Sunday, November 18, 2007

Sabiha Sumar and S. Sathannatnthan on Pakistan

From ABC News' website:
In this "regime adjustment" the Bush administration has found allies amongst Pakistan's elite, which is unremittingly feudal. Bhutto, for example, comes from a traditional feudal family and married into another traditional feudal family; for her, the Pakistan Peoples Party (PPP) formed by her father, is her fiefdom -- she is president for life. Inner-party democracy is the stuff of fiction. It is important to keep in mind that the PPP and Nawaz Sharif's PML(N) are not the secular modern parties voters are accustomed to in the west.

Feudals in both parties oppose Musharraf's reforms tooth and nail. Because his administrative modernization set up, for the first time, representative, elected local government institutions (Nazims) and politically empowered the poor; his economic liberalization (including privatization) is promoting the growth of the middle class -- universally recognized as the backbone of liberal democracy. Both hit at their feudal roots. Predictably, the judiciary has time and again ruled against Musharraf's privatization of key economic sectors.

The clerics in the religious coalition -- the MMA -- resist his educational reforms and promotion of women's rights since both are undermining the ideological domination of the religious establishment. In the North West Frontier Province (NWFP) the ruling MMA is systematically sabotaging Musharraf's reforms.

By all accounts, Musharraf allowed the highest degree of media freedom ever experienced in the country's history. This is exposing the average Pakistani to the world outside, and to modern values of democracy and individual rights.

Not surprisingly, the PPP, PML and the MMA are ranged against the army, led by Musharraf.

It is crucial to keep in mind that he is the first leader who has attempted the modernization of Pakistani economy and society.

Many prominent lawyers leading the opposition to Musharraf are either members of PPP or are closely connected to it through kinship links. A majority of the lawyers and judges and "liberal" defenders of human rights are part of the feudal elite; the rest share in the feudal values. They feel extremely threatened by Musharraf's modernization and are bent on protecting their inherited status and privileges. They are hardly the stuff of independent, modern professionals.

Some of the street support for Bhutto on TV is, of course, from party workers. But a lot of it is the poorest of the poor, most of whom are serfs who live a hand-to-mouth existence on the fiefs of feudals. They are lured in truckloads with the offer of two meals a day, which is a luxury for them.

This is the background to and the essence of the sordid "pro-democracy" movement.

It would be a real pity if American opinion makers and professionals lose sight of this unfolding power struggle between the army led by Musharraf on the one hand and the obscurantist feudal and clerical forces on the other.
The authors produced a film for PBS's Independent Television Service about Pervez Musharraf, titled Dinner with the President. Here are their bios from the ITVS website:
Sabiha Sumar, Director

Born in Karachi, Pakistan, Sabiha Sumar studied filmmaking and political science at Sarah Lawrence College in New York and history and political thought at the University of Cambridge. She has directed both documentaries and narrative films that have won worldwide acclaim.

S. Sathananthan, Producer

S. Sathananthan was born in Jaffna, Sri Lanka and read for the PhD degree at the University of Cambridge. He co-founded Vidhi Films and has produced several documentaries that have played important national and international roles in catalyzing social change. His films include Suicide Warriors, a documentary about the female suicide brigade of the Liberation Tigers of Tamil Eelam; On The Roofs Of Delhi, a short film about the dreams and aspirations of a poor 14-year-old girl; and Khamosh Pani/Silent Waters, a feature film about the growth of Islamic extremism in Pakistan. The film won the Golden Leopard at the Locarno International Film Festival in 2003.