japanese forces attacked the American positions in the Philippines. Outnumbered and desperate, General Douglas MacArthur moved his forces, including the 200th and 515th, to the Bataan Peninsula west of Manila. Here, fighting alongside their Filipino comrades, they made a heroic three-month stand against the large, well-equipped invading forces. As the weeks passed, rations, medical supplies, and ammunition diminished and became scarce. On April 9, 1942, starving and greatly outnumbered, most of the surviving troops were ordered to surrender. After their capture, the American and Filipino soldiers had to endure the 12-day, 85-mile "Death March" from Bataan to the prison camps, followed by 34 months of captivity. Three years later, General Jonathan Wainwright praised the men of the 200th and 515th units, saying that "they were the first to fire and the last to lay down their arms and only reluctantly doing so after being given a direct order."

In the Pacific theater, the 158th Regimental Combat Team, known as the Bushmasters, an Arizona National Guard unit comprised of many Hispanic soldiers, saw heavy combat. They earned the respect of General MacArthur who referred to them as "the greatest fighting combat team ever deployed for battle." Company E of the 141st Regiment of the 36th Texas Infantry Division was made up entirely of [Hispanic] Americans, the majority of them from Texas. After 361 days of combat in Italy and France, the 141st Infantry Regiment sustained 1,126 killed, 5,000 wounded, and over 500 missing in action. In recognition of their extended service and valor, the members of the 141st garnered 31 Distinguished Service Crosses, 12 Legion of Merits, 492 Silver Stars, 11 Soldier's Medals, 1,685 Bronze Stars, as well as numerous commendations and decorations. In all, twelve Hispanic soldiers received the Medal of Honor for their services during World War II.

From 1940 to 1946, more than 65,000 Puerto Ricans served in the American military, most of them going overseas. The 295th and 296th Infantry Regiments of the Puerto Rican National Guard participated in the Pacific theater, while other Puerto Rican soldiers served in Europe.

(Excerpts from: Houston Institute for Culture, The Hispanic Experience, Hispanics in Military Service, Hispanic Contributions to America's Defense, by John Schmal. - Originally published by the Puerto Rico Herald, November 11, 1999.);

WHEREAS, The PBS (Public Broadcasting Service) has announced it is airing in September, 2007, the new Ken Burns documentary series, THE WAR. This seven-part, 14 hour, documentary series, is directed and produced by Ken Burns and Lynn Novick. It explores the history and horror of World War II from an American perspective. It follows the fortunes of so-called ordinary men and women who get caught up in the greatest cataclysm in human history;

WHEREAS, This documentary exposes the racism of World War II directed at African-American and Japanese-Americans, however, it fails to outline the same as it affected Hispanic/Latino Americans;

WHEREAS, This documentary purports to honor the heroism of all Americans, when in fact, it glaringly fails to honor those heroic Hispanic Americans who have earned such an honor;

WHEREAS, Whether intentionally or inadvertently, the contributions of Hispanic/Latinos in World War II were omitted;

WHEREAS, This oversight appears to have violated PBS's own policy on "Diversity" i.e.,

. . . Content diversity furthers the goals of a democratic society by enhancing public access to the full range of ideas, information, subject matter, and perspectives required to make informed judgments about the issues of our time. It also furthers public television's special mandate to serve many different and discrete audiences. The goal of diversity also requires continuing efforts to assure that PBS content fully reflects the pluralism of our society, including, for example, appropriate representation of women and minorities. . . .

NOW THEREFORE, BE IT RESOLVED,

1. That the American GI Forum of the United States condemns this documentary as not presenting the contributions of Hispanic Americans during World War II and until such time as Hispanics are fairly and adequately represented, demands that it not be aired,

2. That the American GI Forum of the United States requests that the Public Broadcast System forthwith correct this omission.

3. That failure to correct this omission will result in the institution of a nationwide boycott of PBS and its affiliates. Further, we would lead an effort requesting that all public and private funding be curtailed.

For it was Abraham Lincoln who said, "History is not history unless it's true."

Adopted on the 13th day of March, 2007
By the American GI Forum of the United States
National Board of Directors Meeting in Las Vegas, NV
ANTONIO GIL MORALES,
National Commander & Board Chairman

How come I haven't seen this controversy discussed on the Jim Lehrer Newshour, BTW?

Unanswered Questions about NEH Role in Ken Burns Scandal

I sent the following email to the National Endowment for the Humanities about that organization's responsibility for the Ken Burns documentary that has caused such great offense to Hispanic-American veterans of World War II. So far, no answers. I'll let readers know what Dr. Bruce Cole's organization has to say in this regard, as soon as I get a reply...The following email was sent to NEH Public Affairs on March 31, 2007:

Dear NEH Public Affairs,

I have been reading about the controversy over Ken Burns' new documentary about World War II with interest, and would appreciate information on the NEH role, which presumably should safeguard historical accuracy against a filmmaker's "artistic license" in portraying historical events. I assume that is the purpose of academic review and the peer panel process.

Therefore, for publication on my blog, I would appreciate written answers to the following questions:

How much has NEH paid for this documentary? What were the conditions of the grant relating to historical accuracy and comprehensiveness?

Who are the historical advisors for this project?

Who reviewed the grant application for NEH--peer panelist names as well as staff names?

Who signed the final approval for this project?

Did anyone notice the absence of Latino veterans in the documentary prior to the current controversy--as part of the NEH peer review process?

I look forward to hearing from you in this regard.

Yours sincerely,
Laurence Jarvik
Laurence A. Jarvik, Ph.D.
http://laurencejarvikonline.blogspot.com

UPDATE: I have received an email from info@neh.gov calling the attention of "Noel" to this request. I assume that is Noel Milan, director of communications for NEH. So, I'll post NEH's answers to the above questions --once the NEH sends them to me...

Fred Thompson on Ayaan Hirsi Ali

The possible Presidential candidate, actor, and former senator had his say in National Review:

Ayaan Hirsi Ali can’t leave her Washington D.C. home without guards.

Born a Muslim in the African nation of Somalia, she was treated as property. Hirsi Ali, though, escaped a marriage, arranged by her father, to a cousin in Canada she’d never met.

Granted exile in the Netherlands, Hirsi Ali rose like cream and was elected to the Dutch parliament. She also wrote a script based on her experience volunteering in battered women’s shelters. There, she learned that her fellow Somali immigrants were maintaining the feudal ways she thought she had left behind.

Filmmaker Theo Van Gogh, the great-grand-nephew of the famous painter, made her movie — but paid for it with his life. His Islamist murderer used a dagger to pin a note, promising Hirsi Ali’s death, to the director’s chest. Unsafe, and unwelcome to many, Hirsi Ali came to America last year and was able to live pretty much like a normal person.

But her new autobiography, Infidel, is out now and the usual suspects are furious that she would argue for the liberation of Muslim women. Due to serious and credible threats, she is once again surrounded by guards.

There were many Germans and other Europeans who came to America and warned of the Nazi threat in the 1930s, including writers and filmmakers. Can you imagine that any of them would have ever needed bodyguards?

Hirsi Ali does — right here in America. Yet too many people still don’t understand what our country is up against. They might if they read her book.

Thompson recorded a radio spot with the same message available as an mp3 download here

Gerald Steinberg: Close Down EU-Funded NGOs in Israel

From The Jerusalem Post:

Furthermore, the scale of European government funding for Israeli and Palestinian political organizations that claim to promote human rights, peace and democracy is huge, and largely hidden. The massive Euro-bureaucracy has created a complex network of funding agencies for "civil society" in the region, and no central index or reporting system exists.

Until last year, the EU office in Tel Aviv violated its own principles of transparency and kept the list of Israeli NGO beneficiaries secret, ostensibly due to threats of violence. NGO Monitor's investigations led to a change in this instance, but funding for Palestinian NGOs is still largely covert.

THE CHANGE in Israeli government policy and a willingness to confront such anti-democratic manipulation, particularly by European governments (including non-EU countries such as Norway and Switzerland), marks an important step. Going beyond the terse statement, the Israeli representatives should bring a detailed file on the funding provided for politicized NGOs to every meeting between heads of state, foreign ministers and government officials.

If Europe expects to play a more important role in regional security and diplomacy, it cannot also continue to provide funding designed to undermine the Israeli government's positions, both internally and in the international arena.

In Europe, the amorphous entities known as "civil society organizations" and NGOs also need close scrutiny. These bodies are unelected, and their officials are not accountable.

In democratic societies, government officials who provide funds to these entities generally use this as a means to promote their own interests and objectives, without checks and balances or transparency. In closed non-democratic societies, such as Syria, Egypt and the Palestinian Authority, foreign government assistance for NGOs that promote democracy, tolerance, and human rights may have a positive impact, but only if this support is carefully monitored to prevent abuse. Europe's failure to provide such monitoring exacerbates the damage.

Israel, as a vibrant democracy, does not need, and should not be the target of "civil society initiatives" engineered by foreign governments, whether well-meaning or hostile. From this perspective, the example of Bimkom, the security barrier, and the British Embassy is small but highly illustrative.

The time has come to end this misguided and patronizing policy.

Belinda Acosta: "Deplorable" Ken Burns No Da Vinci

In the Austin Chronicle, Belinda Acosta weighs in against Ken Burns and PBS:

Perhaps the most perplexing response to date comes from Lionel Sosa, a Latino member of the PBS board of directors.

"Asking Burns to change his documentary is like asking Leonardo da Vinci to add another apostle to The Last Supper because somebody was left out," Sosa said in a Laredo Morning Times article by Tricia Cortez published March 20. "This is artistic. This is a film. It's not journalism."

Apparently, Sosa needs a dictionary to look up the definition of "documentary."

By comparing Burns to da Vinci, Sosa inadvertently strikes the crux of the matter. Burns' work is branded as the definitive statement on a subject. This brand comes largely because of his affiliation with PBS, the mandate of which is to serve the American public but much more so because of PBS's reach beyond television (already pervasive) as an approved "text" for use in classrooms across the nation.

Being ignorant – willfully or otherwise – of the flesh-and-blood impact of Latinos in World War II, not to mention the role of World War II in defining U.S. Latino history, is, in a word, deplorable. I don't expect PBS to impose its will on a filmmaker's vision – but it is painfully disappointing to discover that PBS's vision is little more than a few "diversity" dishes served at a card table near the banquet table. No, if PBS is truly interested in expanding its base, it means more than making room at the table. It means allowing other cooks in the kitchen when the meal is being prepared.

Sosa makes another interesting statement in the aforementioned Laredo Morning Times article. Although "disappointed" by the omission of Latinos in The War, he says it's up to Latinos, not Burns, to tell their stories.

"We have the talent in terms of writers, producers, directors, and historians to tell the story," he said. "And we have the resources to raise the money to make the films."

In that case, why bother supporting PBS at all?

Antigua Beats USA in WTO Dispute

The WTO has spoken in favor of Antigua's offshore internet gambling business and against American prohibitions--because the US permits domestic gambling. Slashdot reports that if the US doesn't change its policy, them Antigua has the legal right to retaliate against American sanctions--and may do so by permitting bootleg MP3 download sites for media. The Caribbean once hosted rum smugglers and real pirates...will it now become a haven for music and video pirates? This post from TechDirt raises the question:

TechDirt writes "For some time we've been following the ongoing conflict between the US and the island nation of Antigua surrounding internet gambling. Even before the passage of the most recent anti-gambling law, Antigua had gone to the WTO to complain that the US government's actions against online gambling were de facto protectionist measures, and thus violated international trade law. The WTO ended up siding with Antigua, although, quite predictably, the US did nothing to resolve the issue -- in fact, things have only gotten worse. Now the WTO is speaking out again, slamming the US government for its failure to abide by the decision against it. Once again, it seems likely that the US will ignore the decision, although that would give Antigua the right to retaliate. One possibility that's been thrown out there is that Antigua may turn itself into a haven for free music and software and set up some site like allofmp3.com. Of course, the US put pressure on Russia to crack down on that site, as part of the country's admittance into the WTO, but since Antigua is already part of the organization, the US would have no such leverage. Now, the WTO has spoken out again."

For Antigua's view of the dispute, here's a link to the Antigua Online Gaming Association.

First Review of Bernard Weinraub's "The Accomplices"

It hasn't opened yet, but Cameron's Theatre Snobbery at its Finest has published an early--and favorable--review of Bernard Weinraub's new play about Ben Hecht, Peter Bergson and the struggle to save European Jewry during World War II:

I'm having a hard time thinking of one negative comment I can make about Bernard Weinraub's The Accomplices, currently at Theatre Row in a production by The New Group. It's not a great play, but I left feeling that I had seen one of the most interesting and fascinating political dramas in a long while. Weinraub, a journalist by profession who is making his theatrical debut, tells the story of a fringe group in the early 1940s who tried to shine a light on Hitler's regime at a time when the Roosevelt administration was turning a blind eye to it. The performances are universally excellent: Daniel Sauli plays the protagonist (the son of a Palestinian rabbi) perfectly, while Zoe Lister-Jones hits all the right notes as the woman who loves him, and who has spent much of her life running from her Jewish heritage. Veteran David Margulies is superb as the Rabbi Stephen Wise, who chooses to scorn the radical movement in favor of blind support for FDR, and Jon DeVries offers great comic relief (and social commentary) as both the President of the United States and one of the movement's famous supporters, playwright Ben Hecht. Sign yourself up for this exemplary history listen.

Ken Burns Scandal Hits Philadelphia

The Philadelphia Daily News asks: "Que Pasa PBS?":

USUALLY a Ken Burns television documentary is greeted with great anticipation.

But hype for "The War," Burns' seven-part documentary about World War II that's scheduled to air in September on PBS television stations, has been anything but good, considering the outrage it has triggered among Latino organizations.

Burns' documentary, which looks at the war from the perspective of four cities and towns, excludes the contributions made by America's Latinos who fought in World War II, they say. Estimates are that about 500,000 Latinos served in the war. And 12 were awarded Medals of Honor. With a population of 44 million, Latinos are America's largest minority group.

Janet Murgula, president of the National Council of La Raza, sent a letter to Paula Kerger, president of the Public Broadcasting Service. Kerger will soon rule on how PBS plans to handle the omission.

The brouhaha shows Latinos will not allow [themselves] to be marginalized. Even in Philadelphia.

Iran Frees British Hostages

Whew! Glad that's over...

Though I don't know if Iran backed down under international pressure, Britain blinked when she kow-towed to hostage-takers, or if the lesson is, as this BBC report concludes, quoting a relative of one of the hostages :

"Whoever has been in the right or wrong, the whole thing has been a political mess, so let's just get them home," said his uncle, Ray Cooper.

Speaking of World War II Documentaries...

My film, Who Shall Live and Who Shall Die?, is officially released on DVD today by Kino International, in a special 25th anniversary edition that includes a copy of Billy Wilder's historically-significant short film Death Mills as an "extra".

For some unknown reason, I haven't seen any mentions in the press, not even in Dave Kehr's usually excellent NY Times DVD column. Netflix hasn't stocked it yet, either. Don't know why...

So, please go to your local video store to find a copy to rent or buy (or request your public library to stock it). If you live in the Washington, DC metro area our local Potomac Video has four copies in stock--or you can order a copy from Amazon.com here:

Tawfik Hamid on Islamist Extremism

From OpinionJournal.com (ht JihadWatch):

Progressives need to realize that radical Islam is based on an antiliberal system. They need to awaken to the inhumane policies and practices of Islamists around the world. They need to realize that Islamism spells the death of liberal values. And they must not take for granted the respect for human rights and dignity that we experience in America, and indeed, the West, today.

Well-meaning interfaith dialogues with Muslims have largely been fruitless. Participants must demand--but so far haven't--that Muslim organizations and scholars specifically and unambiguously denounce violent Salafi components in their mosques and in the media. Muslims who do not vocally oppose brutal Shariah decrees should not be considered "moderates."

All of this makes the efforts of Muslim reformers more difficult. When Westerners make politically-correct excuses for Islamism, it actually endangers the lives of reformers and in many cases has the effect of suppressing their voices.

Tolerance does not mean toleration of atrocities under the umbrella of relativism. It is time for all of us in the free world to face the reality of Salafi Islam or the reality of radical Islam will continue to face us.

Russian Translation of Cultural Challenges to Democratization in Russia

Thanks to the work of Professor Tatiana Samsonova of Moscow State University, my Winter 2006 ORBIS article, Cultural Challenges to Democratization in Russia, is now available in Russian.

Click here to download the Russian version: КУЛЬТУРНЫЕ ВЫЗОВЫ ДЕМОКРАТИЗАЦИИ В РОССИИ--Лоренс Джарвик (MS Word).

Rory O'Connor to Ken Burns: "Re-edit your precious art..."

PBS documentary producer Rory O'Connor chides Ken Burns & PBS for disrespecting Latino WWII veterans, on AlterNet:

As a documentary filmmaker myself, I'm definitely in favor of respecting the work of producers. But isn't respect for the audience also important? In a 14-hour documentary, couldn't Burns have devoted a few minutes (at least!) to include the WWII experiences of America's Latinos? I certainly am not asking for the imposition of any kind of "political litmus tests" for documentaries -- but I am calling for Burns to listen to and show respect for valid complaints from the public broadcasting audience and, in this case, to reassess his startling and ahistorical omission.

But to date both Burns and his PBS supporters seem instead to be circling their wagons and taking a defensive posture, instead of reaching out and trying to rectify the situation. "People, when they see the film, they will see the universality," Burns claims. But Latinos won't see themselves -- and that's the crux of the problem.

To acknowledge the ground that the film does not cover, Burns will begin each episode of the documentary with a title card acknowledging its limited scope. He has also asked PBS and CPB to back the related project of local outreach and production. "The film is done yet there are all these opportunities to tell all these other stories," Burns said.

In other words -- leave it to others to clean up the mess I've made ...

Come on, Ken -- you're better than that! You have fourteen hours in well-promoted prime time, coupled with the most extensive outreach campaigns ever tied to a national broadcast, so why not give it up? Do the right thing! Listen to the voice of the people and then re-edit your precious art ...

So far, however, Burns demurs. "It's not just me that can tell all these stories," he maintains. "This is public broadcasting."

Precisely ...