Tuesday, February 07, 2006

Why American Newspapers are Anti-Danish

In a section of Opinion Journal titled
Fair Weather Free Speech Friends, James Taranto explains why the New York Times, Washington Post and Boston Globe do not support the right to free speech of Danish journalists or cartoonists:
What accounts for the difference? A combination of fear and ideology. Muslim fundamentalists, or at least some of them, express offense by torching embassies and threatening terrorist attacks. By contrast, U.S. military leaders write firm but polite letters to the editor, and Christian fundamentalists ask their elected representatives to stop spending tax money on offensive stuff. (Never believe a liberal when he professes to find Christian fundamentalists "scary.") There is no need to appease an opponent who respects rules of civilized behavior.

There is also an ideological component, which goes back to the essay we noted last week on "folk Marxism," or liberal multiculturalism. This ideology sees the world as a series of class struggles--not between economic classes, as in proper Marxism, but between racial, ethnic, religious, sexual or other identity groups, which are defined as either "oppressors" or "victims."

Generally speaking, multiculturalists consider Christians to be an oppressor class, while Muslims are a victim class. A victim class's grievances must be taken seriously and can even trump free expression, while the same is never true of an oppressor class's. (The multicultural worldview sees Jews as an intermediate class--victims of Christians, oppressors of Muslims--which is why liberals can be outraged by anti-Semitic imagery in "The Passion of the Christ" but unperturbed by terrorism against Israelis.)

In this regard, Hiatt's staunch defense of the Toles cartoon, which offended members of the military, is particularly telling. As we've noted, those on the antiwar left often talk of soldiers as if they were a victim class. We haven't heard any of them, however, side with the soldiers who find the Toles cartoon offensive. This suggests that the soldiers-as-victims trope is purely cynical.