It sounds like another cracked, anti-Semitic conspiracy theory dredged up from some Truther website, but it’s the thesis of a recent book from Harvard University Press, The Collaboration: Hollywood’s Pact With Hitler, written by a freshly minted young Berkeley Ph.D., now Harvard Junior Fellow, Ben Urwand, and supported by documents culled from German archives, pages of supplemental notes, and back-cover bona fides from respectable historians like Richard Evans, who also reviewed the manuscript for the Harvard Press. “It is time to remove the layers that have hidden the collaboration for so long,” the author writes in his prologue, “and to reveal the historical connection between the most important individual of the twentieth century and the movie capital of the world.”
The Collaboration, however, reveals nothing of the sort. The book’s astounding claims are not only flatly contradicted by more credible accounts the author inexplicably ignores, but his thesis is undercut by evidence, old and new, he himself provides. The author misunderstands classic films, not to mention the social and political history of the period. One can’t help wondering why the Harvard Society of Fellows thought this book worthy of support and what Harvard University Press intended by publishing it.
More on this topic here, from Alicia Mayer: http://hollywoodessays.com/2013/12/18/face-to-face-with-ben-urwand-the-question-i-asked-and-his-reply/
Still more here, from Clare Spark: