That's the theme and the pace and the action of "United 93:" How ordinary people, at first strangers to each other, found the courage to act together in the face of certain death.
Despite the whines and the cavils of the weak and the vile and the corrupt among us, "United 93" has no "message."
Despite the rising and continuing attempts to cheapen the film from the spiritually and politically bankrupt that batten off America, "United 93" has no politics.
You don't "review" this film if you have an ounce of soul left to you. You watch it.
"United 93," from the first frame to the last, simply and clearly lets you see what happened high in the air on that day. It is, as the phrase on the poster says, "The plane that did not reach its target." Instead, it reached something unintended and much higher. It became and will remain a legend; an integral part of the tapestry of the American myth from which we all draw what strength remains to us, and, in the future, will surely need to draw upon even more deeply. Like the best of our legends, it arises out of our ordinary people doing extraordinary things.
"United 93" lets you see, without footnotes or the faintest tinge of an agenda of any sort, how ordinary people in one of the most banal yet dangerous modern settings, refused at the last to be cowed or frightened and, knowing full well that all was probably up for them, still fought to save their lives or, in the end, thwart the designs that evil had brought on board.
For when I think, not about the film "United 93" -- that remains a pattern of light and dark in the caves where we come together to share our dreams and myths and more paltry entertainments -- but about the actual flight on that actual day high in the air to the west of the city, I can understand why the passengers, knowing what they knew, would become united in an effort to save themselves.
But I also think that, in the end, saving themselves was not so much on their minds. I think that, at that time and in that place, they understood that those chances were slim indeed. Instead, I like to think that the men and women of United 93 had their souls set upon, in those last moments, the refusal to die as passive victims with seatbelts fastened as the monsters in the cockpit pushed their evil mission to its appointed end.
In a film of brief but telling moments, there's one moment towards the end where you see one man reach down and remove his seatbelt. In that moment you can sense that he goes from being a passive victim to a man who has decided to stand up and engage the evil that has taken control of his life; to take the controls back from thugs and the cut-throats and the mumbling fanatics of a wretched and burnt-out god.
That man, like the firemen who went up the stairs, and his fellow passengers who attacked up the aisle in those last moments, became, in the end, one of the Americans who decided on that day and the days that followed, to stand up. Soon after, that man and all the others on United 93 went into the smoke of that fire in the field.
"United 93" is a simply told, near-documentary look at how that fire in the field came to be. As I said above, the film has no message, but if you -- as I finally did -- choose to go, it will pose you a question: What would you do, an ordinary person in an extraordinary moment when life and death, good and evil, were as clear as the skies over America on September 11? Will you, as so many of our fellow citizens yearn to do these days, stay seated? Or will you stand up?
On one of our days to come, there will be another test. You'd best have an answer prepared.
“This is slavery, not to speak one's thought.” ― Euripides, The Phoenician Women
Monday, May 01, 2006
Gerard Vanderleun on United 93
From American Digest (ht LGF):