As a documentary filmmaker myself, I'm definitely in favor of respecting the work of producers. But isn't respect for the audience also important? In a 14-hour documentary, couldn't Burns have devoted a few minutes (at least!) to include the WWII experiences of America's Latinos? I certainly am not asking for the imposition of any kind of "political litmus tests" for documentaries -- but I am calling for Burns to listen to and show respect for valid complaints from the public broadcasting audience and, in this case, to reassess his startling and ahistorical omission.
But to date both Burns and his PBS supporters seem instead to be circling their wagons and taking a defensive posture, instead of reaching out and trying to rectify the situation. "People, when they see the film, they will see the universality," Burns claims. But Latinos won't see themselves -- and that's the crux of the problem.
To acknowledge the ground that the film does not cover, Burns will begin each episode of the documentary with a title card acknowledging its limited scope. He has also asked PBS and CPB to back the related project of local outreach and production. "The film is done yet there are all these opportunities to tell all these other stories," Burns said.
In other words -- leave it to others to clean up the mess I've made ...
Come on, Ken -- you're better than that! You have fourteen hours in well-promoted prime time, coupled with the most extensive outreach campaigns ever tied to a national broadcast, so why not give it up? Do the right thing! Listen to the voice of the people and then re-edit your precious art ...
So far, however, Burns demurs. "It's not just me that can tell all these stories," he maintains. "This is public broadcasting."
Precisely ...
“This is slavery, not to speak one's thought.” ― Euripides, The Phoenician Women
Monday, April 02, 2007
Rory O'Connor to Ken Burns: "Re-edit your precious art..."
PBS documentary producer Rory O'Connor chides Ken Burns & PBS for disrespecting Latino WWII veterans, on AlterNet: