The power of critics such as Clement Greenberg in art or Edmund Wilson in literature -- both did much to shape elite and popular taste in the mid-20th century -- is hard to imagine today. Contemporary art is self-parodic and insulated against Greenberg's style of criticism, and art-world success is now determined almost exclusively in the marketplace, not on the printed page.
And yet in the precincts where art -- and thinking about art -- still matters, Greenberg is "indispensable," as Ms. Marquis notes. In an age when much art criticism is "conducted in a self-referential mumble," she says, "his rhetoric remains a benchmark for persuasive prose in the field of aesthetics." Her biography is a benchmark as well, for discussions of the life and legacy of Clement Greenberg.
“This is slavery, not to speak one's thought.” ― Euripides, The Phoenician Women
Sunday, April 30, 2006
The Wall Street Journal on the Art Czar
Alice Goldfarb Marquis sent us news of this positive new review of her new biography of Clement Greenberg, by New Criterion editor James Panero, in the Wall Street Journal: