A good reason to eliminate funding for the Corporation for Public Broadcasting.
If not now, when?
Tuesday, November 15, 2005
Sunday, November 13, 2005
Omar Khayyam Does Dallas
A new film about the legendary Persian poet Omar Khayyam, directed by Kayvan Mashayek, has opened in Dallas. The Keeper was shot in Uzbekistan--one of our friends, Emelia Asadova, worked on the production, and seemed to like it. Here's an excerpt from the Denton Record-Chronicle's account:
Khayyam’s story is told through flashbacks as a contemporary 12-year-old Houston boy (Adam Echahly) becomes intrigued when researching his heritage, and specifically the Iranian tradition of passing along stories between generations. It tracks Khayyam through his early years, when his romance with a woman separates him from a childhood friend who later becomes a powerful sultan.
The idea was inspired in part by Mashayekh’s late father. When he was 11, Mashayekh emigrated from Iran to Houston with his family, where he eventually became a lawyer before turning to filmmaking. In the meantime, he said he lost touch with his cultural roots.
“I was trying to be as American as possible. I was trying to divorce myself from my ethnicity. My father was really troubled by that,” he said. “When my father passed away, I realized all the wisdom behind the things he told me.”
The ambitious production was no less challenging. The Keeper was shot in five cities and three continents during a total of 37 days spread out over almost an entire year.
About 80 percent of the film, including all of the flashback sequences involving Khayyam, was shot in rural Uzbekistan, where Khayyam himself once studied. The director said much of the third-world architecture there still resembles that from 900 years ago.
However, military conflict in neighboring Iraq during 2003 forced the production to shut down for eight months because of insurance concerns. The sets were only about 200 miles from the Afghanistan border. Yet Mashayekh persevered in a quest for authenticity.
“You can still go in some areas and see the same brickwork that’s exactly from that time period. It’s very rustic,” Mashayekh said. “There was a staple of architecture that we were trying to maintain, and the closest thing that we could find to it was in Uzbekistan.”
The Keeper is now playing at the Inwood in Dallas and Rave Motion Pictures 16 in Hickory Creek.
Khodorkovsky's Left Turn
Writing from prison, Khodorkovsky calls for an end to "parasitic" capitalism in Russia:A new social elite should take over the country when Putin leaves (at the legal time, not a day sooner and not an hour later), one that comprehend power as long-term and maybe ignoble (at first) construction and not as wholesale division and redistribution. In that elite, the dominant question will not be “What do you need that for?” We don't need that, kind sirs, the country does. Otherwise it will ever become a modern developed and respected state, but more likely fall apart within our generation, and we, citizens of Russia, cannot reconcile ourselves to the ruin of our state, and we don't want to and we don't plan to.You can read the full text of Khodorkovsky's manifesto in this Kommersant article.
But, to solve the terrible problems listed and one not listed here, a traditional mobilization of the people is needed. And not penal mobilization but creative mobilization, using the intellectual resources of the tens of millions of our fellow countrymen based on a single national idea. The people are used to the authorities being endless far from them, that they are not answerable for anything, that the so-called elites needn't give a damn about them but they should again feel that Russia is our common country that thinks about and cares for everyone who lives in it and for which they are answerable. That leads first of all to qualitative changes in state and social policy, a rebirth of democratic methods of ruling the country, including state paternalism as an instrument for the unification of the state and people, as an acknowledgment of the fact that the state and economy exist for the people.
Yes, democracy prohibits the implementation of the ideal liberal model of everyone for himself. Yes, the voter will demand a concession of part of the oil riches falling from heaven for the use of those who, because of their health, education, age or other reasons cannot attain personal success by themselves in modern society without its (society's) help.
That is why a left turn is also necessary. To breach the pathological, existential alienation between the elites and the people, the authorities and those they rule. And not, as some theoreticians of “Putin's stability” suggest, so that the opposition, winning the parliamentary elections, would let Khodorkovsky out of prison. Without a breach of that alienation, no single national idea is possible, and without a national idea, there will be no salvation and rebirth of the country. If someone doesn't like the word “left,” let him find another word. The essence of the turn does not change because of it.
In addition, a left turn is unavoidable because a new “left” cycle in Russian national politics started long ago.
French Rioters Target Jews
Especially Interior Minister Sarkozy, according to EURSOC:
More from IsraPundit:
Censorship even extends to selective hearing. Rantburg reports that Canal Plus showed "youths" chanting insults about interior minister Nicolas Sarkozy. According to Canal Plus' handy subtitles, the youths were chanting "Sarkozy, fascist."
Viewers, however, have keener hearing than Canal Plus' reporters: Contributors to many French web forums claim that the rioters were actually chanting "Sarkozy, sale juif" ("Sarkozy, dirty jew!").
More from IsraPundit:
"Walter H," who lives in France, stated that the violence against Jews has been country-wide. "In Lyon, a car was rammed into a synagogue and set on fire. In Montpellier, the Jewish religious center was firebombed [as] were synagogues in Strasbourg and Marseilles [and] a Jewish school in Creteil," he wrote in an e-mail...
The Australian on the French Riots
The so-called Paris intifada is not an invention of a gloating foreign press corps, thrilled that France with its deep sense of cultural superiority is getting its comeuppance.
The images of the nightly violence speak for themselves -- and the weekend's attack in central Lyon shows the country's worst case of civil unrest since World War II, or at least May 1968, is not over yet.
Hillary is Running...
Traditionally, New York politicians visit the three "I's"--Ireland, Italy, and Israel--when running for office. Senator Hillary Clinton is obviously no exception. While Bush fiddles as Paris burns, hijacks Veteran's Day commemoration ceremonies for partisan political purposes, and attempts to justify secret prisons while fighting against torture bans like some Saudi prince--Hillary and Bill Clinton have been in Israel, paying tribute to Yitzhak Rabin and meeting with Ariel Sharon. Here's the Haaretz coverage. BTW: When's the last time Bush visited Jerusalem?(AP photo on Haaretz website)
Friday, November 11, 2005
Thursday, November 10, 2005
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